Five Seasons: The Gardens of Piet Oudolf
- Description
- Reviews
- Citation
- Cataloging
- Transcript
Revolutionary landscape designer Piet Oudolf is known for designing public works like New York City’s popular High Line and the Lurie Garden in Chicago’s Millennium Park that redefine our conception of gardens as works of art in themselves. This gorgeous, meditative documentary immerses viewers in his work, taking us inside Oudolf’s creative process. From his aesthetic theories to his strikingly abstract sketches to the ecological implications of his ideas, the film poetically reveals how Oudolf upends conventional notions of nature, public space, and, ultimately, beauty itself.
San Diego Union Tribune
“Immerses viewers in Oudolf’s work and creative process.”
Michael Phillips, Film Critic | Chicago Tribune
“Makes lovely visual music.”
Landscape Architecture Magazine
“A pleasure on multiple fronts: sensorially, conceptually, narratively.”
Kenneth Turan, Film Critic | Los Angeles Times
“Reveals gardens you'd look forward to getting lost in.”
Citation
Main credits
Piper, Tom (film director)
Piper, Tom (film producer)
Hill, Elena (film producer)
Oudolf, Piet (on-screen participant)
Oudolf, Anja (on-screen participant)
Schmidt, Cassian (on-screen participant)
Darke, Rick (on-screen participant)
Kingsbury, Noël (on-screen participant)
Corner, James (on-screen participant)
Switken, Lisa (on-screen participant)
Wirth, Iwan (on-screen participant)
Wirth, Manuela (on-screen participant)
Other credits
Edited by Thomas Piper, Sara Pellegrini, Rachel Shuman, Corinne Van Der Borch; music composed by Davíð þór Jónsson, Charles Gansa.
Distributor subjects
Urban Studies; Landscape Design; Architecture; Education & Educational Equity; Gardening; Public SpaceKeywords
WEBVTT
00:02:06.250 --> 00:02:07.834
Maybe you’re all sold out?
00:02:08.583 --> 00:02:10.166
The last bags?
00:02:13.667 --> 00:02:14.834
I don’t see it either…
00:02:17.250 --> 00:02:20.834
licorice drops… sugar-free… oval-shaped…
00:02:20.959 --> 00:02:22.875
at least some licorice for everyone.
00:02:23.208 --> 00:02:24.208
Great.
00:02:33.375 --> 00:02:34.917
What is the Vacherin Mont D’Or?
00:02:35.375 --> 00:02:37.125
- It’s a winter cheese…
00:02:37.708 --> 00:02:39.499
covered in pine wood,
00:02:39.500 --> 00:02:41.290
that you can taste in the cheese.
00:02:41.291 --> 00:02:43.333
- Can you compare it with brie?
00:02:43.708 --> 00:02:45.582
- No, brie is richer.
00:02:45.583 --> 00:02:46.624
This is milder.
00:02:46.625 --> 00:02:49.040
- I’ll have a brie.
00:02:49.041 --> 00:02:50.583
He is filming, by the way.
00:02:51.291 --> 00:02:53.208
So you will be on film too!
00:02:54.625 --> 00:02:56.124
- Is he following you?
00:02:56.125 --> 00:02:57.625
- I’m leading him.
00:03:56.750 --> 00:03:58.834
What you’re smelling is this grass.
00:04:01.041 --> 00:04:04.624
It’s lightly soapy with
a hint of coriander.
00:04:04.625 --> 00:04:06.290
- And this one?
00:04:06.291 --> 00:04:08.000
- That is an umbel.
00:04:08.500 --> 00:04:09.958
A biennial plant.
00:04:09.959 --> 00:04:15.416
- A bit like giant hogweed…
the robust stalks.
00:04:15.417 --> 00:04:17.542
- But it’s not poisonous.
00:04:18.333 --> 00:04:21.707
Normally it has leaves and blooms in June.
00:04:21.708 --> 00:04:24.542
But it’s a total skeleton now.
00:04:25.125 --> 00:04:26.624
But we don’t take it out.
00:04:26.625 --> 00:04:28.417
- Yeah, beautiful.
00:04:33.250 --> 00:04:36.792
- Here you see them in the garden…
00:04:38.458 --> 00:04:39.083
- Gliding.
00:04:39.208 --> 00:04:40.249
- Gliding.
00:04:40.250 --> 00:04:41.667
- Yeah, lovely.
00:04:45.041 --> 00:04:48.791
You really maintain the garden
00:04:48.792 --> 00:04:51.749
to make it feel natural.
00:04:51.750 --> 00:04:54.541
You have to constantly interfere, right?
00:04:54.542 --> 00:04:57.458
- Yeah, it may look wild,
but it shouldn’t be wild.
00:04:59.375 --> 00:05:02.249
This is what you’d like to see in nature.
00:05:02.250 --> 00:05:04.500
- Yeah, would like to see… exactly!
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- Here in a month,
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this will all be orange.
00:05:19.792 --> 00:05:23.707
And the seeds… they
become completely black.
00:05:23.708 --> 00:05:26.125
Beautiful, right?
00:05:31.125 --> 00:05:36.874
That might not be the way
you should look at plants.
00:05:36.875 --> 00:05:39.625
But I look at the whole picture.
00:05:43.000 --> 00:05:46.417
That’s the beauty of plants.
00:05:53.875 --> 00:05:57.208
It’s all about atmosphere, you see?
00:08:21.458 --> 00:08:25.582
- In 1981, we were looking
all through this area
00:08:25.583 --> 00:08:28.333
to find a house for a reasonable price,
00:08:31.500 --> 00:08:35.583
and then we suddenly got this
farmhouse that was on auction.
00:08:37.375 --> 00:08:42.375
And then in May of 1982, Anja
moved in with the children.
00:08:46.208 --> 00:08:48.499
The house was big, derelict,
00:08:48.500 --> 00:08:50.833
but the price was good
and it had enough space
00:08:50.834 --> 00:08:53.375
to start a nursery which we had in mind.
00:08:55.458 --> 00:08:58.666
I thought if we had a nursery,
we could grow the plants,
00:08:58.667 --> 00:09:00.208
and use them in our design.
00:09:02.500 --> 00:09:04.707
I had no clients first.
00:09:04.708 --> 00:09:08.749
We had to create a living and
that started with the nursery.
00:09:08.750 --> 00:09:11.125
So, all these ideas grew in Hummelo.
00:09:13.375 --> 00:09:17.582
I wanted to go away from
traditional planting,
00:09:17.583 --> 00:09:18.999
so plants that look wilder,
00:09:19.000 --> 00:09:21.207
plants that were not seen in gardens,
00:09:21.208 --> 00:09:22.875
but were very good garden plants.
00:09:24.166 --> 00:09:28.207
The most difficult thing
was to learn what plants do,
00:09:28.208 --> 00:09:29.999
not by going to conferences,
00:09:30.000 --> 00:09:32.958
by looking at beautiful
pictures of habitats.
00:09:32.959 --> 00:09:36.082
So I had to practice with the
nursery for many, many years
00:09:36.083 --> 00:09:41.040
to get it sort of under
my knee, as we call it.
00:09:41.041 --> 00:09:43.874
- I think it was first a
horticultural movement,
00:09:43.875 --> 00:09:47.374
but it shifted into a design movement.
00:09:47.375 --> 00:09:49.541
- Yeah, and the book with Henk Gerritsen
00:09:49.542 --> 00:09:51.499
was very important for my career.
00:09:51.500 --> 00:09:54.916
- You and Henk, there
was a real partnership
00:09:54.917 --> 00:09:55.917
I think from the beginning.
00:09:55.918 --> 00:09:58.291
- From the beginning, yeah.
- To be recognized.
00:10:01.792 --> 00:10:03.125
- Our first book.
00:10:06.000 --> 00:10:07.249
The book was called \"Dream Plants:
00:10:07.250 --> 00:10:09.749
\"A New Generation of Garden Plants.\"
00:10:09.750 --> 00:10:13.416
This was the date of the publication.
00:10:13.417 --> 00:10:15.582
I wrote it with Henk Gerritsen.
00:10:15.583 --> 00:10:17.874
Henk had a garden in the
east part of the Netherlands
00:10:17.875 --> 00:10:21.958
and he was mainly growing
wild plants in the garden.
