WEBVTT

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Alright.

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Good morning.

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So, Jaeeun, you will be going
just like...

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So, Jaeeun, you do...

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After this arabesque
you go like this.

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Yeah, but take a risk so that
you fall back to Pasza, yeah?

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That\'s...

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We have to make it work
and I think, you know,

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that it should be
almost that you have to...

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If you take it from here, yeah?

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And then we are quite front

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then we can start
maybe a little bit...

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Yeah, so then
he will take you like...

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Jaeeun, you go like this,

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you do immediately
pirouette en dehors, yes?

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So you go like...
You have to go like this.

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And zoom...

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Yeah. Difficult?

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Not bad.

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And now wait till...

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No, Pasza, wait.
She has to be completely down and you will have
the music for this, yeah?

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So... Yeah.

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But wait. I think wait for her.
Yeah?

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So you will be...

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She\'s going down
and go like this.

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Ok.

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Now, Jaeeun, control, yeah?

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Hop. And cross.

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Cross. Okay?

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Yeah!

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Okay. Let\'s try, yeah?

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Go!

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No, no. It should be...

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It should be faster.

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Faster.

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Try to run...

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\"I think we shouldn\'t...
Non stop. Non stop.

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Yeah... [buzzing sounds]

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And then we\'ll see
what happens. Yeah?

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It\'s not romantic.
The music is romantic,

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but we are...

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Something else.

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It\'s better like this
and then you go... Like this...

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The same leg.
The same leg, yeah.

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There. You go, go. Go.
Wah-pah-pah.

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And glue to him, yeah.

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Better, yeah.

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Just the shoulders.
Shoulders down.

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Hop. That\'s it. It\'s....

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But...

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We\'ll be better the other way,
Pasza, yeah?

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This way, yeah.

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Like this you did...
So this way.Just like you did it. Hop. Hop.

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And...

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Like this. And... zoom.

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Yeah?

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There. There.

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There. There.

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Yeah.

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On this, on this arm only, yeah?High arabesque.

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High arabesque. Yeah?

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Okay?

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Jaeeun, you will not
understand this. Potatoes.

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It\'s about potatoes.

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We use this, we were talking...

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so the people who are picking up
the potatoes

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on the field.

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It\'s such a hard work and...

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It also...

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It also gives you
a sort of indication,

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Indication about the character
of movement. Yeah?

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The potato...

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Potato... people are bent over.

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It\'s sort of a grand movement.
it\'s, it\'s heavy.

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When we had...
introduced the communist system,

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which was, you know,
imposed on us,

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and you know, there was
this hard life, yeah?

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It\'s not only because communism,
but after the war

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the life was very hard.

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But still the people
were falling in love.

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In hard times people
are falling in love

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maybe even more
than in good times.

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It\'s also important

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that it sort of
creates the contrast

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with the music, you know.

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The music is very beautiful,

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the music
is basically idealistic.

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But of course we have
no potatoes on stage.

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Yeah, on stage.

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Okay, let\'s do one more time.

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And go.

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Okay,
just we have to stop because...

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Okay, it was better, yeah?

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Let\'s sit, Pasza.
You okay, Pasza?

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You know, it looks a bit like...

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Maybe I\'m not... Yeah, just up.
Jaeeun, yeah?

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Hop! That\'s good, very good.
Very good, yeah.

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Yeah.

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Hop. Down and...

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It should be like, like...

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Okay, guys.
Everyone, you know.

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Tomek, everyone. Yeah?

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Guys.

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Don\'t move before \"one\".

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When you hear me screaming...
I\'m not inventing.

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Yeah, you move before \"one\".

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It\'s one, two, three.
Don\'t prepare.

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Some of you, you think
that you move on \"one\"

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because you prepare
the arm on \"four\"

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and you start to move on \"one\",

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but I see this arm on \"four\".

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So really it looks good,

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but it has to be
on the same beat. Yeah?

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Together, together.

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Yeah.

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You could...

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When you do with Yuka,
you could do more like this. And then you know...
So can I just see this like...

