WEBVTT

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[music]

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Yeah. Okay. How do you feel?

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[music]

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This collaboration between U.S. and Vietnamese
theaters was a long time in the making.

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Lorelle Browning, an American Shakespeare
scholar, laid the groundwork.

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She raised money, organized a tour of Vietnam\'s
renowned Central Dramatic Company to the U.S.,

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and then won Vietnamese government approval

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for a joint production
of Shakespeare\'s comedy.

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We\'re… we\'re on the bus. We just
arrived at the airport. Yeah.

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Five years after first contacts
were made, she brought

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American artists to Vietnam.

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Where are you from?

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Uh… United States. Me, Me Portland Oregon.

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Okay. At first, the Americans fear

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they will be met with suspicion because
of the past history of the war.

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But they soon find out,
this is not the case.

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[music]

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What can I say about my
first impressions of Hanoi.

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[music]

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I seem to react with the very air around
me and together we make some kind of cloud

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of electric energy.

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I begin to feel like a fisherman in a flood

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with a net and I\'m trying
to catch all the fish.

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You know, like I have to get everything
around me, the sights and smells and shops

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and people and experiences and food,
everything. For fear that, yeah,

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one day I will wake up and it will all be
like a dream, which is very interesting

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given the play that we\'re doing because, that\'s kind of
what happens. They wake up at the end and they think

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\"Did I really…, was that, wasn\'t
there, did I, did that really, nah.\'

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[music]

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The Americans\' euphoria

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is tempered by the realization at the
size of the job they\'ve signed up for.

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At the headquarters of Hanoi\'s
Central Dramatic Company,

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just seven weeks are allotted for the rehearsal of
A Midsummer Nights\' Dream, a complex production

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requiring a cast and
crew of over 70 people.

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Uh… It\'s okay to make mistakes. It\'s the first time that this
play will be performed in Vietnam. And I don\'t expect everything,

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we know everything about the play yet.
We still have a lot to discover.

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And again, I want to reiterate:
it\'s not about being perfect today.

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So why don\'t we start with Stephanie\'s list. It\'s agreed
that Allen Nause, a veteran Shakespearian director,

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will lay out the basic staging and
framework of the performance.

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Then, Doan Hoang Giang, one of Vietnam\'s
most respected stage directors,

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will add the music and actions, to make the
production a uniquely Vietnamese interpretation.

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[music]

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[non-English narration]

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Uh… Quince can even be more officious.
Uh… uh… more anals retentive.

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A major difficulty is that
just about everything

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has to go through translation, which effectively
doubles the time it takes to communicate,

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and creates lots of opportunities
for embarrassing misunderstandings.

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Okay.

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No. Okay. As if this isn\'t complex enough,

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the play will be performed in
two languages. The American\'s

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will speak mostly English, and attempt
an occasional line of Vietnamese,

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while the Vietnamese will speak mostly
Vietnamese with an occasional stab at English.

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Basin. Patience.

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Bash… Patience. Patience. Yes.

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Patience. Yes, good. Patience.

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So to get to the place where we can find those moments
in those speeches that work for those actors,

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and then can be comprehensible
to us in the audience

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is gonna be a huge challenge. Lorelle, in
addition to being the American co-producer,

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is the script advisor, or dramateur.
In this role,

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she will defend Shakespeare\'s text against
misunderstanding and mistranslation.

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So you are standing over here.

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[music]

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Shakespeare\'s play opens in the court of
Theseus, Duke of Athens, as he looks forward

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to his wedding with Hippolyta.
But their plans

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are overshadowed by the main plot, which
revolves around four star-crossed lovers.

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Hermia loves Lysander,

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but her father insists
that she marry Demetrius.

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If she refuses, he threatens
to invoke a brutal law

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that would permit him to put her to death.

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For all that I could ever read,
could ever hear by tale or history,

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the course of true love
never did run smooth.

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But either it was, uh, line.
But either it...

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But either it was different in blood.
But either it was different in blood

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Or else misgraffed in respect of years.

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Keep promise, then. Look,
here comes Helena.

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God speed, fair Helena.

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Whither away? Call you me fair?

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I have a great fear that we
feel separate from each other.

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That it… that sometimes it feels like
it\'s, um… in a way an anti-collaboration.

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Vietnamese actors

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and American actors putting
on a play rather than

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actors putting on a play.

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I promise to be truthful, if you promise to
be truthful. But of course. Promise. Promise.

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Okay. Believe me, believe me. Believe us, truly.
Yes. Thank you. So when in rehearsal with Helena,

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I attack you and hug you
and, um… did you feel like

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it would have been more respectful
to first say, uh… \"Is it okay if

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I grab you, put my arms around you?\"

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But, gentle friend, for love
and courtesy lie further off.

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No.

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Here.

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And we\'re going through, uh, one of the first
scenes and it calls for me to kiss her,

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and I thought \'Well, I don\'t,
you know, uh… do you just,

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do you just jump in?\' I don\'t know what her comfort
level is. Uh… So let\'s just give it a shot

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and… and what I got the first day was
just a lot of cheek. \'Here. Kiss me here,

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and just not, I thought, \"Oh, jeez. Did I,
should I not have done that? I don\'t, you know,

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was that too far?\' I don\'t want
to invade your personal space.

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But what I understand is they don\'t really kiss
in the Vietnamese theater. That doesn\'t happen.

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[sil.]

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Do you, do you find it difficult in… in,
uh… in that kind of relating on stage,

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physical or, or emotional?

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So this is our own little revolution. This
could be me making history. Woo-hoo. Lysander.

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[sil.]

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[music]

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Lysander and Hermia decide to elope,
and escape to an enchanted forest

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inhabited by fairies.

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This world is ruled by a fairy
king and queen who, at the moment,

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are engaged in a marital tiff.

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Oberon, the fairy king, vows to
get even with Titania, his wife.

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He enlists his servant Puck
to find a magic flower

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that he will use to cast a spell upon her.

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Puck is a prankster who creates all sorts
of trouble. He is also at the center

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of the first serious creative disagreement
between the Vietnamese and Americans.

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Okay, Puck we know has a broom.

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Giang, we know has been present in all
the rehearsals for the past 10 days,

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but had never really told Allen
what his ideas were on the show.

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And so at yesterdays production meeting
those ideas started to come out

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and it became apparent
that Giang sort of had a,

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kind of a Broadway extravaganza idea. He
revealed that he wanted to add a few characters

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to the play. Namely, some
assistants for Puck.

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Giang envisions that every time Puck
comes on stage he is accompanies by

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six drumming fairies. We\'re not sure

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what the effect is gonna be, but it became
clear that Giang had very, very strong ideas

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that weren\'t anything like
the ideas that Allen had.

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And it totally took me aback, because it had
never been mentioned, never been brought up.