00:10:21.959 --> 00:10:23.874
You see, this was Henk\'s garden.
00:10:23.875 --> 00:10:27.083
It was completely sort of
intervention in the wild.
00:10:29.834 --> 00:10:31.874
So the whole conversation with Henk was
00:10:31.875 --> 00:10:34.582
he was talking about his natural garden,
00:10:34.583 --> 00:10:37.040
and I was talking about
creating more spontaneity
00:10:37.041 --> 00:10:38.666
in the garden.
- Yes.
00:10:38.667 --> 00:10:41.416
- [Piet] I was trying to
understand planting design
00:10:41.417 --> 00:10:43.124
from books and I couldn\'t get it.
00:10:43.125 --> 00:10:45.874
I found it all more
decorative than real design,
00:10:45.875 --> 00:10:47.958
and I found it not spontaneous enough.
00:10:47.959 --> 00:10:48.959
- [Noel] Yes, yes.
00:10:53.834 --> 00:10:56.666
- It also had to do with
more than just plants.
00:10:56.667 --> 00:10:59.417
It had to do with ambiance, seasonality.
00:11:00.750 --> 00:11:02.374
I think Henk pointed me to that,
00:11:02.375 --> 00:11:04.124
that plants were not only beautiful
00:11:04.125 --> 00:11:05.749
when they were flowering,
they were also beautiful
00:11:05.750 --> 00:11:07.667
for when they were out of flowering.
00:11:09.792 --> 00:11:11.707
We started to make a list of plants
00:11:11.708 --> 00:11:13.834
that we thought were
rather new in gardens,
00:11:15.625 --> 00:11:18.207
so Henk came up with the idea
to call it \"Dream Plants\",
00:11:18.208 --> 00:11:20.499
and I know that the publisher
said, \"Dream Plants?
00:11:20.500 --> 00:11:23.834
\"You\'re not calling a book
about plants \'Dream Plants.\'\"
00:11:24.917 --> 00:11:25.999
He found it ridiculous.
00:11:26.000 --> 00:11:28.249
So, and Henk said that was a good title.
00:11:28.250 --> 00:11:30.834
And I\'m thinking about it,
I thought, yeah, why not?
00:11:33.166 --> 00:11:37.499
So all these plants are still
part of my favorite plants,
00:11:37.500 --> 00:11:39.333
still part of the palette I use.
00:11:43.625 --> 00:11:46.708
A good plant never becomes old-fashioned.
00:11:47.625 --> 00:11:48.959
It stays good.
00:11:51.125 --> 00:11:52.791
So that was 24 years ago,
00:11:52.792 --> 00:11:56.333
so it\'s not that my career
started now, it started,
00:11:58.208 --> 00:12:00.166
it had already started.
00:12:04.792 --> 00:12:06.290
- If we look at his trajectory,
00:12:06.291 --> 00:12:10.082
he had time before his
international career exploded.
00:12:10.083 --> 00:12:15.082
He had many, many years to
travel, to look at plants,
00:12:15.083 --> 00:12:17.249
to meet plants all over the world,
00:12:17.250 --> 00:12:19.457
and of course to do
his endless experiments
00:12:19.458 --> 00:12:23.499
in his own nursery, a nursery
which was a rumor in the world
00:12:23.500 --> 00:12:26.749
of landscape plants that there
was this extraordinary place
00:12:26.750 --> 00:12:30.125
in Holland where people from
all over came to get inspired.
00:12:31.834 --> 00:12:33.332
You know, we should not forget that there
00:12:33.333 --> 00:12:36.374
used to be such a thing
where poets, writers, artists
00:12:36.375 --> 00:12:39.833
would go on a very long trip
and for many years learn
00:12:39.834 --> 00:12:41.707
and learn and look and look,
00:12:41.708 --> 00:12:43.582
and be nurtured for
the rest of their lives
00:12:43.583 --> 00:12:45.499
by this grand tour.
00:12:45.500 --> 00:12:49.375
And I think for Piet, this
was a grand tour with plants.
00:13:16.542 --> 00:13:18.624
- [Piet] Is this...
00:13:18.625 --> 00:13:23.625
What is this?
00:13:25.959 --> 00:13:27.792
- [Rick] Solidago flexicaulis.
00:13:28.667 --> 00:13:30.874
- After flowering, yeah?
- Solidago, yes.
00:13:30.875 --> 00:13:31.999
After flowering, yeah.
00:13:32.000 --> 00:13:33.290
This is a plant that was late.
00:13:33.291 --> 00:13:35.833
- How tall will it grow?
- We have it in the garden.
00:13:35.834 --> 00:13:36.667
It\'s about that tall.
- It\'s a nice one, huh?
00:13:36.668 --> 00:13:38.125
- [Rick] Yeah, it\'s very nice.
00:13:55.708 --> 00:13:58.833
- [Piet] I see it also as inspirational.
00:13:58.834 --> 00:13:59.958
The more you see of this,
00:13:59.959 --> 00:14:02.541
the more your work is sort of blended with
00:14:02.542 --> 00:14:04.541
what you experience here.
00:14:04.542 --> 00:14:06.082
My work is like it is because of
00:14:06.083 --> 00:14:08.000
these sort of experiences.
- Yes.
00:14:11.667 --> 00:14:13.917
Your work teaches people to see things
00:14:15.333 --> 00:14:17.208
that they were unable to see.
00:14:40.000 --> 00:14:42.457
- [Piet] It\'s a great day.
00:14:42.458 --> 00:14:44.791
- [Rick] It\'s wonderful
that this worked out.
00:14:44.792 --> 00:14:47.708
- I have three more plants on
my list for the next garden.
00:14:51.542 --> 00:14:53.083
Here we have Durslade.
00:14:53.959 --> 00:14:58.667
It\'s the landscape around buildings.
00:14:59.708 --> 00:15:02.374
It\'s a complex of farmhouses
that\'s going to be renovated
00:15:02.375 --> 00:15:05.582
and to become a gallery,
a restaurant and offices,
00:15:05.583 --> 00:15:08.250
and also a place where
the artists can stay.
00:15:12.625 --> 00:15:13.999
This is the entrance,
00:15:14.000 --> 00:15:15.999
and then the galleries
will be on this end,
00:15:16.000 --> 00:15:17.458
and then after the galleries,
00:15:18.834 --> 00:15:21.792
then you will come in a
garden of one and a half acre.
00:15:22.959 --> 00:15:24.792
It\'s a complete different atmosphere.
00:15:26.542 --> 00:15:28.582
It\'s a garden that\'s meant to get lost in,
00:15:28.583 --> 00:15:29.999
so it\'s quite big.
00:15:30.000 --> 00:15:31.375
It\'s a system of paths.
00:15:32.625 --> 00:15:33.625
There are different stories.
00:15:33.626 --> 00:15:37.666
This is a wetland garden with
a pond, a perennial meadow,
00:15:37.667 --> 00:15:38.667
and then in the middle,
00:15:38.668 --> 00:15:42.333
a real grass-dominated perennial planting.
00:15:44.125 --> 00:15:47.624
How I build up the garden is
start with a small sketch.
00:15:47.625 --> 00:15:50.416
And then I\'m satisfied
about the overall layout,
00:15:50.417 --> 00:15:53.582
then we go to a bigger
plan on scale, one to 100,
00:15:53.583 --> 00:15:56.082
because then I don\'t have to
put a grid on the drawing.
00:15:56.083 --> 00:15:57.624
I know this is exactly three by three
00:15:57.625 --> 00:15:59.332
or two and a half by two and a half,
00:15:59.333 --> 00:16:02.040
and I don\'t have to
think about it anymore.
00:16:02.041 --> 00:16:03.750
\"Intuitive\", they call it.
00:16:06.333 --> 00:16:09.999
The first stage is creating
this perennial planting
00:16:10.000 --> 00:16:12.875
with its specific species.
00:16:14.875 --> 00:16:16.416
First, I write down some names
00:16:16.417 --> 00:16:18.416
that fit this sort of atmosphere.
00:16:18.417 --> 00:16:21.707
Then when I have 50, 60 names on my paper,
00:16:21.708 --> 00:16:23.624
then I think of a sort of hierarchy,
00:16:23.625 --> 00:16:25.791
what plant can be important in this,
00:16:25.792 --> 00:16:27.959
which is the leading plant?