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The last one, yeah?

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So you go like this.

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It will be better. Better.

00:24:59.680 --> 00:25:01.560
Good, guys.

00:34:05.880 --> 00:34:10.240
Don\'t go in one line.

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Louder.

00:34:50.480 --> 00:34:51.640
One, two!

00:35:15.160 --> 00:35:19.160
Demeter!

00:35:30.040 --> 00:35:35.160
I don\'t understand Demeter.
Why he still does mistakes.

00:35:46.320 --> 00:35:50.760
One, two, three, four. One!

00:35:55.440 --> 00:35:59.400
One!

00:36:05.480 --> 00:36:10.000
One, two, three, four. One, two.

00:36:13.680 --> 00:36:18.040
Three times. Four, four.

00:37:20.760 --> 00:37:25.376
Quiet walk.
You have time, look.

00:37:25.400 --> 00:37:27.640
Good.

00:37:28.160 --> 00:37:29.040
You are on the lines.

00:37:39.120 --> 00:37:43.256
One, two, three.

00:37:43.280 --> 00:37:44.736
Okay, thank you.

00:37:44.760 --> 00:37:46.560
Not bad, guys.
Considering it\'s Tuesday.

00:37:50.600 --> 00:37:54.816
No, it\'s this moment.

00:37:54.840 --> 00:37:56.216
We are...
They make on four or one?

00:37:56.240 --> 00:37:59.040
Four, yeah?

00:38:00.280 --> 00:38:02.360
So you... You have
to be decisive, yeah?

00:38:02.640 --> 00:38:05.376
This is important.
It\'s a simple...

00:38:05.400 --> 00:38:07.296
This arm is what I always say,

00:38:07.320 --> 00:38:09.416
in every single ballet, yeah?

00:38:09.440 --> 00:38:11.456
The arms we see the most, yeah?

00:38:11.480 --> 00:38:13.280
Okay, let\'s start.

00:38:15.160 --> 00:38:19.616
Guide your arms together, guys.

00:38:19.640 --> 00:38:21.320
It\'s a simple thing.
You have to see.

00:38:52.000 --> 00:38:56.096
Okay, stop.

00:38:56.120 --> 00:38:57.616
Daria.

00:38:57.640 --> 00:38:59.016
Please, concentrate!

00:38:59.040 --> 00:39:02.376
I don\'t want to stop on the
thing we\'ve worked already. Yeah?
So please, one more time.

00:39:02.400 --> 00:39:04.520
Full concentration.

00:39:24.640 --> 00:39:28.976
There. And then you go.

00:39:29.000 --> 00:39:31.016
And...

00:39:31.040 --> 00:39:32.680
That looks better a bit, yeah?

00:39:33.800 --> 00:39:35.880
Yeah. Okay? Okay.

00:39:36.720 --> 00:39:39.160
Guys, we\'re going
to the last movement, okay?

00:39:39.480 --> 00:39:42.080
Three, four,
one, two, three, four.

00:39:53.320 --> 00:39:57.600
Marta, Marta, Marta.

00:40:30.640 --> 00:40:35.296
Yuka, come.
We will be a movie star.

00:40:35.320 --> 00:40:38.896
I think it has to be almost
like...

00:40:38.920 --> 00:40:41.896
you know,
when you\'re getting up...

00:40:41.920 --> 00:40:44.056
It has to be a little bit...

00:40:44.080 --> 00:40:46.216
Like...
You know, almost like...

00:40:46.240 --> 00:40:47.856
It\'s a bit heavier.
More difficult to get up, yeah?

00:40:47.880 --> 00:40:50.816
So like aesthetically
it\'s right,

00:40:50.840 --> 00:40:53.616
but it could be a little bit...

00:40:53.640 --> 00:40:55.600
Sorry for this.

00:40:56.000 --> 00:40:57.816
So you can go, you know,
like this, from here.

00:40:57.840 --> 00:41:00.536
You go almost like this.