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Shakespeare didn\'t write Puck with six servants.
He wrote Oberon with one servant, Puck.

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I had the feeling last night
that maybe I was just kind of

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going through the motions of getting the play on its
feet and he was gonna come in and direct the real play.

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That made me feel, um… slightly used.
But, um…

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I… I, feel that we\'ve come, we\'ve come to

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an agreement at least today. But
tomorrow I may be surprised again.

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Yeah, this… this is…

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Demetrius.

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[sil.]

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Hermia\'s best friend, Helena, loves
Demetrius, but he shuns her.

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Instead, he seeks Hermia in the forest

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where she has eloped with Lysander.
While lovesick Helena tags along.

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You hard-hearted adamant. But yet you draw
not iron, for my heart is true as steel.

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Through Athens I am thought as fair as she,

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but what of that? Demetrius thinks not so.
He will not know what all but he do know.

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Helena not only fails to win Demetrius,

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Kristen\'s work in rehearsals
does not please Giang.

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He\'s saying that a Vietnamese man could never love a woman
that acts like that. But maybe I can find another way

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to do that besides doing this.
That\'s right.

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But I just don\'t like

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some of your physicalizations. That\'s all.

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Something that I feel is really clear
about Demeterius, or about Helena,

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is that she\'s weird. She\'s different.

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And that\'s why I\'ve chosen to make
her a little over-the-top-top.

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Use me but as your spaniel. Spurn
me, strike me, neglect me,

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lose me. Only give me
leave, unworthy as I am,

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to follow you. We should be woo\'d

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and were not made to woo.

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[sil.]

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I\'ll follow you and make a heaven of hell,
to die upon the hand I love so well.

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The thing is, I\'ve never felt so strongly
opposed to a director\'s idea of my character.

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And I just can\'t get on my knees and beg

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because two men\'s idea of what a desperate
woman looks like. And when he plays Helena,

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he can get on his knees and
beg, you get my drift?

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[music]

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[sil.]

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My biggest worry

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is that on opening night I\'m not going
to remember my Vietnamese lines.

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My whole performance is going
to be about remembering

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those Vietnamese lines. Demetrius.

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[sil.]

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No, no, I\'m gonna do it. I\'m gonna do it.
Listen and repeat.

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It\'s like being five, to a certain extent.

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And essentially what we\'re doing here is going from
zero to Shakespeare in, in a matter of months.

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I\'m not even sure what I\'m saying.

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And, uh… something in there ain\'t right.
So, so people start to laugh.

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How are we doing? The American actors.

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Is it good? How\'s the, the, uh, sound?
Pronunciation?

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[sil.]

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Be honest. Speak true.

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[sil.]

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Beyond language, there was another obstacle

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the Americans had expected
to find in Hanoi.

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This was political ideology, and the
history of war. We were once enemies.

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Older members of the
central dramatic company

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have vivid memories of
the American bombing.

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[sil.]

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[sil.]

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In Hanoi,

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the war seems long ago. Though Vietnam
is still a communist country,

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its new open-door policy is fueling commerce
and cultural exchange with the west.

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[music]

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Western investment and western emissaries
of marketing are being welcomed.

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[music]

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French marketing director Cendrine
De Vis is just such an emissary.

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She works for the American Theater Group.
Her job is not only to promote

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ticket sales for the play, but to teach
the Vietnamese how to earn money from art

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and become less dependent on
total government subsidy.

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The Vietnamese Ministry of
Culture and Information

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invites her to speak to Hanoi
theater directors about marketing.

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It\'s an honor to be talking to you
and to be dialoging with you.

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Your job is important. Especially
because all the environment around us

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is becoming more and more businesslike.
I\'ve heard stories in Hanoi

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of people going to theater, maybe
five times to buy tickets.

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The door is closed.

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How can you sell tickets
if people cannot buy it?

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And if it means that
people have to be trained

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how to answer the phone, how to keep
tracks of everything it is our job

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to train those people.

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My worst nightmare is that we have a
complete communication breakdown.

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I think that we have to use this one. Why,
yeah. Well you, uh-huh. Like Cendrine,

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stage manager Stephanie Mulligan is also
concerned with keeping everybody on track,

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and on schedule. No, we need eight.

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But in the Vietnamese theater, there
is no corresponding job title,

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no single person who has the authority
or responsibility she takes for granted.

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I\'m used to working a full
eight hour days of rehearsal.

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You take your union breaks,
you take your union lunch,

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and I get a lot done. I put things on the list,
we\'re gonna work on this scene for 20 minutes,

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we\'re, then we move into
this scene for half an hour.

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And here, the way of working
is you start at 9 o\'clock,

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and you work maybe until 11:30,

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and then you take a two and a half hour
lunch. So I just gotta stay flexible

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and at the same time, how are we
gonna get the job done if we\'re not

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doing a lot of work?

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[music]

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We get tense as we try to
negotiate through this.

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For them it\'s like… like
a river, it just flows.

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I mean it\'s like crossing
the street, you know,

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it\'s this constant surge of activity and
it\'s being in the middle of the surge

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trying to kind of keep a certain amount
of calmness, and being part of the surge.

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Does that make sense?

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[music]

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There\'s not one day that
I regret working here.

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Even thought it drives me crazy and
I\'m upset, you know, and I\'m tired,

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and I get angry at the people. Whatever.
Sometimes it\'s, you know, happened between us.

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Yes. And you want things to be perfect.
Cendrine comes to depend

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on Ho Quic Hung to explain the
Vietnamese way of doing things.

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He is a production assistant working
for the Vietnamese theater.

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He\'s the hero for everyone, you know. We have a question, we have
something that has to be done and done well, we\'re gonna ask him.

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He\'s pulled in many different directions
and has a zillion things to do.

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I myself, am very much
interested in this approach.

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It… it\'s… it\'s wonderful. This is the,

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a very good opportunity for
us to learn from each other.

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I can see you working all day, so, I
try to follow the way you are working,

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and how serious you are at work, and
how you, enthusiastic you are at work.

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And I try to capture your spirit.

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Ho says there is something the Vietnamese
are better at than the Americans.

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We seem not to have much a
conflict with each other.

00:31:50.000 --> 00:31:54.999
The Vietnamese is, uh…

00:31:55.000 --> 00:31:59.999
working but while they are working,
they don\'t pile all of their attention,

00:32:00.000 --> 00:32:04.999
all of their energy to the work. They
thinks about other things and let\'s say,

00:32:05.000 --> 00:32:09.999
while working they can talk to each
other about, uh… their families,

00:32:10.000 --> 00:32:14.999
their, uh… sentiment, friends, whatever.
So, it… it, make the work less tense.

00:32:15.000 --> 00:32:19.999
Work is only a part of life.

00:32:20.000 --> 00:32:25.000
Not all.