00:16:29.458 --> 00:16:31.541
It has a lot to do with
sort of mathematics,
00:16:31.542 --> 00:16:33.791
thinking in time, thinking, okay,
00:16:33.792 --> 00:16:36.958
first we need plants that
flower earlier than June.
00:16:36.959 --> 00:16:40.290
Then we start probably with
the autumn flowering plants,
00:16:40.291 --> 00:16:42.667
and then everything in
between will do the rest.
00:16:53.166 --> 00:16:55.916
At the end, we have the key
with all the plants per section.
00:16:55.917 --> 00:16:58.417
This is the clematis, this is the lobelia.
00:17:00.083 --> 00:17:03.332
Here we have the iris
spread over the area.
00:17:03.333 --> 00:17:04.624
Darmira.
00:17:04.625 --> 00:17:07.416
But this is the design
work, and after this,
00:17:07.417 --> 00:17:09.791
the calculation of the
number of plants per section.
00:17:09.792 --> 00:17:13.666
At the end, you get a
drawing which says one here,
00:17:13.667 --> 00:17:17.833
one there, three there, five
here, seven there, nine here,
00:17:17.834 --> 00:17:19.082
three there, one there.
00:17:19.083 --> 00:17:21.040
So that is how you work with the people
00:17:21.041 --> 00:17:22.749
that carry out the garden.
00:17:22.750 --> 00:17:25.082
- [Interviewer] How many
plants total for Durslade?
00:17:25.083 --> 00:17:25.917
- What was it?
00:17:25.918 --> 00:17:29.000
57 or so, 57,000.
00:17:30.166 --> 00:17:31.708
It\'s a bit.
00:17:33.041 --> 00:17:33.959
But when you work on a plan,
00:17:33.960 --> 00:17:36.833
you work from a bird\'s
eye view or from above.
00:17:36.834 --> 00:17:40.124
But when I really think
about the experience,
00:17:40.125 --> 00:17:43.040
then I go around on eye
level and see what people see
00:17:43.041 --> 00:17:44.833
when they go around the corner.
00:17:44.834 --> 00:17:47.082
If I have doubts about parts in my design,
00:17:47.083 --> 00:17:49.707
then I put myself on the
ground and see if it\'s wrong.
00:17:49.708 --> 00:17:51.374
And that\'s what it is, I can\'t do more.
00:17:51.375 --> 00:17:52.791
If they say rendering, I say,
00:17:52.792 --> 00:17:54.916
\"Hmm, I can\'t make a rendering.\"
00:17:54.917 --> 00:17:56.874
What is the sense of making a rendering?
00:17:56.875 --> 00:17:59.457
Whatever you show your
client is the moment,
00:17:59.458 --> 00:18:03.166
and not even the true moment
of experiencing the garden.
00:18:04.125 --> 00:18:07.000
It has to do something through
the months and the seasons.
00:18:08.792 --> 00:18:12.874
But gardening is, it\'s also a promise.
00:18:12.875 --> 00:18:14.332
It doesn\'t have to be there.
00:18:14.333 --> 00:18:18.041
I think you\'re looking forward
for what will be there.
00:18:44.500 --> 00:18:46.624
You know, when I think about Durslade
00:18:46.625 --> 00:18:49.124
and the people that asked
me to do the garden,
00:18:49.125 --> 00:18:52.667
a contemporary art dealer, gallery,
00:18:54.083 --> 00:18:55.958
part of gardening is
putting things together
00:18:55.959 --> 00:18:57.291
in a composition.
00:18:58.333 --> 00:19:00.041
But contemporary art is not about,
00:19:01.083 --> 00:19:02.666
not always about the aesthetics.
00:19:02.667 --> 00:19:05.624
It\'s about the people who
try to step over a line
00:19:05.625 --> 00:19:07.207
or a threshold.
00:19:07.208 --> 00:19:11.792
It\'s people struggling for
their own sort of identity.
00:19:51.333 --> 00:19:53.082
Even if plants are in decay,
00:19:53.083 --> 00:19:55.666
I know how beautiful they
were when they were in flower.
00:19:55.667 --> 00:19:58.457
But I think if you see
them this time of the year,
00:19:58.458 --> 00:20:02.083
you don\'t expect anything
else than plants dying.
00:20:04.959 --> 00:20:06.041
And still looking good.
00:20:20.834 --> 00:20:24.959
If you look at this, the aster
going into this Artemisia.
00:20:27.458 --> 00:20:30.541
It\'s a landscape that you would dream of,
00:20:30.542 --> 00:20:33.208
but will never find in the wild.
00:23:02.250 --> 00:23:04.624
Always have the idea
the longer you are here,
00:23:04.625 --> 00:23:05.874
the more you see.
00:23:05.875 --> 00:23:06.959
And the more you feel.
00:23:08.834 --> 00:23:11.417
And when you come in, you
think it\'s all gone, you know?
00:23:13.291 --> 00:23:16.834
I think you need to put
yourself on a certain wavelength
00:23:17.750 --> 00:23:20.208
to feel more than what you first see.
00:23:27.625 --> 00:23:28.625
This is great, huh?
00:23:30.333 --> 00:23:31.458
It\'s a beautiful shape.
00:23:46.583 --> 00:23:49.875
The way they teach gardening,
it was all about flowers.
00:23:51.250 --> 00:23:53.959
And color was one of the
most important things.
00:23:56.542 --> 00:23:57.749
Then I started to look at plants
00:23:57.750 --> 00:23:59.332
that had the real character,
00:23:59.333 --> 00:24:01.124
plants that had great seed heads,
00:24:01.125 --> 00:24:05.874
plants that had, for instance,
this beautiful brown color
00:24:05.875 --> 00:24:08.958
next to this blonde
color of the sporobolis.
00:24:08.959 --> 00:24:11.833
Or the pycnanthemum, the seed head.
00:24:11.834 --> 00:24:13.791
So the gray, the brown and the blondes,
00:24:13.792 --> 00:24:15.207
they became as important
00:24:15.208 --> 00:24:17.208
as all the other colors in gardening.
00:24:23.792 --> 00:24:25.999
It\'s always a little bit confusing for me
00:24:26.000 --> 00:24:28.958
when people use terms like the Dutch Wave,
00:24:28.959 --> 00:24:31.874
the New Perennial Movement,
New German Movement.
00:24:31.875 --> 00:24:33.624
It\'s about what I like, you know?
00:24:33.625 --> 00:24:35.542
It\'s not about that other people like.
00:24:38.708 --> 00:24:41.124
Plants were characters
I could compose with
00:24:41.125 --> 00:24:44.165
and put on stage.
00:24:44.166 --> 00:24:46.792
And that is what I do,
I put plants on stage.
00:24:49.125 --> 00:24:50.458
And I let them perform.
00:24:54.750 --> 00:24:57.207
And I know that a lot of
people love these plants.
00:24:57.208 --> 00:24:59.624
They put them in gardens in their own way
00:24:59.625 --> 00:25:02.416
and sometimes it looks good,
sometimes it looks bad.
00:25:02.417 --> 00:25:03.542
And that\'s what it is.
00:25:06.625 --> 00:25:08.791
Let\'s say everyone can make a good picture
00:25:08.792 --> 00:25:10.958
of a bad garden, no?
00:25:10.959 --> 00:25:15.290
Because it\'s all about light and moment.
00:25:15.291 --> 00:25:17.749
But it\'s hard to make a
garden that looks good
00:25:17.750 --> 00:25:19.834
even if the light is bad.
00:25:26.583 --> 00:25:30.666
I think that\'s where I aim
for sometimes, you know?
00:25:30.667 --> 00:25:32.667
Getting things right for bad moments.
00:25:33.959 --> 00:25:35.208
It\'s good, huh?
00:25:36.834 --> 00:25:37.834
Huh?
00:26:07.542 --> 00:26:08.958
When I was five years old,
00:26:08.959 --> 00:26:11.499
we moved to a sort of more rural area
00:26:11.500 --> 00:26:14.000
where my parents had a bar and restaurant.
00:26:15.542 --> 00:26:18.208
And my father was
entertaining the customers.