00:41:00.560 --> 00:41:02.360
I can\'t get up. You know.

00:41:04.720 --> 00:41:07.000
-Okay.
-Okay.

00:41:07.880 --> 00:41:09.760
That\'s it, yeah.

00:41:10.160 --> 00:41:11.896
Very small. Very, very small.

00:41:11.920 --> 00:41:14.720
Very small thing.

00:41:15.640 --> 00:41:17.720
Good.

00:41:18.320 --> 00:41:19.920
Second movement.

00:41:24.800 --> 00:41:29.216
And one, two, three, four.

00:41:29.240 --> 00:41:32.736
Two, two, three, four.

00:41:32.760 --> 00:41:35.016
Three, two, three, four.

00:41:35.040 --> 00:41:37.376
Four, two, three, four. Yeah.

00:41:37.400 --> 00:41:39.800
Four before.
One, two, three, four.

00:41:40.080 --> 00:41:44.200
One, two, three, four,
two, two, three, four,

00:41:44.760 --> 00:41:49.080
-Stop.
-Three...

00:41:50.400 --> 00:41:54.616
This is good.
This is good, yeah?

00:41:54.640 --> 00:41:56.640
You know, its...

00:41:57.000 --> 00:42:00.496
We have to be
a little bit more... you know? It\'s from...

00:42:00.520 --> 00:42:01.776
This part, this part,
when we go.

00:42:01.800 --> 00:42:03.776
It should be a little
bit more there, yeah?

00:42:03.800 --> 00:42:05.576
So it\'s...
We are twisted like this.

00:42:05.600 --> 00:42:08.696
Yeah, like this.
But the body is like this.

00:42:08.720 --> 00:42:11.000
Yeah?

00:42:11.720 --> 00:42:13.160
Thank you.

00:42:13.400 --> 00:42:14.760
Thank you.

00:42:16.800 --> 00:42:20.856
Like this.

00:42:20.880 --> 00:42:22.656
Yeah?

00:42:22.680 --> 00:42:24.040
Yeah. That\'s good, yeah.
That\'s good. Okay?

00:42:46.520 --> 00:42:50.776
Yeah, it\'s too high.

00:42:50.800 --> 00:42:52.560
It\'s too high.

00:42:53.120 --> 00:42:53.800
Yeah. Yeah.
Pasza...

00:43:02.400 --> 00:43:06.400
Okay.

00:46:28.760 --> 00:46:33.120
Oh, that was on Vimeo...

00:46:34.200 --> 00:46:36.440
And then you...

00:47:56.920 --> 00:48:01.040
Aha. Okay.

00:48:03.080 --> 00:48:07.840
Guys, can someone...
Eliza, what is he saying?

00:54:19.920 --> 00:54:24.336
In German how do you say?

00:54:24.360 --> 00:54:26.816
\"Viel Gluück\".
But it\'s something else.

00:54:26.840 --> 00:54:28.920
You don\'t say: \"Scheisse.\"

00:54:30.720 --> 00:54:32.080
- It\'s French.
- It\'s in French.

00:54:33.520 --> 00:54:35.120
Theo!

00:56:18.440 --> 00:56:22.680
Well, it cannot...

00:56:24.360 --> 00:56:24.760
Stop!

00:56:45.720 --> 00:56:49.856
Guys, toi, toi.

00:56:49.880 --> 00:56:51.616
Enjoy it, yeah?
Use your personality and...

00:56:51.640 --> 00:56:54.000
Like you did.

00:56:55.000 --> 00:56:56.680
I\'m leaving.

00:57:56.280 --> 00:58:00.696
Toi, toi, toi.
Enjoy it!

00:58:00.720 --> 00:58:02.496
Good spirit, beautiful.

00:58:02.520 --> 00:58:04.560
With confidence,
high confidence.

00:58:06.880 --> 00:58:09.720
You are drilled very...

00:58:09.880 --> 00:58:11.840
Enjoy it. Enjoy it, yeah?

00:58:13.520 --> 00:58:15.520
Toi, toi, toi.