00:32:50.000 --> 00:32:54.999
Very exciting.

00:32:55.000 --> 00:32:59.999
Yes. Yeah. Interesting. Three
weeks into rehearsals,

00:33:00.000 --> 00:33:04.999
Chieu arranges for a Sunday outing
to visit some Buddhist shrines.

00:33:05.000 --> 00:33:09.999
It is the first time the Vietnamese
and Americans spend a day together

00:33:10.000 --> 00:33:14.999
without working on the play. Misunderstandings
and frustrations disappear.

00:33:15.000 --> 00:33:23.000
[music]

00:33:35.000 --> 00:33:43.000
[sil.]

00:34:00.000 --> 00:34:08.000
[sil.]

00:34:10.000 --> 00:34:18.000
[music]

00:34:30.000 --> 00:34:38.000
[music]

00:35:30.000 --> 00:35:34.999
The morale of the theater
company is boosted by the news

00:35:35.000 --> 00:35:39.999
that they will open in Hanoi\'s most prestigious
theater. The stage at the Hanoi Opera House

00:35:40.000 --> 00:35:44.999
is reserved for the nations\' most
treasured cultural performances.

00:35:45.000 --> 00:35:49.999
This is the Carnegie Hall of Vietnam.

00:35:50.000 --> 00:35:54.999
I was just very impressed with
the beauty of the building.

00:35:55.000 --> 00:35:59.999
It was extremely helpful to go over there during
a show and actually be able to sneak backstage.

00:36:00.000 --> 00:36:04.999
I think it\'s gonna work out
quite well for our needs.

00:36:05.000 --> 00:36:09.999
So, uh… today I can say that, um… maybe
everything will be wonderful. Yeah.

00:36:10.000 --> 00:36:14.999
[sil.]

00:36:15.000 --> 00:36:19.999
About this time, the troop learns
that the American president

00:36:20.000 --> 00:36:24.999
will be making his historic visit to
Hanoi the same week the play is to open.

00:36:25.000 --> 00:36:29.999
Is it possible

00:36:30.000 --> 00:36:34.999
that Bill and Hilary Clinton will honor
them by attending opening night?

00:36:35.000 --> 00:36:39.999
[sil.]

00:36:40.000 --> 00:36:44.999
During rehearsal, they have a
visit from a Clinton scout.

00:36:45.000 --> 00:36:49.999
Evelyn Lieberman is U.S. Undersecretary
of State for Cultural Affairs,

00:36:50.000 --> 00:36:54.999
and rumored to be a close
friend of the president\'s wife.

00:36:55.000 --> 00:36:59.999
[music]

00:37:00.000 --> 00:37:04.999
Comic relief is provided by
a band of amateur actors

00:37:05.000 --> 00:37:09.999
that prepares to enact a melodrama
in honor of Theseus\' wedding.

00:37:10.000 --> 00:37:15.000
[sil.]

00:37:25.000 --> 00:37:29.999
Puck, the troublemaker, comes upon
their rehearsal in the forest.

00:37:30.000 --> 00:37:34.999
He can\'t resist the temptation
to create some mischief,

00:37:35.000 --> 00:37:39.999
so he casts a spell and turns
one of the actors into an ass.

00:37:40.000 --> 00:37:48.000
[sil.]

00:37:55.000 --> 00:37:59.999
Meanwhile, Oberon casts his spell
on his wife, the fairy queen.

00:38:00.000 --> 00:38:04.999
So that when she wakes she will fall
in love with the first thing she sees,

00:38:05.000 --> 00:38:09.999
however gross it may be.

00:38:10.000 --> 00:38:18.000
You are as wise as you are beautiful.

00:38:20.000 --> 00:38:28.000
[music]

00:38:35.000 --> 00:38:39.999
The minute that we

00:38:40.000 --> 00:38:44.999
walked into the theater it was clear that this was a romp,
and it didn\'t make a difference what language you spoke.

00:38:45.000 --> 00:38:49.999
You understood exactly what was going
on, and the energy was unbelievable.

00:38:50.000 --> 00:38:54.999
It was very exciting to have her here.

00:38:55.000 --> 00:38:59.999
We know that we\'re doing
something extraordinary here,

00:39:00.000 --> 00:39:04.999
but it was wonderful to hear that from a U.S.
government official. One of the things I said today.

00:39:05.000 --> 00:39:09.999
As word spreads the Clintons might come to
the show, they begin to attract attention

00:39:10.000 --> 00:39:15.000
from the press. It\'s obviously a big deal,
uh, but, uh… are you hoping for that?

00:39:25.000 --> 00:39:29.999
[music]

00:39:30.000 --> 00:39:34.999
Back in the forest, trouble is brewing.

00:39:35.000 --> 00:39:39.999
To help Helena win Demetrius\'
love, Oberon orders Puck

00:39:40.000 --> 00:39:44.999
to give the magic potion to Demetrius.

00:39:45.000 --> 00:39:49.999
But Puck squeezes the potion

00:39:50.000 --> 00:39:54.999
into the wrong man\'s eyes,
mistaking Lysander for Demetrius.

00:39:55.000 --> 00:39:59.999
Then Helena stumbles upon Lysander.

00:40:00.000 --> 00:40:04.999
I see no blood, no wound.

00:40:05.000 --> 00:40:09.999
Lysander, if you live, good sir, awake.

00:40:10.000 --> 00:40:14.999
[music]

00:40:15.000 --> 00:40:19.999
And run through fire, I
will for thy sweet sake.

00:40:20.000 --> 00:40:24.999
Oy, Helena.

00:40:25.000 --> 00:40:29.999
Transparent Helena,

00:40:30.000 --> 00:40:34.999
nature shows art, that through thy
bosom makes me see thy heart.

00:40:35.000 --> 00:40:39.999
Meanwhile, Hermia finds
herself abandoned by Lysander

00:40:40.000 --> 00:40:44.999
and alone in the dark forest.

00:40:45.000 --> 00:40:49.999
[sil.]

00:40:50.000 --> 00:40:54.999
What? Gone already?

00:40:55.000 --> 00:40:59.999
Lysander.

00:41:00.000 --> 00:41:04.999
Lysander. As rehearsals progress, tensions
also develop within the production.

00:41:05.000 --> 00:41:09.999
Allen and Lorelle have been
gone for a couple of weeks.

00:41:10.000 --> 00:41:14.999
Allen, to direct a production of
Tennessee Williams\' Glass Menagerie

00:41:15.000 --> 00:41:19.999
with other actors in the Vietnamese company, and
Lorelle to do promotional work on Ho Chi Minh City.

00:41:20.000 --> 00:41:24.999
During this time, Giang moves forward

00:41:25.000 --> 00:41:29.999
with Midsummer Night, but when Lorelle gets
back, she disagrees with changes he\'s made.

