00:00:55.085 --> 00:00:59.173
- [David] We're putting this base
together for Lily Suarez.
00:00:59.173 --> 00:01:01.300
She's 16, which means
she's probably, what,
00:01:01.300 --> 00:01:03.302
a sophomores in high school?
00:01:03.302 --> 00:01:07.389
And we're going down to Havana
tomorrow to deliver this.
00:01:07.389 --> 00:01:09.850
A lot of the kids there don't
have their own instruments.
00:01:09.850 --> 00:01:11.310
They have instruments owned by the school
00:01:11.310 --> 00:01:13.353
or essentially the state.
00:01:13.353 --> 00:01:19.443
- [Judy] This box is full of strings
for violins, violas, bridges,
00:01:19.443 --> 00:01:22.488
sound posts, everything you
need for bases and cello.
00:01:22.488 --> 00:01:25.741
And the rest is assorted
product that we need down there.
00:01:25.741 --> 00:01:29.620
Everything from screws to
probably 15 pounds of sandpaper
00:01:29.620 --> 00:01:31.789
because they can't get
any sandpaper down there.
00:01:34.750 --> 00:01:36.376
- [Receptionist] David Gage.
00:02:59.835 --> 00:03:01.086
- [All] Hey!
00:03:15.142 --> 00:03:16.393
Hey!
00:08:36.796 --> 00:08:40.008
- [David] This was our
eighth trip to Cuba.
00:08:40.008 --> 00:08:42.719
It's always a challenge
going through customs in Cuba
00:08:42.719 --> 00:08:44.429
because all of the supplies
00:08:44.429 --> 00:08:46.723
and instruments we're bringing in.
00:08:48.808 --> 00:08:51.853
All the people we bring
in with us are volunteers,
00:08:51.853 --> 00:08:55.315
and they're all really top-notch artisans.
00:09:08.745 --> 00:09:11.289
We helped to start a workshop to teach
00:09:11.289 --> 00:09:15.252
how to repair instruments
and also repair instruments.
00:09:15.252 --> 00:09:18.088
One of only two workshops
in the entire country.
00:09:25.345 --> 00:09:27.138
- [Judy] So you want your
bridges in there, too?
00:09:27.138 --> 00:09:28.807
- Yeah, put 'em all in there.
00:09:30.350 --> 00:09:33.353
- [Judy] This is the beginning
of the workshop area.
00:09:33.353 --> 00:09:37.023
All of these instruments here
are waiting to be repaired.
00:09:38.858 --> 00:09:42.070
This area is only for strings.
00:09:42.070 --> 00:09:44.823
Bass, cello, and violin.
00:09:44.823 --> 00:09:47.742
And all these violins
all need to be repaired.
00:09:48.702 --> 00:09:51.580
This is our newest area of the workshop.
00:09:51.580 --> 00:09:53.373
This is our “taller de la guitarra.”
00:09:54.332 --> 00:09:56.668
So Manny Salvador is here with Ibrahim,
00:09:56.668 --> 00:09:58.295
and they are setting up
00:09:58.295 --> 00:10:02.007
the first actual guitar workshop here.
00:10:02.882 --> 00:10:05.302
We're gonna go into the
brass and woodwind room.
00:10:13.476 --> 00:10:15.645
- [Luthier] The instruments are
in complete disrepair
00:10:15.645 --> 00:10:18.148
because until this
workshop was established,
00:10:18.148 --> 00:10:20.567
there was really no place on the island
00:10:20.567 --> 00:10:22.861
for instruments to get repaired.
00:10:23.486 --> 00:10:26.823
And the climate is so harsh,
here, on musical instruments
00:10:26.823 --> 00:10:29.242
because of the humidity,
especially on woodwind instruments
00:10:29.242 --> 00:10:30.702
and they get rusted and corroded.
00:10:30.702 --> 00:10:33.204
So, we're in this place
where they, they just,
00:10:33.204 --> 00:10:36.583
they need everything, and we
can't give them everything,
00:10:36.583 --> 00:10:38.126
but we can give something.
00:11:42.440 --> 00:11:44.693
- The bridge, straight and straightened.
00:11:44.693 --> 00:11:48.613
Then pull it back and lower the strings.