00:26:19.166 --> 00:26:20.750
And my mother was in the bar.
00:26:21.667 --> 00:26:25.541
I was hanging around looking
and watching the scenes.
00:26:25.542 --> 00:26:28.374
They were so busy that
there was no time for
00:26:28.375 --> 00:26:30.165
real family life.
00:26:30.166 --> 00:26:32.291
I think that\'s where I learned to observe.
00:26:33.375 --> 00:26:35.499
And that\'s where I mainly grew up
00:26:35.500 --> 00:26:37.499
and stayed until I was 25
00:26:37.500 --> 00:26:40.041
and moved to the city
of Haarlem with Anja.
00:26:43.208 --> 00:26:46.417
I wanted to escape my career
at my parents\' restaurant.
00:26:47.333 --> 00:26:48.291
- Yeah, I remember that.
00:26:48.292 --> 00:26:52.416
He was not so happy in
his job for the future.
00:26:52.417 --> 00:26:54.707
I said, \"It\'s never
too late to change it.\"
00:26:54.708 --> 00:26:56.874
- Anja earned the money at that time.
00:26:56.875 --> 00:26:58.165
She always supported me.
00:26:58.166 --> 00:27:03.166
And I could just try out
things, in the fish industry,
00:27:03.458 --> 00:27:06.875
and then I went to a factory
and different little jobs.
00:27:07.875 --> 00:27:11.040
And it took quite a while,
and then came one day
00:27:11.041 --> 00:27:13.125
when I started to work in a garden center.
00:27:14.625 --> 00:27:15.791
And luckily it worked,
00:27:15.792 --> 00:27:19.208
because it was the last
thing I ever thought of.
00:27:22.208 --> 00:27:23.874
I always had the idea
that I wanted to create,
00:27:23.875 --> 00:27:25.041
but I didn\'t know what.
00:27:27.250 --> 00:27:28.916
Always had a strong feeling
00:27:28.917 --> 00:27:31.249
that I could do something different,
00:27:31.250 --> 00:27:32.708
different from what I knew.
00:27:34.458 --> 00:27:38.708
And I think that was
solved when I met plants.
00:28:12.458 --> 00:28:14.417
Very pretty…
00:28:15.208 --> 00:28:17.625
Yes, super.
00:28:21.792 --> 00:28:25.791
They do something to you right? Plants?
It\'s incredible.
00:28:25.792 --> 00:28:28.958
- This is one of the
prettier ones, I think.
00:28:28.959 --> 00:28:31.207
What do you think Piet?
00:28:31.208 --> 00:28:33.582
- Fantastic. I think they’re all beautiful.
00:28:33.583 --> 00:28:36.041
- No, but you can have your favorite.
00:28:51.458 --> 00:28:52.624
- You have chosen the best day!
00:28:52.625 --> 00:28:53.749
- Absolutely.
00:28:53.750 --> 00:28:56.207
- Yes, that’s because I’m here!
00:28:56.208 --> 00:28:59.959
Piet is always lucky when I’m with him.
00:29:15.500 --> 00:29:16.750
- It\'s nice to see that.
00:29:25.583 --> 00:29:27.500
It\'s also winter, huh?
00:29:42.041 --> 00:29:43.833
- We’ve seen everything you’ve done…
00:29:43.834 --> 00:29:47.750
the High Line… Chicago,
so beautiful too.
00:29:48.542 --> 00:29:50.417
- Amazing what you can
achieve in your life.
00:29:51.959 --> 00:29:53.542
But it takes time!
00:29:53.792 --> 00:29:55.041
Anja?
00:29:56.708 --> 00:29:59.083
She is the big force…
00:29:59.250 --> 00:30:01.332
- Hello! We used to visit your nursery.
00:30:01.333 --> 00:30:02.291
- Hello…
00:30:02.292 --> 00:30:05.165
- She is the big force behind me,
as you can imagine…
00:30:05.166 --> 00:30:07.917
- It’s a beautiful day, isn’t it?
00:30:38.291 --> 00:30:40.958
- Yeah, this is about the end.
00:30:40.959 --> 00:30:44.792
So we\'re cutting it back
this week or next week.
00:30:46.959 --> 00:30:49.249
You even have to have the courage
00:30:49.250 --> 00:30:50.875
to cut into the beauty of it.
00:30:57.708 --> 00:30:58.708
You can see what I mean,
00:30:58.709 --> 00:31:03.708
that this still has so much to say to you.
00:31:07.792 --> 00:31:10.332
And life is about birth, life and death.
00:31:10.333 --> 00:31:12.291
So that is the garden as well.
00:31:14.291 --> 00:31:18.040
It\'s like what we do in our whole lifespan
00:31:18.041 --> 00:31:20.207
happens here in one year.
00:31:20.208 --> 00:31:22.124
And I think that works on your,
00:31:22.125 --> 00:31:23.875
yeah, on your soul in a way.
00:31:28.083 --> 00:31:30.500
I consider my own life, if I say, I\'m 71.
00:31:31.458 --> 00:31:34.542
Let\'s say it\'s a little bit into the fall.
00:31:36.458 --> 00:31:38.959
Maybe in the garden, it\'s
the most beautiful time.
00:31:40.041 --> 00:31:41.999
But for your own life, of
course, the beauty is still there
00:31:42.000 --> 00:31:45.457
and you have the experience
and you look different.
00:31:45.458 --> 00:31:48.583
But you know for yourself that it\'s, yeah.
00:31:50.834 --> 00:31:52.290
I won\'t come back, you know?
00:31:52.291 --> 00:31:53.291
And they will.
00:32:00.291 --> 00:32:02.458
Yeah, it\'s not September anymore.
00:34:47.250 --> 00:34:49.542
This is Iowa, Council Bluffs.
00:34:53.583 --> 00:34:56.290
This area has six different basic grasses.
00:34:56.291 --> 00:34:58.458
You see sporobolis,
sporobolis, sporobolis.
00:35:00.417 --> 00:35:01.749
Molinia, molinia, molinia.
00:35:01.750 --> 00:35:04.707
You create a sense of never-ending lines
00:35:04.708 --> 00:35:06.791
at different perspectives.
00:35:06.792 --> 00:35:10.582
And then on top of that,
you create something that,
00:35:10.583 --> 00:35:12.624
when it\'s ready, you don\'t notice
00:35:12.625 --> 00:35:14.791
the basic planting anymore, the grass.
00:35:14.792 --> 00:35:17.749
And all these little
plants emerge from that
00:35:17.750 --> 00:35:21.374
so-called spontaneously,
but they\'re put in place,
00:35:21.375 --> 00:35:25.124
so here and here and here and here.
00:35:25.125 --> 00:35:27.958
So you create a feel of a meadow.
00:35:27.959 --> 00:35:30.207
A little bit surrealistic,
not a real meadow,
00:35:30.208 --> 00:35:32.541
but something that reminds
you very strongly of it,
00:35:32.542 --> 00:35:34.959
but with plants you would
never find in a meadow.
00:35:38.750 --> 00:35:40.416
- I\'ve always seen the work of Piet Oudolf
00:35:40.417 --> 00:35:44.749
as a very big resistance
against ecological extinctions.
00:35:44.750 --> 00:35:48.082
If we talk about climate change,
people just don\'t wake up.
00:35:48.083 --> 00:35:51.457
It\'s only when we actually
use this word of extinction
00:35:51.458 --> 00:35:54.916
that people actually do realize
species are disappearing,
00:35:54.917 --> 00:35:57.124
from bees to centipedes.
00:35:57.125 --> 00:36:00.500
And, of course, many,
many species of plants.
00:36:01.542 --> 00:36:05.624
So if we look at the incredible
multiplicity of plants
00:36:05.625 --> 00:36:09.082
Piet Oudolf has been using in his gardens,
00:36:09.083 --> 00:36:12.666
it\'s not only a celebration
of the beauty of plants,
00:36:12.667 --> 00:36:15.707
but it is also the sheer
diversity of plant species.
00:36:15.708 --> 00:36:17.916
I think that is a wonderful statement
00:36:17.917 --> 00:36:20.834
to protest against this
notion of extinctions.