00:41:30.000 --> 00:41:34.999
She confronts him in rehearsal. Well,
what happened this morning was,

00:41:35.000 --> 00:41:39.999
I came in on the conversation about
how Hermia ought not to speak English

00:41:40.000 --> 00:41:44.999
in this scene. And it just made me realize

00:41:45.000 --> 00:41:49.999
that really he and I are doing two
extraordinarily different things.

00:41:50.000 --> 00:41:54.999
I don\'t in any way want to undermine
what he\'s doing, but at the same time

00:41:55.000 --> 00:41:59.999
I have very strong opinions
about the way the English

00:42:00.000 --> 00:42:04.999
and the Vietnamese work in this show. And
also, that it\'s very important for us

00:42:05.000 --> 00:42:10.000
to tell the story in a very clear way.

00:43:10.000 --> 00:43:15.000
Oh, spite… Oh, hell. I see you both…

00:43:30.000 --> 00:43:35.000
Can you not hate me as I know you do, but
you must join in souls to mock me, too?

00:43:50.000 --> 00:43:54.999
Uh… Demetrius, uh… I\'m pretty frustrated with Mr. Do Ky always
telling me what to do, because it\'s none of his business.

00:43:55.000 --> 00:43:59.999
And I don\'t know, I mean, it seems
like they do that here. Like the…

00:44:00.000 --> 00:44:04.999
like the actors tell other actors what to do and how
to do it. So it could just be a cultural thing,

00:44:05.000 --> 00:44:10.000
but it really irritates me. Never
did mockers waste more idle breath.

00:44:25.000 --> 00:44:29.999
There is a huge thing
about what is feminine.

00:44:30.000 --> 00:44:34.999
And because I walk differently,
because I\'m not on my knees,

00:44:35.000 --> 00:44:39.999
that\'s not feminine enough.

00:44:40.000 --> 00:44:44.999
I know as an actor my
job, in the end, is to do

00:44:45.000 --> 00:44:49.999
what Mr. Giang says. And I just don\'t know

00:44:50.000 --> 00:44:54.999
if I can do it. I\'m just so different

00:44:55.000 --> 00:44:59.999
than everyone around here. People
can see me coming sometimes.

00:45:00.000 --> 00:45:04.999
So yeah, in that respect,
that is like Helena.

00:45:05.000 --> 00:45:09.999
[sil.]

00:45:10.000 --> 00:45:14.999
Today was just not a fun day.

00:45:15.000 --> 00:45:19.999
It was all about work and problems.

00:45:20.000 --> 00:45:24.999
It\'s very hard for me
to keep coming to them.

00:45:25.000 --> 00:45:29.999
Cendrine and I have been
trying to make a flyer and now

00:45:30.000 --> 00:45:34.999
Mrs. Linh(ph) is the, the,
um… marketing manager

00:45:35.000 --> 00:45:39.999
of the theater, uh… came to see and,

00:45:40.000 --> 00:45:44.999
uh… refused completely our work.
I just feel like, uh,

00:45:45.000 --> 00:45:49.999
I have built a house and then after
I have completed it, it collapsed.

00:45:50.000 --> 00:45:54.999
I got angry with Mrs. Linh

00:45:55.000 --> 00:45:59.999
and even with Cendrine.
But, um… I felt very sorry,

00:46:00.000 --> 00:46:04.999
I feel very sorry about that.
I also want her to tell me

00:46:05.000 --> 00:46:09.999
what have… what have I been wrong
so I can adjust them myself.

00:46:10.000 --> 00:46:14.999
Because I know, I know

00:46:15.000 --> 00:46:19.999
I am wrong sometimes. Not every time I am right.
But why do you assume that you are wrong?

00:46:20.000 --> 00:46:24.999
Why don\'t you think that I was
the one wrong? I feel as though

00:46:25.000 --> 00:46:29.999
I didn\'t do my job well.

00:46:30.000 --> 00:46:34.999
And I, and I feel bad about that.

00:46:35.000 --> 00:46:39.999
I always think that the time that we are
working with each other is very short,

00:46:40.000 --> 00:46:44.999
it\'s very short. But it has become
a very important part of my life.

00:46:45.000 --> 00:46:49.999
[music]

00:46:50.000 --> 00:46:54.999
Time is getting short. Only three weeks are
left before the play is scheduled to open.

00:46:55.000 --> 00:46:59.999
It\'s at this point that actors and
directors have a first look at costumes.

00:47:00.000 --> 00:47:04.999
She thinks she needs a scarf like that.

00:47:05.000 --> 00:47:09.999
[music]

00:47:10.000 --> 00:47:14.999
Those costume designers saying,

00:47:15.000 --> 00:47:19.999
\'Okay, I can give that to you.\' You like? Vietnamese. You like? Nice.
Uh… They don\'t like it. They wanna get rid of it. It\'s too peasant.

00:47:20.000 --> 00:47:24.999
No one would call these people aristocracy.

00:47:25.000 --> 00:47:29.999
But he really doesn\'t like it,

00:47:30.000 --> 00:47:34.999
I think is the point. So
today we had costume parade,

00:47:35.000 --> 00:47:39.999
and the actors were trying on their costumes for
the first time. And I have never experienced

00:47:40.000 --> 00:47:44.999
a costume parade where every single actor

00:47:45.000 --> 00:47:49.999
said they hated their costume. I… every
single one. I mean it\'s astounding.

00:47:50.000 --> 00:47:54.999
I walked into that room and there
were like 35 dejected faces.

00:47:55.000 --> 00:47:59.999
[sil.]

00:48:00.000 --> 00:48:08.000
[music]

00:48:10.000 --> 00:48:14.999
What was even more astounding to me was that they were
all saying this in front of the costume designer.

00:48:15.000 --> 00:48:19.999
People were running backstage

00:48:20.000 --> 00:48:24.999
and pulling off costumes from other shows and
bringing them out and saying \'I\'ll wear this.

00:48:25.000 --> 00:48:29.999
You know. My costume is a Pamper.
Not only is it a Pamper,

00:48:30.000 --> 00:48:34.999
it\'s a yellow Pamper and
it\'s got a full load.

00:48:35.000 --> 00:48:39.999
And it\'s really ugly.

00:48:40.000 --> 00:48:44.999
And I had to walk around translating,

00:48:45.000 --> 00:48:49.999
wearing this piece of crap.

00:48:50.000 --> 00:48:55.000
[music]

00:49:15.000 --> 00:49:19.999
Maybe they, next dance rehearsal they should wear these. Find
out where the problems are, and then we\'ll address them then.

00:49:20.000 --> 00:49:28.000
[music]

00:49:40.000 --> 00:49:44.999
The American\'s ask for a meeting

00:49:45.000 --> 00:49:49.999
of the directors and producers to
resolve lingering creative differences.