00:12:34.784 --> 00:12:35.618
- Scalpel.
00:13:02.645 --> 00:13:03.521
- How do you say that?
00:13:03.521 --> 00:13:05.148
- [Darianna] Espalda.
- [David] Espalda.
00:13:05.148 --> 00:13:08.234
So that's an easy word, too, espalda.
00:22:43.976 --> 00:22:44.810
- [Lily] What?
00:22:50.191 --> 00:22:51.317
- [David] It's a special string bass.
00:22:51.317 --> 00:22:53.569
A travel string bass.
- [Lily] For me?
00:22:53.569 --> 00:22:56.822
- [David] So when you travel around
the world in the future,
00:22:56.822 --> 00:22:58.532
you have something to travel with.
00:22:59.575 --> 00:23:00.326
-But...
00:23:35.611 --> 00:23:37.154
- [Spectator] All right, yeah.
00:23:40.241 --> 00:23:45.121
- [Lily] I feel so proud, so, a lucky girl.
00:23:45.121 --> 00:23:46.831
- [Spectator] Yeah, but you deserve it.
00:24:34.920 --> 00:24:36.088
- [Judy] This is triage room,
00:24:36.672 --> 00:24:38.674
although they said to
us there's very little.
00:24:38.674 --> 00:24:40.384
There's always so much to do.
00:24:40.593 --> 00:24:42.011
We were told there was one bass,
00:24:42.011 --> 00:24:43.554
as you can see, there are three.
00:24:44.180 --> 00:24:45.598
Fortunately I didn't believe them,
00:24:45.598 --> 00:24:47.558
and I brought four sets of strings.
00:24:47.558 --> 00:24:50.811
But nonetheless, we're never
gonna be able to do it all.
00:33:37.713 --> 00:33:40.924
- [Darianna] I finally got my visa
to go to the States,
00:33:40.924 --> 00:33:44.052
and I just have a few more days
before I leave for New York City.
00:33:47.723 --> 00:33:50.767
I was in the jazz festival,
00:33:50.767 --> 00:33:54.730
and I met Professor Michael
Goode while I was playing.
00:33:54.730 --> 00:33:57.024
And then he told me about the possibility
00:33:57.024 --> 00:34:00.527
to go to this jazz program
in Michigan University
00:34:00.527 --> 00:34:04.197
and that opened a new door, a new world.
00:34:04.656 --> 00:34:09.077
And, now, I'm in the program
for a masters in jazz.
00:34:11.496 --> 00:34:13.915
I have left Havana City already.
00:34:15.417 --> 00:34:18.879
My grandmother, my aunt, my uncles,
00:34:18.879 --> 00:34:20.380
they all live in Batabano.
00:34:25.969 --> 00:34:28.096
I'm from Guantanamo and I grew up there.
00:34:29.347 --> 00:34:30.766
I am a Guantanamera.
00:34:39.399 --> 00:34:42.819
Now I have to say goodbye to
all my friends and family.
00:34:45.238 --> 00:34:48.658
I will miss everything, all this.
00:34:49.659 --> 00:34:54.039
The music, the air, the noise, the food,
00:34:55.165 --> 00:34:56.750
is everything I know.
00:34:57.250 --> 00:34:58.627
Everything I know is here,
00:34:59.920 --> 00:35:02.214
and I'm not going to be here for a while.
00:38:56.906 --> 00:38:59.451
- [Guide] This building was built in 1817.
00:38:59.451 --> 00:39:01.619
It originally served as a home,
00:39:01.619 --> 00:39:04.539
but where this building really
took shape was in the 1950s
00:39:04.539 --> 00:39:07.083
when it was called the
Associated Artist Gallery,
00:39:07.083 --> 00:39:10.337
and the music that started here
00:39:10.337 --> 00:39:13.673
was the earliest formings
of Preservation Hall.
00:40:53.356 --> 00:40:55.275
- [Musician] There's the rhythm for ya!
00:41:56.044 --> 00:41:56.961
- [Bassist] You know what?
Let’s play them something
00:41:56.961 --> 00:41:58.588
so I can show her a little slap technique.
