“A playful and vital work, a sincere act of love for a land and a culture steeped in history, a hymn to the Dionysian spirit of art.” —Eddie Bertozzi, Locarno Film Festival

“A movie we will write about for years to come. Essential.” —Martin Lukanov, Asian Movie Pulse

“Qiu has made a cleverly contained existential epic, an ode to the innate persistence of workers, artists, and people in the face of futility and poor fortune. It is a wonder the film carries it off with an empathetic sparkle—there must be some purpose to art, to life, after all.” —Daniel Kasman, MUBI Notebook

“In his film, which runs over 179 minutes, director Qiu creates a huge epochal fresco and revives the ancient Sichuan Opera tradition with the magic touch of a modern-day Méliès.” —Maria Giovanna Vagenas, Senses of Cinema

“I haven’t seen a more aesthetically (and historically) daring, brilliant independent feature from China in years.” —Shelly Kraicer, Vancouver International Film Festival

“The brightest light in the Chinese independent cinema world at this moment.” —Cinema Scope

“Daring and imaginative, with affecting intimacy and candid observations.” —Richard Brody, The New Yorker

“Critic’s Pick! A magnificently layered historical epic... breathes new life into a story as old as civilization.” —Austin Considine, The New York Times

“An epic and fantastical depiction of five decades of Chinese history.” —Richard Whittaker, The Austin Chronicle

“A detailed account of China’s turbulent political history, interweaving multiple personal, political, and mythological layers.” —Screen Slate

“Exquisitely shot... A lively, lovely film, even in the saddest moments.” —Video Librarian

“It is as multilayered as the traditions of old and as daring as the convictions of new. Like the afterlife, which frames its narrative, Jiongjiong has crafted a pointed study of how the deeds of history remain and resonate through time.” —Film Threat