00:49:50.000 --> 00:49:54.999
Lorelle asks Allen and Stephanie
to get together beforehand. And by

00:49:55.000 --> 00:49:59.999
having six boys haulin\' around drums,

00:50:00.000 --> 00:50:04.999
barking like dogs, pretending to be horses,

00:50:05.000 --> 00:50:09.999
it demystifies that world. That
world needs to be mysterious.

00:50:10.000 --> 00:50:14.999
These guys are not mysterious. These guys
are trivializing it. We might as well

00:50:15.000 --> 00:50:19.999
have Disneyland and Peter Pan. They
embarrassed me because they are so bad.

00:50:20.000 --> 00:50:24.999
I mean, I don\'t have quite
the same take on it as…

00:50:25.000 --> 00:50:29.999
as you do. I think I can
work almost all of those…

00:50:30.000 --> 00:50:34.999
those devices that Giang as set up.
The problem we can get into is that,

00:50:35.000 --> 00:50:39.999
this is a collaboration between…
between eastern and western

00:50:40.000 --> 00:50:44.999
and what Giang is doing is
putting in eastern ideas

00:50:45.000 --> 00:50:49.999
that we\'re saying, or we\'re in danger of saying,
\"Oh, that doesn\'t work for my western sensibility,

00:50:50.000 --> 00:50:54.999
so we have to take it out and do it our
way. You keep saying I can live with it.

00:50:55.000 --> 00:51:00.000
I don\'t want to live with it.

00:51:05.000 --> 00:51:09.999
Lysander! Lysander! Back in the forest

00:51:10.000 --> 00:51:14.999
Hermia is reunited with Lysander
only to discover that his feelings

00:51:15.000 --> 00:51:19.999
for her have changed. Why should he
stay home, with a lot of press to go.

00:51:20.000 --> 00:51:24.999
Lysander\'s love,

00:51:25.000 --> 00:51:29.999
that would not let him bide, Fair Helena, who
more engilds the night than all you fiery oes

00:51:30.000 --> 00:51:34.999
and eyes of light. I think
the play is in good shape.

00:51:35.000 --> 00:51:39.999
The place I have real concern
is where the play slows down,

00:51:40.000 --> 00:51:44.999
where Shakespeare has written
the play to move quickly there.

00:51:45.000 --> 00:51:53.000
[non-English narration]

00:52:25.000 --> 00:52:29.999
That I\'ve already cut 400 lines
from this play and I will fight

00:52:30.000 --> 00:52:34.999
to cut one more line.

00:52:35.000 --> 00:52:39.999
I am going to stick to my guns on this.
I worry that

00:52:40.000 --> 00:52:44.999
if we cut more lines were
moving away from the story,

00:52:45.000 --> 00:52:50.000
the story is more important
I think than anything else.

00:53:05.000 --> 00:53:09.999
I think

00:53:10.000 --> 00:53:14.999
it\'s a bad idea.
Shakespeare… I have to say,

00:53:15.000 --> 00:53:19.999
he\'s a better playwright than you
are or I am or you are or you are.

00:53:20.000 --> 00:53:24.999
I believe that the Vietnamese
audience will like it

00:53:25.000 --> 00:53:30.000
and will like this show because what we\'re giving
them is something that is rich and wonderful.

00:53:45.000 --> 00:53:49.999
If we cut it with the… without umm…
without lessens the information of the…

00:53:50.000 --> 00:53:54.999
It isn\'t about information.

00:53:55.000 --> 00:53:59.999
It isn\'t about information, it is about

00:54:00.000 --> 00:54:04.999
what happens on that stage
between human beings.

00:54:05.000 --> 00:54:13.000
This is my point of view. I\'m sorry.

00:55:00.000 --> 00:55:04.999
This entire project has been
likened to riding a tiger.

00:55:05.000 --> 00:55:09.999
You can\'t get off or the tiger will eat you. So the
best you can do is just hang on and keep going.

00:55:10.000 --> 00:55:14.999
[sil.]

00:55:15.000 --> 00:55:23.000
Shall be chronicled.

00:56:00.000 --> 00:56:04.999
If you have any pity, grace, or manners, you would
not make me such an argument. But fare ye well:

00:56:05.000 --> 00:56:09.999
\'tis partly my own fault, which
death or absence soon shall remedy.

00:56:10.000 --> 00:56:14.999
Stay, gentle Helena; hear my excuse: My
love, my life, my soul, fair Helena!

00:56:15.000 --> 00:56:19.999
O excellent! Helen, I love
thee; by my life, I do,

00:56:20.000 --> 00:56:24.999
I swear by that which I will lose for thee,
to prove him false that says I love thee not.

00:56:25.000 --> 00:56:30.000
If thou say so, withdraw, and prove it too.

00:56:35.000 --> 00:56:39.999
Away, you Ethiope!

00:56:40.000 --> 00:56:44.999
Or I will shake thee from me like a
serpent! Why are you grown so rude?

00:56:45.000 --> 00:56:49.999
What change is this? Sweet love…

00:56:50.000 --> 00:56:54.999
Disagreements on the creative interpretation
of the play continue to fester.

00:56:55.000 --> 00:56:59.999
But no one is prepared
for what happens next.

00:57:00.000 --> 00:57:04.999
The Vietnamese Ministry of Culture and Information
cancels the plays opening at the Opera House.

00:57:05.000 --> 00:57:09.999
The reason is that, after all

00:57:10.000 --> 00:57:14.999
the American President is not interested in the play
and the stage is needed for an alternative performance

00:57:15.000 --> 00:57:19.999
for the Clintons.

00:57:20.000 --> 00:57:24.999
One week before opening, the
troop has no place to perform.

00:57:25.000 --> 00:57:29.999
Cendrine finds this out quite by accident.
They never told us.

00:57:30.000 --> 00:57:34.999
They\'ve 10:30 this morning
at 04:30 we know.

00:57:35.000 --> 00:57:39.999
They don\'t want to confront problems

00:57:40.000 --> 00:57:44.999
until they become absolutely unbearable.

00:57:45.000 --> 00:57:49.999
And what you\'re saying about what 7 o\'clock
this morning, until 4 o\'clock, that\'s nothing,

00:57:50.000 --> 00:57:54.999
that\'s not unbearable yet.
I think it\'s possible

00:57:55.000 --> 00:57:59.999
when they heard the bad news that it would
take them a day just to… Digest it.

00:58:00.000 --> 00:58:04.999
Could be worse. Really?

00:58:05.000 --> 00:58:09.999
Uh… Could be cancelled all together. I guess
we need to kind of put a plan together,

00:58:10.000 --> 00:58:14.999
what… what do we do next. Do we? Do we need

00:58:15.000 --> 00:58:19.999
to continue on this roller coaster when we
don\'t know what\'s going to happen tonight.