00:41:58.588 --> 00:42:00.423
- [Pianist] Oh yeah.
- [Bassist] You know?
00:42:27.200 --> 00:42:28.618
- [Pianist] Why don't you try, try?
00:42:28.618 --> 00:42:30.203
We play something very slow.
00:42:30.787 --> 00:42:31.955
- Well, I try it.
00:42:32.330 --> 00:42:33.331
- Come on, come on.
- [Bassist] Okay.
00:42:33.331 --> 00:42:34.374
You wanna play this bass?
00:42:34.374 --> 00:42:35.708
- Yeah, sure.
00:44:12.597 --> 00:44:16.100
- [Bassist] I grew up here at Preservation Hall.
00:44:16.100 --> 00:44:18.394
This was our, our living
room where we're sitting.
00:44:18.394 --> 00:44:22.482
You know, my parents lived
up on the loft back here.
00:44:25.068 --> 00:44:27.153
My father was a tuba player
00:44:27.153 --> 00:44:30.823
and discovered this magical universe.
00:44:33.826 --> 00:44:36.871
This is kind of what I remember
growing up was, you know,
00:44:36.871 --> 00:44:39.749
being around this incredible
group of musicians.
00:44:47.674 --> 00:44:49.801
I've traveled my whole life,
00:44:49.801 --> 00:44:52.178
and the only other
place that I've traveled
00:44:52.178 --> 00:44:56.891
where you felt people
making music every day,
00:44:56.891 --> 00:44:59.727
all day, was Cuba.
00:46:24.187 --> 00:46:26.314
- [Tuba Player] Man, oh man.
00:46:26.314 --> 00:46:28.107
Those kids are so talented.
00:46:30.109 --> 00:46:32.278
If they moved to New Orleans,
I'd hire 'em on the spot.
00:46:32.278 --> 00:46:33.613
I ain't gon' lie.
00:46:33.613 --> 00:46:34.238
Every one of 'em.
00:46:34.238 --> 00:46:35.072
Yeah, you in my band.
00:46:35.072 --> 00:46:35.907
Yeah, you too.
00:46:35.907 --> 00:46:37.492
Yeah, my band.
00:48:06.539 --> 00:48:10.293
- [Musician] Yeah, beautiful, beautiful.
- Get down, man.
00:48:10.293 --> 00:48:11.794
- [Tuba Player] Wonderful job, all you guys!
00:48:11.794 --> 00:48:15.131
It's like being with
all my nieces and nephews
00:48:15.131 --> 00:48:18.259
when we have family gatherings
at the Johnson House,
00:48:18.259 --> 00:48:19.385
and we have a good time.
00:48:19.385 --> 00:48:22.138
We all, the nephews, nieces, cousins,
00:48:22.138 --> 00:48:24.640
and it's the same, it's the same feeling.
00:48:24.640 --> 00:48:27.018
We all just happy, even when it's over,
00:48:27.018 --> 00:48:28.185
somebody gonna start playing.
00:48:28.185 --> 00:48:29.770
Say, "Oh yeah, yeah!"
00:48:29.770 --> 00:48:31.522
Oh, now I gotta break my horn back out.
00:49:21.989 --> 00:49:25.493
- [Radio Host] And you are listening to WWOZ, 90.7 fm.
00:49:25.493 --> 00:49:27.578
We have a large group of guests
00:49:27.578 --> 00:49:29.705
that are in the WWOZ studios.
00:49:29.705 --> 00:49:32.833
Good, I should say, good afternoon, Jana.
00:49:32.833 --> 00:49:34.043
- [Jana] Hello, Sandra.
00:49:34.043 --> 00:49:35.461
We're really happy to be here.
00:49:35.795 --> 00:49:37.505
We're here in New Orleans right now
00:49:37.505 --> 00:49:40.341
for our program called Jazz, Jazz Amistad.
00:49:40.341 --> 00:49:42.760
Amistad means friendship in Spanish.
00:49:42.760 --> 00:49:44.303
So Jazz Amistad is a program
00:49:44.303 --> 00:49:47.348
where we build these
exchanges with partners,
00:49:47.348 --> 00:49:49.350
and the truth is we learn from each other.