00:36:22.125 --> 00:36:24.374
- In that sense, you could
say my work is political
00:36:24.375 --> 00:36:26.124
because we live in a
time that the environment
00:36:26.125 --> 00:36:28.833
is on pressure.
00:36:28.834 --> 00:36:31.541
And maybe that\'s why it is wanted so much,
00:36:31.542 --> 00:36:34.041
that it connects you with
an idea of wilderness.
00:36:35.417 --> 00:36:38.374
It all has to do with today\'s public space
00:36:38.375 --> 00:36:40.290
and how it will work on people\'s minds
00:36:40.291 --> 00:36:42.375
concerning the time we live in.
00:36:44.041 --> 00:36:47.332
That they realize that
life is not just about
00:36:47.333 --> 00:36:50.165
driving your car and going
to work back and forth,
00:36:50.166 --> 00:36:55.166
and work \'til death, and
then the next generation.
00:36:57.083 --> 00:36:59.375
But if it will save the
world, I don\'t know.
00:37:02.250 --> 00:37:03.875
At least it saves me.
00:38:48.458 --> 00:38:50.291
The soil was really awful, yeah?
00:38:51.125 --> 00:38:51.959
- It\'s awful, yes.
00:38:51.960 --> 00:38:55.040
Luckily, the soil in the beds is now good.
00:38:55.041 --> 00:38:56.416
- Very good, huh?
- It\'s good.
00:38:56.417 --> 00:38:58.791
- [Piet] Okay, we have enough
plants per square meter?
00:38:58.792 --> 00:39:00.416
- Yes, we have.
- Oh, yeah.
00:39:00.417 --> 00:39:01.666
- Yeah, yeah, yeah.
- I mean,
00:39:01.667 --> 00:39:02.500
I can see in some areas, you want,
00:39:02.501 --> 00:39:04.749
in this bed, you want
the plants more spaced.
00:39:04.750 --> 00:39:05.583
- [Piet] Is that true?
00:39:05.584 --> 00:39:08.249
- [Chris] In that area,
they\'re much closer together.
00:39:08.250 --> 00:39:12.082
- [Piet] Okay, yeah, but that\'s
an artistic interpretation.
00:39:12.083 --> 00:39:12.917
Okay.
00:39:12.918 --> 00:39:14.417
- That\'s permitted.
- No, no, it\'s,
00:39:16.208 --> 00:39:17.416
I know what you mean, you know?
00:39:17.417 --> 00:39:18.666
But the dots don\'t make any sense.
00:39:18.667 --> 00:39:22.040
It\'s just a drawing.
- Okay.
00:39:22.041 --> 00:39:23.666
- It\'s just to fill in the other space.
00:39:23.667 --> 00:39:25.749
It saves me a lot of labor.
00:39:25.750 --> 00:39:26.833
That\'s why I\'m here.
00:39:26.834 --> 00:39:28.707
I can solve problems in one minute
00:39:28.708 --> 00:39:32.083
which you can\'t solve
from the Netherlands.
00:39:33.875 --> 00:39:35.874
What I would like to see is that we,
00:39:35.875 --> 00:39:39.791
this is the Amsonia, three.
00:39:39.792 --> 00:39:43.791
Maybe we move this a little bit closer.
00:39:43.792 --> 00:39:46.082
- Yeah, into the group...
00:39:46.083 --> 00:39:48.916
- Into the group, because we, I want,
00:39:48.917 --> 00:39:51.707
between the individual plants
and all the little groups,
00:39:51.708 --> 00:39:54.582
I need space for the
sporobolis to move through.
00:39:54.583 --> 00:39:56.041
- [Toby] Go through the gaps.
00:39:58.458 --> 00:40:02.082
- Keep an eye on how it will
compete with the neighbor.
00:40:02.083 --> 00:40:05.582
Because in two years\' time,
you\'ll have just one big mass.
00:40:05.583 --> 00:40:07.916
Yeah.
- Yeah.
00:40:07.917 --> 00:40:09.416
- Yeah, that looks good.
00:40:09.417 --> 00:40:10.958
- A mass, not a mess.
00:40:10.959 --> 00:40:11.959
- A mass.
00:40:12.625 --> 00:40:14.667
- A mass, not a mess.
- M, A, double S.
00:40:16.542 --> 00:40:17.791
Not M-E-S-S.
00:40:17.792 --> 00:40:20.083
- [Chris] M-E-S-S is what we don\'t want.
00:40:21.208 --> 00:40:23.875
M-A-S-S is okay.
- Okay.
00:40:24.750 --> 00:40:26.457
This is aster?
00:40:26.458 --> 00:40:28.999
- This is herveyi.
- Yeah, macrophyllus.
00:40:29.000 --> 00:40:31.165
Twilight, yeah.
- Yep.
00:40:31.166 --> 00:40:34.082
And then we\'ve got Firedance.
- Oh, that\'s good.
00:40:34.083 --> 00:40:36.834
Yeah, yeah.
- And Aster ambulatas.
00:40:40.250 --> 00:40:41.791
- Chris?
- Yes?
00:40:41.792 --> 00:40:44.040
- [Piet] Just noticed
that here we have Aruncus.
00:40:44.041 --> 00:40:45.916
And it\'s on that corner as well.
00:40:45.917 --> 00:40:46.750
- [Chris] Okay.
00:40:46.751 --> 00:40:49.207
- [Piet] You see this
one is there as well.
00:40:49.208 --> 00:40:51.416
So let\'s put Transparent in here.
00:40:51.417 --> 00:40:53.541
- So that we don\'t have...
- Yeah, just change the two.
00:40:53.542 --> 00:40:55.124
- So you don\'t want those on either side.
00:40:55.125 --> 00:40:56.624
- [Piet] No, no, that is always, when you,
00:40:56.625 --> 00:40:58.958
on paper, it all looks simple.
00:40:58.959 --> 00:40:59.999
- Yeah, yeah.
00:41:00.000 --> 00:41:01.000
I\'ll do that now.
00:41:24.417 --> 00:41:26.040
- [Lulu] Do you want to plant one, Piet?
00:41:26.041 --> 00:41:27.958
- What?
- Do want to plant one?
00:41:27.959 --> 00:41:29.375
- No, tomorrow morning.
00:41:31.166 --> 00:41:33.040
- Okay, all right.
00:41:33.041 --> 00:41:35.874
- Tell me when you come, I will
have done one before, yeah.
00:41:35.875 --> 00:41:37.959
I could do it, if you want me.
00:41:39.250 --> 00:41:40.250
Okay.
00:41:43.000 --> 00:41:44.166
Still know how to do it.
00:41:47.667 --> 00:41:49.332
My whole life I made my hands dirty
00:41:49.333 --> 00:41:50.959
to not get them dirty later.
00:42:04.291 --> 00:42:05.667
Look at these Magnolias.
00:42:11.166 --> 00:42:12.000
No, 14 days.
00:42:12.001 --> 00:42:15.000
- 14 days?
- But now look at this one.
00:42:15.834 --> 00:42:16.667
You can\'t tell, you know?
00:42:16.668 --> 00:42:17.917
It could be next week.
00:42:20.375 --> 00:42:22.207
But you see once you\'ve cut it back,
00:42:22.208 --> 00:42:23.916
you see repetition of plants.
00:42:23.917 --> 00:42:25.374
You see the interaction.
00:42:25.375 --> 00:42:26.999
- You really see where
the grass tufts are,
00:42:27.000 --> 00:42:28.958
where the perennial stems are.
00:42:28.959 --> 00:42:32.040
- The sort of pattern.
- The patterns, yeah.
00:42:32.041 --> 00:42:34.959
It\'s the one moment I feel
like you really see the design.
00:42:42.625 --> 00:42:45.624
- And it\'s very little,
and it accelerates.
00:42:45.625 --> 00:42:48.458
It goes so quick that
tomorrow it\'s different.
00:43:19.792 --> 00:43:20.792
You see, it\'s not much.
00:43:20.793 --> 00:43:23.374
It\'s just a shrub here
and a few flowers there,
00:43:23.375 --> 00:43:25.374
but that\'s it, that\'s all.
00:43:25.375 --> 00:43:27.208
But it\'s all you need.
00:44:00.917 --> 00:44:01.999
Look at this.
00:44:02.000 --> 00:44:03.083
Unbelievable.