00:58:20.000 --> 00:58:24.999
But we have to continue. I think we do have
the option to tell them we\'re leaving.

00:58:25.000 --> 00:58:29.999
I understand your frustration the rail
about because I feel it every day.

00:58:30.000 --> 00:58:34.999
But I really feel that if we
threatened to pull the plug

00:58:35.000 --> 00:58:39.999
or anything like that, it would really be letting this
company down and I think it would send the wrong signal.

00:58:40.000 --> 00:58:44.999
If we don\'t panic and we show strength
and we show we have a plan, that\'ll help

00:58:45.000 --> 00:58:49.999
show get on board. I
think that by all means

00:58:50.000 --> 00:58:54.999
you have to be with them.
We\'re a family now.

00:58:55.000 --> 00:59:00.000
And what are we going to do?
I\'ll make a plan, no blames…

00:59:20.000 --> 00:59:24.999
The next morning, Chau finds another Theatre
for the play, but a misunderstanding

00:59:25.000 --> 00:59:29.999
about dates fuels American
suspicions that they somehow

00:59:30.000 --> 00:59:38.000
still being kept in the dark.

00:59:40.000 --> 00:59:45.000
[sil.]

01:01:00.000 --> 01:01:08.000
[music]

01:01:45.000 --> 01:01:49.999
The replacement theater that
Chou arranges is the monumental

01:01:50.000 --> 01:01:54.999
Soviet-Vietnamese Cultural
Friendship Palace,

01:01:55.000 --> 01:01:59.999
built by the Russians at the height of the
Cold War as a gift to the Vietnamese people.

01:02:00.000 --> 01:02:08.000
[music]

01:02:30.000 --> 01:02:34.999
It\'s actually better than what I thought.

01:02:35.000 --> 01:02:39.999
[sil.]

01:02:40.000 --> 01:02:44.999
It\'s kind of pretty blocky but
it\'s actually not too bad.

01:02:45.000 --> 01:02:49.999
It\'s not really too ugly and we\'d
not be, we have the choice either.

01:02:50.000 --> 01:02:54.999
On the inside we got almost 1,200 seats

01:02:55.000 --> 01:02:59.999
and the stage is larger than
the whole theatre in Vietnam.

01:03:00.000 --> 01:03:04.999
It a huge space. Are we really
going to sell 1200 tickets

01:03:05.000 --> 01:03:10.000
for opening night? I\'m very worried
because this theatre is very big.

01:03:20.000 --> 01:03:24.999
I swear I felt like

01:03:25.000 --> 01:03:29.999
Captain Kirk trying to take over
a cling on ship. It was this

01:03:30.000 --> 01:03:34.999
massive ancient Russian Light board,
and then I thought Come on Steff,

01:03:35.000 --> 01:03:39.999
you did this, it\'s just a light board,
it\'s just a light board, just because it\'s

01:03:40.000 --> 01:03:44.999
about 25 years old in a
completely different language

01:03:45.000 --> 01:03:49.999
and you have no idea if it actually
works, it\'s still just a light board.

01:03:50.000 --> 01:03:54.999
But we try. We\'re going to make it work.
We\'re gonna make it work. Yeah. Yeah.

01:03:55.000 --> 01:03:59.999
They move into the Friendship
Palace the next day. There are just

01:04:00.000 --> 01:04:04.999
seven days left until opening.

01:04:05.000 --> 01:04:13.000
[music]

01:04:45.000 --> 01:04:49.999
During this time, the company
has to erect the stage,

01:04:50.000 --> 01:04:54.999
hang the drops, set the lights,

01:04:55.000 --> 01:04:59.999
finalized props and costumes,
device and rehearsal lighting plot,

01:05:00.000 --> 01:05:04.999
polish dance numbers, and coordinate

01:05:05.000 --> 01:05:09.999
and rehearse all exits and entrances
with lighting, sound, and music cues,

01:05:10.000 --> 01:05:14.999
as well as the synchronization
in Vietnamese and English

01:05:15.000 --> 01:05:19.999
of the entire play in super
toggles projected over the stage.

01:05:20.000 --> 01:05:28.000
[music]

01:05:30.000 --> 01:05:34.999
It seems impossible. Yet things
start to fall into place.

01:05:35.000 --> 01:05:43.000
[music]

01:06:15.000 --> 01:06:20.000
[music]

01:06:40.000 --> 01:06:44.999
[music]

01:06:45.000 --> 01:06:49.999
Rehearsal goes fine. Use
me but as your spaniel…

01:06:50.000 --> 01:06:54.999
Something finally clicks for me and I
am your Spaniel, saying thank god.

01:06:55.000 --> 01:06:59.999
So I don\'t know if it
was just my perception

01:07:00.000 --> 01:07:04.999
that it was a big deal, it
just kind of went away.

01:07:05.000 --> 01:07:09.999
Everything seems kind of balanced out.

01:07:10.000 --> 01:07:14.999
The things are going pretty well today

01:07:15.000 --> 01:07:19.999
and even though I disagree with some of
the things that… that Giang is doing

01:07:20.000 --> 01:07:24.999
to the show, I also see that some of the choices
he\'s made are actually working very well.

01:07:25.000 --> 01:07:29.999
We\'ve also been able to make decisions
together that I think are really terrific.

01:07:30.000 --> 01:07:34.999
If we keep the line in (inaudible),
uh… we don\'t wanna make it too simple

01:07:35.000 --> 01:07:39.999
but because it\'s the beginning of this

01:07:40.000 --> 01:07:44.999
sort of poetic section…

01:07:45.000 --> 01:07:49.999
So it\'s actually not translated correctly.
Okay. Oh, well, that makes a big death.

01:07:50.000 --> 01:07:54.999
Listening to Giang I realized that there
was a lot that was not very clear

01:07:55.000 --> 01:07:59.999
in the Vietnamese translation.
So he agreed to go away

01:08:00.000 --> 01:08:04.999
and work on about six speeches and I
was really pleased because he kept

01:08:05.000 --> 01:08:09.999
most of it. I\'m trying to set the lights.

01:08:10.000 --> 01:08:14.999
I don\'t go… Yeah. On the middle, the
top, blue lights on the middle.

01:08:15.000 --> 01:08:19.999
Uh… Could you bring them up to five?
So a little more, a little more. Okay.

01:08:20.000 --> 01:08:24.999
That\'s… that\'s very pretty.

01:08:25.000 --> 01:08:29.999
Stephanie, the gels are melting
and burning and smoking.

01:08:30.000 --> 01:08:38.000
[music]

01:08:40.000 --> 01:08:44.999
Cendrine and Hung travels south to
Ho Chi Minh City, where the play

01:08:45.000 --> 01:08:49.999
the schedule to open ten days
after the Hanoi premier.