00:49:49.350 --> 00:49:52.186
So, we're here in New Orleans
with Preservation Hall Jazz
00:49:52.186 --> 00:49:54.021
uh, to learn from them.
00:49:54.021 --> 00:49:54.897
- That's beautiful.
00:49:54.897 --> 00:49:58.109
- And you gotta come
see us tomorrow night.
00:49:58.109 --> 00:50:00.152
We're in concert at The Wein Center.
00:54:02.978 --> 00:54:03.854
- [David] You're here.
00:54:03.854 --> 00:54:05.022
- [Darianna] Oh my God.
- [David] Safe and sound.
00:54:05.022 --> 00:54:06.941
- [Darianna] I can't believe it.
- [David] Can't believe it either.
00:54:06.941 --> 00:54:08.692
Tomorrow we'll go to the shop.
00:54:08.692 --> 00:54:10.027
- [Darianna] I can't wait.
- We'll see you.
00:54:10.027 --> 00:54:11.695
- [Darianna] I can't wait to be in your shop.
00:54:19.078 --> 00:54:20.162
- We have to twist it.
00:54:21.413 --> 00:54:22.998
- This side?
- Yeah.
00:54:24.375 --> 00:54:25.459
- [Darianna] Okay.
00:54:26.335 --> 00:54:27.169
- Okay, good.
00:54:28.254 --> 00:54:29.672
Good job of packing this up.
00:54:37.930 --> 00:54:39.098
Good, not a crack on it.
00:54:39.098 --> 00:54:39.932
It's beautiful.
00:54:43.185 --> 00:54:44.478
- [David] You know, if you take out of tension,
00:54:44.478 --> 00:54:46.897
and it gets shipped and moved,
00:54:46.897 --> 00:54:48.732
it's very likely the sound post moved.
00:54:49.400 --> 00:54:50.985
Let's take a look at it, all right?
00:54:50.985 --> 00:54:51.860
- Okay.
00:54:58.284 --> 00:55:00.244
- [David] That rosin's really sticky in there.
00:55:00.244 --> 00:55:01.787
There we go, I almost broke it.
00:55:02.079 --> 00:55:03.122
That little click.
00:55:04.290 --> 00:55:06.625
- [Darianna] I remember in
Havana I was very anxious.
00:55:07.418 --> 00:55:09.753
- [David] Right in there.
- [Darianna] But this just disappear.
00:55:10.087 --> 00:55:12.631
But I think I'm not conscious still.
00:55:12.631 --> 00:55:14.842
I'm not conscious, yet.
00:55:16.927 --> 00:55:18.429
- [Luthier] Oh my God.
- [Darianna] Hi.
00:55:18.429 --> 00:55:19.763
- [Emma] Oh my God, hi.
00:55:21.473 --> 00:55:22.808
- Hello.
00:55:22.808 --> 00:55:25.227
- Welcome, welcome to New York.
00:55:25.227 --> 00:55:26.645
- [Darianna] Thank you so much.
- [Emma] How are you?
00:55:26.645 --> 00:55:29.898
- [Darianna] Emma Dayhoff is
an extraordinary bassist.
00:55:29.898 --> 00:55:31.150
Thank you, you look great.
00:55:33.944 --> 00:55:35.029
- [Darianna] I met her in Cuba.
00:55:35.029 --> 00:55:38.866
She was giving workshops,
and I was in the class.
00:55:42.786 --> 00:55:45.331
I didn't know anything about jazz.
00:55:46.081 --> 00:55:50.210
I hadn't yet had any jazz as
part of my musical education.
00:55:52.254 --> 00:55:54.965
So Emma was
showing me super basic things
00:55:54.965 --> 00:55:56.300
that I didn't know yet.
00:55:57.843 --> 00:56:00.512
Even how she held her hand was new to me.
00:56:32.336 --> 00:56:33.170
- Cool.
00:56:35.506 --> 00:56:39.093
- [Darianna] I'm thinking about next
week when I get to Michigan,
00:56:40.302 --> 00:56:42.846
but I'm here now enjoying this moment
00:56:42.846 --> 00:56:44.681
with these wonderful people.
00:56:45.849 --> 00:56:47.643
I'm waiting to see what's next.