00:44:06.542 --> 00:44:07.834
It\'s just like paintings.
00:44:08.667 --> 00:44:10.458
It\'s crazy, look at this.
00:44:12.458 --> 00:44:16.625
This is too much for people like me.
00:44:24.083 --> 00:44:27.000
I want to take some pictures here.
00:45:10.792 --> 00:45:12.833
Okay, look at this.
00:45:12.834 --> 00:45:13.834
Spring is spring.
00:45:13.835 --> 00:45:15.290
And it feels like spring here,
00:45:15.291 --> 00:45:17.332
and it feels like spring in Holland,
00:45:17.333 --> 00:45:19.457
but this is so over the top.
00:45:19.458 --> 00:45:22.416
It seems as if everything
is happening at one time,
00:45:22.417 --> 00:45:24.457
within one month.
00:45:24.458 --> 00:45:28.416
While in our climate,
everything happens two, three,
00:45:28.417 --> 00:45:29.458
four seasons.
00:45:31.667 --> 00:45:32.500
It\'s amazing.
00:45:32.501 --> 00:45:35.082
- Three people.
- It\'s a traffic jam.
00:45:35.083 --> 00:45:36.083
- They\'re like me.
00:46:00.458 --> 00:46:01.458
Beautiful.
00:46:03.083 --> 00:46:06.208
There\'s only one word.
00:46:09.417 --> 00:46:11.707
Looking at landscapes and the beauty of it
00:46:11.708 --> 00:46:15.958
makes it sort of clear what
you\'re doing in your own job.
00:46:15.959 --> 00:46:17.999
Creating a certain beauty or depth
00:46:18.000 --> 00:46:19.500
that people would love to see.
00:46:20.875 --> 00:46:24.124
You load yourself up with beauty,
00:46:24.125 --> 00:46:26.208
and you transform that in your work.
00:46:27.875 --> 00:46:29.916
So there\'s always
something you can pick out,
00:46:29.917 --> 00:46:33.041
a combination in different characters or,
00:46:35.875 --> 00:46:39.667
but for me, it\'s loading up
the batteries for a new season.
00:47:22.583 --> 00:47:26.000
- [Man] I want to get a couple pork ribs.
00:47:27.417 --> 00:47:29.666
- [Piet] I\'ve never seen this.
00:47:29.667 --> 00:47:30.792
- [Man] Anything else?
00:47:37.417 --> 00:47:39.000
- [Liz] What do you think, Piet?
00:47:39.834 --> 00:47:42.083
- [Piet] Completely insane.
00:47:42.959 --> 00:47:44.583
No other word.
00:47:49.250 --> 00:47:52.165
- [Piet] I love to see it, you
know? I don\'t need to eat it,
00:47:52.166 --> 00:47:55.959
but it\'s great to see how the world works.
00:48:00.291 --> 00:48:02.999
- But, it\'s an experience.
00:48:03.000 --> 00:48:07.250
So we take it in and we
take it with us to Holland.
00:48:33.750 --> 00:48:37.750
- When you come in autumn,
it\'s all about brown.
00:48:39.500 --> 00:48:41.208
And in the spring, it\'s all green.
00:48:42.750 --> 00:48:44.041
I think that\'s nice though.
00:48:46.208 --> 00:48:49.083
I don\'t think you need more
in this time of the year.
00:48:53.625 --> 00:48:55.582
I think if you would see
the whole garden in flower,
00:48:55.583 --> 00:48:58.417
it would work not right in your mind.
00:49:03.083 --> 00:49:05.666
If you look around you in
nature or in the fields,
00:49:05.667 --> 00:49:07.125
it\'s all about the beginning.
00:49:14.708 --> 00:49:16.791
Of course, you see the
plants you\'ve seen last year,
00:49:16.792 --> 00:49:19.834
but it\'s already a year
ago that you saw them.
00:49:23.125 --> 00:49:24.916
If you see plants as good friends,
00:49:24.917 --> 00:49:27.457
then you see your friends
back after a year,
00:49:27.458 --> 00:49:30.083
in a sort of glorious situation.
00:49:36.708 --> 00:49:39.165
So you know when you leave the
garden tonight that tomorrow,
00:49:39.166 --> 00:49:41.458
there will be something new in bloom,
00:49:42.625 --> 00:49:44.875
like that poppy over there.
00:49:54.041 --> 00:49:55.041
Yep.
00:50:47.959 --> 00:50:49.374
It smells good here, Roy.
00:50:49.375 --> 00:50:50.375
- [Roy] Uh huh.
00:50:51.500 --> 00:50:53.000
Yeah, it\'s fresh isn\'t it?
00:50:56.458 --> 00:50:57.291
- [Piet] What is this, Roy?
00:50:57.292 --> 00:50:58.458
I don\'t know that.
- No?
00:50:59.291 --> 00:51:00.624
Ragweed.
00:51:00.625 --> 00:51:02.040
- It\'s a weed?
- Yeah.
00:51:02.041 --> 00:51:03.207
- A beautiful one.
- Well, actually it\'s native.
00:51:03.208 --> 00:51:05.165
This lady wanted her whole garden
00:51:05.166 --> 00:51:06.457
to be planted in native plants.
00:51:06.458 --> 00:51:08.082
And I asked her why?
- Yeah?
00:51:08.083 --> 00:51:09.374
- She says, \"Well, I hear native plants
00:51:09.375 --> 00:51:12.791
\"are more beneficial to
everything, more productive.\"
00:51:12.792 --> 00:51:16.582
And I said, \"Okay can I do your
whole backyard in ambrosia?\"
00:51:16.583 --> 00:51:17.791
- Oh, ambrosia.
- She goes, \"Oh, ambrosia?
00:51:17.792 --> 00:51:18.792
\"That sounds beautiful.\"
00:51:18.793 --> 00:51:20.040
She didn\'t know what it was.
00:51:20.041 --> 00:51:21.582
And I said, \"You just gave me permission
00:51:21.583 --> 00:51:23.499
\"to plant your whole backyard in ragweed.\"
00:51:23.500 --> 00:51:24.541
- [Piet] Yeah, okay.
00:51:24.542 --> 00:51:26.124
- I said, \"It\'s native.\"
00:51:26.125 --> 00:51:29.666
Everybody rushes into quick
judgment, native or non-native.
00:51:29.667 --> 00:51:31.541
- But that\'s a left or right discussion.
00:51:31.542 --> 00:51:32.582
- [Roy] Right.
00:51:32.583 --> 00:51:33.417
- There\'s nothing in the middle.
00:51:33.417 --> 00:51:34.250
- [Roy] No.
00:51:34.251 --> 00:51:35.624
- I think if a plant behaves well,
00:51:35.625 --> 00:51:39.457
it could be in the community
as well as a native.
00:51:39.458 --> 00:51:41.624
Like in our society, you know?
00:51:41.625 --> 00:51:43.666
People come from all places.
00:51:43.667 --> 00:51:45.874
And we love them because they behave.
00:51:45.875 --> 00:51:48.791
And if they don\'t behave, we
set them out of the community.
00:51:48.792 --> 00:51:49.792
- Right.
00:51:51.208 --> 00:51:52.916
- [Piet] When was the
first time I came here?
00:51:52.917 --> 00:51:53.917
- June, 2002.
00:51:55.458 --> 00:51:56.707
- 2002, okay.
- It was mid-June.
00:51:56.708 --> 00:51:58.457
- 12 years ago.
- Yeah, mid-June.
00:51:58.458 --> 00:51:59.333
- Okay, yeah.
00:51:59.334 --> 00:52:02.874
I was amazed, I\'d never seen the prairies.
00:52:02.875 --> 00:52:05.833
- [Roy] I think the highlight
was when you saw the Baptisia.
00:52:05.834 --> 00:52:06.667
- And I see it already.
- And you can see it.
00:52:06.668 --> 00:52:09.125
Yeah, you can see it.
- Unbelievable.
00:52:12.208 --> 00:52:15.040
Can you see that we travel
over the ocean to see this?
00:52:15.041 --> 00:52:20.041
- [Roy] Right. (laughs)
00:52:23.542 --> 00:52:25.124
- Even if there\'s nothing in flower,
00:52:25.125 --> 00:52:28.124
you can try to read the
pattern of landscape.