01:08:50.000 --> 01:08:54.999
We\'re going around the city trying
to look at big tall buildings,

01:08:55.000 --> 01:08:59.999
that look really fancy in business line,
that would be full affluent companies

01:09:00.000 --> 01:09:04.999
and give fliers to them and
inform them of the plays

01:09:05.000 --> 01:09:09.999
and try to get them to buy tickets.

01:09:10.000 --> 01:09:14.999
Grassroots marketing. Human eye.

01:09:15.000 --> 01:09:19.999
I think, yeah, that thing over there.

01:09:20.000 --> 01:09:24.999
The production is badly strapped for cash.
Chou is worried

01:09:25.000 --> 01:09:29.999
about how they will meet the costs of moving the
entire showed to the South, for a two to week run.

01:09:30.000 --> 01:09:34.999
[music]

01:09:35.000 --> 01:09:39.999
Cendrine and Hung try to sell as many of
the most expensive tickets as possible

01:09:40.000 --> 01:09:44.999
to people who can afford them.
Uh… Third floor. Okay.

01:09:45.000 --> 01:09:49.999
Vietnamese who worked for foreign companies

01:09:50.000 --> 01:09:54.999
and American and European expatriates.
I have something to…

01:09:55.000 --> 01:09:59.999
with the Vietnam-America theatre exchange.
Is it possible to leave those fliers here

01:10:00.000 --> 01:10:04.999
and have them distributed in the mailboxes?
Okay, no problem.

01:10:05.000 --> 01:10:09.999
And if there\'s a problem or you need more or whatever,
please feel free to call me on my mobile phone.

01:10:10.000 --> 01:10:18.000
[music]

01:10:25.000 --> 01:10:29.999
I don\'t know what\'s
happening to my taste here

01:10:30.000 --> 01:10:34.999
but the woman who makes my dress has convinced me
that I need shoes and a bra for my opening night,

01:10:35.000 --> 01:10:39.999
traditional ausy. And finding a bra

01:10:40.000 --> 01:10:44.999
that fits me in this town
is pretty near impossible.

01:10:45.000 --> 01:10:49.999
Me, in a cast iron push up
bra… Optional. Optional.

01:10:50.000 --> 01:10:54.999
[music]

01:10:55.000 --> 01:10:59.999
The last two days are slated
for full dress rehearsals.

01:11:00.000 --> 01:11:05.000
It is the last chance to
get everything right.

01:11:10.000 --> 01:11:14.999
[music]

01:11:15.000 --> 01:11:19.999
Giang\'s biggest worry is the
very opening of the play,

01:11:20.000 --> 01:11:24.999
in which Puck\'s assistants perform a dance.

01:11:25.000 --> 01:11:29.999
Oh, boy. Oh, boy.

01:11:30.000 --> 01:11:34.999
Without rhythm. Yes, they have no rhythm.

01:11:35.000 --> 01:11:39.999
[non-English narration]

01:11:40.000 --> 01:11:44.999
Because that that sets

01:11:45.000 --> 01:11:49.999
the rhythm for the whole
play, that first dance.

01:11:50.000 --> 01:11:54.999
[non-English narration]

01:11:55.000 --> 01:11:59.999
So we really need to get in there and
for the first 20 minutes it as play

01:12:00.000 --> 01:12:04.999
we\'ve got to be just incredible, while the audience to keep
them here. We\'ve got to get them to love us before we screw up.

01:12:05.000 --> 01:12:09.999
This morning,

01:12:10.000 --> 01:12:14.999
a misunderstanding about actors
call times threatens to jeopardize

01:12:15.000 --> 01:12:19.999
what little time they have left.
How can we work then?

01:12:20.000 --> 01:12:28.000
He says that if you… if you change

01:12:30.000 --> 01:12:35.480
the schedule like this, they don\'t have enough time to rest and they
will fail. Come on its tech week. You\'re gonna have to deal with it.

01:12:40.000 --> 01:12:44.999
Okay. Well, this is…

01:12:45.000 --> 01:12:49.999
This is where I\'m gonna have to just overrule
and insist. If… if I have to be the bad guy

01:12:50.000 --> 01:12:58.000
and draw the line, I\'m drawing the line.

01:13:45.000 --> 01:13:49.999
[sil.]

01:13:50.000 --> 01:13:54.999
Things are tense in the theatre.

01:13:55.000 --> 01:13:59.999
But its\' nothing compared to what happens back in the production
office. So why don\'t you have kind of box office report

01:14:00.000 --> 01:14:04.999
and this morning and finally
he sat down with me…

01:14:05.000 --> 01:14:09.999
and he said, oh, we can not sell tickets.

01:14:10.000 --> 01:14:14.999
And I\'m like, we cannot sell tickets. He said, no, we
can\'t diminish (inaudible) and want us to sell tickets.

01:14:15.000 --> 01:14:23.000
So I said, can they come in the morning for the
dress rehearsal? And she said, no. I said, why?

01:14:45.000 --> 01:14:49.999
Because they want to come in the evening. I
said, why? Because they are important people

01:14:50.000 --> 01:14:54.999
and they want to come in the evening.
So I said, can they send someone else,

01:14:55.000 --> 01:14:59.999
another VIP to come for the morning dress
rehearsal. She said, no. These people want to come

01:15:00.000 --> 01:15:04.999
but they want to come for the evening.
And the very Ministry

01:15:05.000 --> 01:15:09.999
that wants them to be more successful
in those ways, does… does things like

01:15:10.000 --> 01:15:14.999
not letting them sell tickets
ahead of opening night.

01:15:15.000 --> 01:15:19.999
I mean, that\'s absurd.
Somehow not being told

01:15:20.000 --> 01:15:24.999
until 30 hours before our opening

01:15:25.000 --> 01:15:29.999
that we can\'t sell tickets to the opening.
When they have known for months

01:15:30.000 --> 01:15:34.999
that this was the case,
was beyond astonishing.

01:15:35.000 --> 01:15:43.000
I could not believe it.

01:15:50.000 --> 01:15:54.999
But what I heard Chau say today,

01:15:55.000 --> 01:15:59.999
is basically you don\'t know what you\'re doing here,
you don\'t really have any business being here

01:16:00.000 --> 01:16:04.999
and you sure as hell don\'t
have any business telling us

01:16:05.000 --> 01:16:09.999
how to advertise and sell tickets.
It was the first time

01:16:10.000 --> 01:16:14.999
that it was Vietnamese against
the Americans, you know.

01:16:15.000 --> 01:16:19.999
I feel really betrayed.

01:16:20.000 --> 01:16:28.000
[music]

01:16:30.000 --> 01:16:34.999
In a final attempt

01:16:35.000 --> 01:16:39.999
to sort things out, Oberon tells
Puck to lure the to angry rivals

01:16:40.000 --> 01:16:45.000
deep into the forest by
mimicking each of their voices…

01:16:50.000 --> 01:16:58.000
[music]

01:17:15.000 --> 01:17:19.999
Puck reduces them to utter exhaustion.