00:52:28.125 --> 00:52:29.916
This Baptisia, which is a lower one,
00:52:29.917 --> 00:52:31.499
flowered maybe a month ago.
00:52:31.500 --> 00:52:34.374
So that\'s over, but the
shrubby form is still there.
00:52:34.375 --> 00:52:36.624
And the contrast with
the gray and the green,
00:52:36.625 --> 00:52:38.500
is beautiful.
- It\'s too nice, yeah.
00:52:41.500 --> 00:52:44.208
- [Piet] But I\'m amazed by
the variety of plants here.
00:52:46.834 --> 00:52:48.499
- [Roy] When you talk about community...
00:52:48.500 --> 00:52:50.207
- Yeah.
- A strong healthy community...
00:52:50.208 --> 00:52:52.250
- It takes care of itself.
- Yeah, yeah.
00:53:17.333 --> 00:53:19.707
- If I ask myself has it influenced me?
00:53:19.708 --> 00:53:21.791
I think, oh, God, this is good, you know?
00:53:21.792 --> 00:53:22.792
Look at the big leaves.
00:53:22.793 --> 00:53:25.249
Oh, that could be terrific, you know?
00:53:25.250 --> 00:53:26.917
Just one or three in the garden.
00:53:30.125 --> 00:53:33.458
Seeing this and trying to
invoke the same feeling,
00:53:34.542 --> 00:53:36.290
I think that\'s what it
is, that is all my life.
00:53:36.291 --> 00:53:38.500
That is my life, yeah.
00:53:40.834 --> 00:53:43.458
- [Roy] I was looked at
as somebody very unusual.
00:53:44.500 --> 00:53:45.749
I was growing native plants.
00:53:45.750 --> 00:53:47.499
- [Piet] You grow them,
but nobody bought them.
00:53:47.500 --> 00:53:48.749
- Well, nobody was that interested.
00:53:48.750 --> 00:53:51.165
But then when I worked with
you on the Lurie Garden,
00:53:51.166 --> 00:53:53.749
all these plants I never
dreamed would get anywhere,
00:53:53.750 --> 00:53:56.582
or move out of the
nursery in great numbers.
00:53:56.583 --> 00:53:59.208
Now they\'re on Michigan Avenue in Chicago.
00:54:27.834 --> 00:54:30.542
- [Piet] And now we have to
decide what we do in here.
00:54:32.458 --> 00:54:36.290
So we make this Panicum
Dallas Blues as well.
00:54:36.291 --> 00:54:37.791
- So we want it in here?
00:54:37.792 --> 00:54:39.624
- A little bit instead of the Monarda,
00:54:39.625 --> 00:54:41.249
because the group is rather big.
00:54:41.250 --> 00:54:43.374
So if we take some out and put the...
00:54:43.375 --> 00:54:47.708
- Yeah, we don\'t like that.
- And we do a, let\'s say 15?
00:54:50.500 --> 00:54:51.791
It\'s a good number?
00:54:51.792 --> 00:54:53.959
- 18?
- Make it 18.
00:54:57.291 --> 00:55:00.208
Look at this, the perovksya
with the black onion.
00:55:01.375 --> 00:55:03.500
It\'s the combination sometimes.
00:55:07.208 --> 00:55:09.750
Huh?
00:55:19.917 --> 00:55:21.875
It\'s not a miracle, but almost, huh?
00:55:23.333 --> 00:55:25.165
- [Jennifer] 15 years ago, it was just a...
00:55:25.166 --> 00:55:27.125
- [Piet] Just a parking deck.
00:56:06.500 --> 00:56:08.541
Lurie was my first attempt to do
00:56:08.542 --> 00:56:11.708
a sort of pure
natural-looking, wild planting.
00:56:13.792 --> 00:56:18.208
A planting that you couldn\'t
control, only could conduct.
00:56:32.875 --> 00:56:33.958
The Lurie Garden, for me,
00:56:33.959 --> 00:56:35.959
certainly was the start of new ideas.
00:56:37.625 --> 00:56:40.458
But I would never have thought
about working in New York.
00:56:41.291 --> 00:56:45.041
I started in 2001, on the Battery Gardens.
00:56:48.250 --> 00:56:51.125
And I thought that was my
first and last job in New York.
00:56:52.166 --> 00:56:54.667
And then, this came up.
00:56:56.250 --> 00:56:59.165
If you imagine, when we came here in 2004
00:56:59.166 --> 00:57:02.583
and I saw it for the
first time, I was lost.
00:57:07.875 --> 00:57:10.417
From the beginning, the
idea was to keep it wild,
00:57:11.625 --> 00:57:14.457
which was impossible.
00:57:14.458 --> 00:57:17.165
But suddenly, I thought of the Lurie,
00:57:17.166 --> 00:57:18.999
and that became the inspiration
00:57:19.000 --> 00:57:21.083
for the whole narrative of the High Line.
00:57:24.208 --> 00:57:26.249
- You had carved out a reputation
00:57:26.250 --> 00:57:30.374
for a totally new way of thinking
about how to do planting,
00:57:30.375 --> 00:57:34.749
and how to do horticultural
in the context of the city.
00:57:34.750 --> 00:57:37.082
- Your story, or your script,
00:57:37.083 --> 00:57:40.916
really described the emotion
and the feeling you had
00:57:40.917 --> 00:57:42.499
when you walked through it.
00:57:42.500 --> 00:57:45.541
That brought up for me a palette
of plants that I could use,
00:57:45.542 --> 00:57:50.291
and I said, \"This feeling, or
scent, I need these plants.\"
00:57:54.792 --> 00:57:57.040
Afterwards, it\'s nine years after,
00:57:57.041 --> 00:58:00.250
I can say it\'s a turning point
in my thinking of planting.
00:58:03.333 --> 00:58:04.916
And it\'s not,
00:58:04.917 --> 00:58:06.750
I did it, but you forced it.
00:58:10.250 --> 00:58:12.999
- [James] And that\'s where
your knowledge of the medium
00:58:13.000 --> 00:58:15.749
in a way that only the
most experienced painter
00:58:15.750 --> 00:58:18.874
knows that pigment, and only
the most experienced chef
00:58:18.875 --> 00:58:20.624
knows their ingredients,
00:58:20.625 --> 00:58:23.417
you know so many of these kinds of plants.
00:58:24.417 --> 00:58:26.207
You know what they do on their own.
00:58:26.208 --> 00:58:28.541
You know what they do in
combination with others.
00:58:28.542 --> 00:58:30.416
- I always say you could be a botanist
00:58:30.417 --> 00:58:33.082
and you know a lot about
how plants is built up.
00:58:33.083 --> 00:58:34.249
- Right.
00:58:34.250 --> 00:58:35.332
- You can be an ecologist,
00:58:35.333 --> 00:58:37.874
and you know exactly
what community it grows
00:58:37.875 --> 00:58:39.624
and where it grows in the world.
00:58:39.625 --> 00:58:41.916
And I\'m neither of that.
00:58:41.917 --> 00:58:44.290
I know a lot of plants
because I love plants.
00:58:44.291 --> 00:58:45.541
I know where they grow,
00:58:45.542 --> 00:58:48.082
because I love to see where they grow.
00:58:48.083 --> 00:58:50.791
But for me, it\'s what you say, the medium,
00:58:50.792 --> 00:58:53.707
plants as a medium, to
bring out an emotion,
00:58:53.708 --> 00:58:57.749
a very strong emotion into the field.
00:58:57.750 --> 00:58:59.499
That\'s why I took every opportunity
00:58:59.500 --> 00:59:01.666
to go outside the private garden.
00:59:01.667 --> 00:59:03.750
If I like it, everyone will like it.
00:59:04.792 --> 00:59:07.166
That is really what I always thought.
00:59:08.000 --> 00:59:12.040
And I thought if I do what
I do only for two people,
00:59:12.041 --> 00:59:13.416
that\'s too little.
00:59:13.417 --> 00:59:15.208
- You\'ve never lacked in confidence.
00:59:17.792 --> 00:59:19.374
- At certain moments.
00:59:19.375 --> 00:59:20.874
At certain moments.
00:59:20.875 --> 00:59:21.958
- But that\'s art.