01:17:20.000 --> 01:17:24.999
Hermia and Helena collapsed beside
them and a final spell is cast.

01:17:25.000 --> 01:17:30.000
[music]

01:17:40.000 --> 01:17:44.999
[music]

01:17:45.000 --> 01:17:49.999
There hasn\'t been a single day that

01:17:50.000 --> 01:17:54.999
we haven\'t had some kind of crisis
but we all want the same thing.

01:17:55.000 --> 01:17:59.999
Now we must continue to reach
beyond the difficulties.

01:18:00.000 --> 01:18:04.999
There\'s so much talent in this room and this
company is as good as any company in the world.

01:18:05.000 --> 01:18:09.999
Tonight, and on tour and all through
this, let\'s keep this in mind

01:18:10.000 --> 01:18:14.999
we want to create the best
Midsummer Night\'s Dream

01:18:15.000 --> 01:18:19.999
that was ever done, every night, even
when we\'ve had bad food on the train.

01:18:20.000 --> 01:18:24.999
[sil.]

01:18:25.000 --> 01:18:29.999
The Americans worry they will play
to an empty house that night,

01:18:30.000 --> 01:18:35.000
because of the restriction on ticket sales,
but about a thousand people show up.

01:18:50.000 --> 01:18:55.000
[non-English narration]

01:19:00.000 --> 01:19:04.999
We feel pretty good, just
hungry enough not to…

01:19:05.000 --> 01:19:09.999
not so full that I can\'t move, just
hungry enough that give me enough energy

01:19:10.000 --> 01:19:14.999
to make me need to get through this. I
feel good, real good. Fight. Fight.

01:19:15.000 --> 01:19:19.999
We could say supported by the ministry,

01:19:20.000 --> 01:19:24.999
support and the Ford foundation… Yeah.
Yeah, you can say that, supported by…

01:19:25.000 --> 01:19:29.999
Is everything going okay? It\'s not too bad.

01:19:30.000 --> 01:19:34.999
Break leg tonight.

01:19:35.000 --> 01:19:39.999
And then we drink…

01:19:40.000 --> 01:19:44.999
[non-English narration]

01:19:45.000 --> 01:19:49.999
Yes, perhaps, perhaps.

01:19:50.000 --> 01:19:58.000
[non-English narration]

01:20:00.000 --> 01:20:08.000
[music]

01:20:15.000 --> 01:20:19.999
In the morning, Theseus discovers
the four sleeping lovers.

01:20:20.000 --> 01:20:24.999
Who wake and profess their true love

01:20:25.000 --> 01:20:29.999
for each other.

01:20:30.000 --> 01:20:34.999
They feel that they have

01:20:35.000 --> 01:20:39.999
just awoken from an astonishing dream.

01:20:40.000 --> 01:20:44.999
[music]

01:20:45.000 --> 01:20:49.999
Meanwhile, Oberon freeze Titania
from the spell he has cast.

01:20:50.000 --> 01:20:54.999
And the unfortunate actors
turn back into a man.

01:20:55.000 --> 01:21:03.000
[music]

01:21:05.000 --> 01:21:09.999
All is forgiven. Everyone gets married

01:21:10.000 --> 01:21:14.999
and they settle down to watch
the (inaudible) troop.

01:21:15.000 --> 01:21:23.000
[music]

01:22:35.000 --> 01:22:39.999
Well done, gentlemen. We did it, huh….
Oh, yeah. Mr. Hung, well done.

01:22:40.000 --> 01:22:48.000
[music]

01:22:50.000 --> 01:22:54.999
What\'s the matter?

01:22:55.000 --> 01:23:00.000
[music]

01:23:05.000 --> 01:23:13.000
[music]

01:23:15.000 --> 01:23:19.999
Uh… I\'m very happy. All
happy… happy and happier.

01:23:20.000 --> 01:23:24.999
At least three quarters of the worries
I had were gone and we\'re really not

01:23:25.000 --> 01:23:29.999
worth worrying about… Process,
it was an amazing ride.

01:23:30.000 --> 01:23:38.000
[sil.]

01:23:45.000 --> 01:23:53.000
[music]

01:23:55.000 --> 01:23:59.999
The company went on tour for a month
presenting a Midsummer Night\'s Dream

01:24:00.000 --> 01:24:04.999
and The Glass Menagerie, in Ho
Chi Minh City in (inaudible).

01:24:05.000 --> 01:24:09.999
Then they returned to Hanoi, were at last,

01:24:10.000 --> 01:24:14.999
they were given the stage at the
Opera House, altogether about

01:24:15.000 --> 01:24:19.999
9,000 people saw the show.
After three months in Vietnam,

01:24:20.000 --> 01:24:25.000
it is time for the Americans to go home.

01:25:05.000 --> 01:25:13.000
Me too. Me too.

01:25:15.000 --> 01:25:20.000
I really love you. You\'re a wonderful man.
Yes. And a wonderful actor.

01:25:55.000 --> 01:26:00.000
[sil.]

01:26:20.000 --> 01:26:24.999
Those who have struggled to find

01:26:25.000 --> 01:26:29.999
a way to communicate with each other
have really earned the right to call

01:26:30.000 --> 01:26:35.000
one another friends.

01:26:40.000 --> 01:26:44.999
[sil.]

01:26:45.000 --> 01:26:53.000
I miss you a lot. I miss you.

01:27:05.000 --> 01:27:09.999
I want to do with you again.

01:27:10.000 --> 01:27:14.999
Yes, we must. Okay.

01:27:15.000 --> 01:27:19.999
We fell in love, you know.
Something binding

01:27:20.000 --> 01:27:24.999
and something that is
larger than we yet know.

01:27:25.000 --> 01:27:29.999
That\'s really what it feels like to me.

01:27:30.000 --> 01:27:38.000
[sil.]

01:27:45.000 --> 01:27:49.999
I feel a little bit like

01:27:50.000 --> 01:27:54.999
there\'s some things that would have done
differently. I made a commitment to myself

01:27:55.000 --> 01:27:59.999
to… to try and be uh… you know,

01:28:00.000 --> 01:28:04.999
a good partner. And uh… and I\'m not
sure that I always was a good partner.

01:28:05.000 --> 01:28:09.999
I also know about myself that my tenacity,

01:28:10.000 --> 01:28:14.999
my perseverance, my commitment is

01:28:15.000 --> 01:28:19.999
I think a large part of why we
all got here. It\'s been amazing

01:28:20.000 --> 01:28:24.999
and hard and wonderful

01:28:25.000 --> 01:28:29.999
and scary and worth it.

01:28:30.000 --> 01:28:38.000
[sil.]