00:59:21.959 --> 00:59:25.249
Artists do that, painters, musicians.
00:59:25.250 --> 00:59:28.583
- Maybe.
- And now plantsmen.
00:59:54.333 --> 00:59:56.499
- But why have you never
shown these drawings
00:59:56.500 --> 00:59:57.582
the way they\'re shown here?
00:59:57.583 --> 00:59:59.833
- Never.
- Why not?
00:59:59.834 --> 01:00:01.999
- I have no idea.
- No one ever asked?
01:00:02.000 --> 01:00:03.124
- No one ever asked.
01:00:03.125 --> 01:00:05.707
I was surprised that you,
not really surprised,
01:00:05.708 --> 01:00:06.542
but when you said,
01:00:06.543 --> 01:00:08.791
\"We are doing the opening
with your drawings\",
01:00:08.792 --> 01:00:11.125
and I thought this is so beautiful.
01:00:12.834 --> 01:00:14.541
- [Iwan] I always thought your gardens,
01:00:14.542 --> 01:00:17.041
and your drawings, are very sexy.
01:00:18.125 --> 01:00:19.500
- I was in the past.
01:00:21.708 --> 01:00:24.291
- [Iwan] And they are very
elegant at the same time.
01:00:25.667 --> 01:00:27.416
It\'s very generous also.
01:00:27.417 --> 01:00:29.582
It\'s very generous for you to
share all this information,
01:00:29.583 --> 01:00:32.082
to have people have a
look into your thinking.
01:00:32.083 --> 01:00:34.040
- [Piet] Yeah, I think that
is what I like to make clear,
01:00:34.041 --> 01:00:36.416
that you can show the process.
01:00:36.417 --> 01:00:38.582
- [Iwan] It\'s very much
a work in progress too.
01:00:38.583 --> 01:00:40.499
Like it\'s not written in stone.
01:00:40.500 --> 01:00:42.332
You add things, you\'re very flexible.
01:00:42.333 --> 01:00:44.249
- [Piet] Because I never want to finish it
01:00:44.250 --> 01:00:45.374
before it\'s finished.
- No.
01:00:45.375 --> 01:00:47.541
But I think that makes you an artist.
01:00:47.542 --> 01:00:48.375
You see?
- Yeah.
01:00:48.376 --> 01:00:51.624
- I think that\'s the difference,
because you never close.
01:00:51.625 --> 01:00:52.667
You\'re always open.
01:00:56.667 --> 01:00:57.874
- [Piet] And here\'s Durslade.
01:00:57.875 --> 01:01:01.124
- [Iwan] And then three
meters out, you can see it.
01:01:01.125 --> 01:01:02.749
- [Piet] Yeah, if you see the garden,
01:01:02.750 --> 01:01:03.874
you would think it\'s easy.
01:01:03.875 --> 01:01:05.416
And then when you see the drawing,
01:01:05.417 --> 01:01:07.208
you suddenly realize the complexity.
01:01:13.250 --> 01:01:15.124
- [Iwan] What I heard yesterday...
01:01:15.125 --> 01:01:15.959
- [Piet] Yeah.
01:01:15.960 --> 01:01:17.833
- [Iwan] Is that we have
some very rare plants here.
01:01:17.834 --> 01:01:18.667
- [Piet] Really?
01:01:18.668 --> 01:01:21.124
Yeah, but for me they\'re
probably not rare.
01:01:21.125 --> 01:01:21.959
- [Iwan] I\'ll show you.
01:01:21.960 --> 01:01:23.332
I\'ll point them out.
- Yeah?
01:01:23.333 --> 01:01:27.374
- [Iwan] Yeah, Mark told me
yesterday these are rare.
01:01:27.375 --> 01:01:28.666
- Which ones?
- These.
01:01:28.667 --> 01:01:29.874
- [Piet] Not the onions here, onions?
01:01:29.875 --> 01:01:32.332
- [Iwan] No, the onions, he
said they\'re very, they\'re new.
01:01:32.333 --> 01:01:34.707
- [Piet] I got them from
North America from a friend.
01:01:34.708 --> 01:01:36.749
And I used them because
they\'re more or less flowering
01:01:36.750 --> 01:01:37.791
for all summer.
01:01:37.792 --> 01:01:41.165
- But, for an art dealer,
I was here with collectors.
01:01:41.166 --> 01:01:44.499
And then Mark was saying,
\"These are very rare plants.\"
01:01:44.500 --> 01:01:46.416
And you can see the
collectors\' eyes lighting up,
01:01:46.417 --> 01:01:48.707
\"Ah, and which are the other rare plants?\"
01:01:48.708 --> 01:01:50.667
And then he said, \"Well,
this is a rare plant.\"
01:01:54.959 --> 01:01:57.374
- [Piet] There\'s no
subtleness in the first year.
01:01:57.375 --> 01:01:59.457
It\'s just, this is it.
01:01:59.458 --> 01:02:01.874
One is screaming, the other one is crying.
01:02:01.875 --> 01:02:04.457
- Yeah, that\'s, screaming
and crying, that\'s art.
01:02:04.458 --> 01:02:05.999
- [Piet] Yeah, this plant is just trying
01:02:06.000 --> 01:02:07.958
to keep alive for next year.
01:02:07.959 --> 01:02:11.749
And this one is saying,
\"Here I am\", you know?
01:02:11.750 --> 01:02:15.083
- Yeah, screaming and crying.
01:02:17.417 --> 01:02:18.417
That\'s true.
01:02:23.875 --> 01:02:24.875
- [Piet] But there\'s so much to come.
01:02:24.876 --> 01:02:26.916
You see that has to come a flower.
01:02:26.917 --> 01:02:28.374
This has to come a flower.
01:02:28.375 --> 01:02:31.207
This has to grow up.
- Yeah, yeah.
01:02:31.208 --> 01:02:33.874
- These are 2.50, three meters tall.
01:02:33.875 --> 01:02:36.207
- Oh, really?
- Yeah, it\'s just starting.
01:02:36.208 --> 01:02:38.958
And you see, you see the
combination of the red one
01:02:38.959 --> 01:02:40.417
and the red flower?
01:02:41.667 --> 01:02:43.958
Yeah, I think I love it.
- I absolutely love it.
01:02:43.959 --> 01:02:45.833
- [Piet] It will even
look better in September.
01:02:45.834 --> 01:02:50.834
- Thank you, that\'s great.
- Yeah, thank you.
01:02:54.583 --> 01:02:57.333
(rain pattering)
01:03:43.792 --> 01:03:47.250
Yeah, so this is the most
flowerful part of the year.
01:03:53.834 --> 01:03:55.249
There\'s still a lot to come.
01:03:55.250 --> 01:03:59.250
All these litrams come into flower.
01:04:07.834 --> 01:04:12.834
When I really was young, we
lived near a nature preserve.
01:04:12.959 --> 01:04:14.791
And maybe we played
there when we were young,
01:04:14.792 --> 01:04:17.458
and we cycled through
the dunes to the sea.
01:04:18.333 --> 01:04:21.040
And maybe that had a sort
of impact on your mind
01:04:21.041 --> 01:04:23.874
without knowing that it came back later.
01:04:23.875 --> 01:04:26.082
Sometimes I thought that was it.
01:04:26.083 --> 01:04:29.083
Otherwise, I can\'t find a
reason why I like plants.
01:04:33.083 --> 01:04:36.416
Now I see it a little different.
01:04:36.417 --> 01:04:37.874
I see it as more that,
01:04:37.875 --> 01:04:40.041
something that I needed and I found it.
01:04:42.458 --> 01:04:44.417
But you didn\'t know that you needed it.
01:04:47.291 --> 01:04:49.999
But when you find it,
you go and work with it,
01:04:50.000 --> 01:04:54.417
and then I see you feel
that it\'s the right thing.
01:05:00.417 --> 01:05:03.917
But, sometimes I think
there are too many flowers.
01:05:06.834 --> 01:05:09.333
There are moments that
I long for the decay,
01:05:10.500 --> 01:05:12.500
that they turn into skeletons.
01:05:24.959 --> 01:05:27.291
But that is perception, huh?
01:05:29.000 --> 01:05:30.500
It\'s only my idea.
01:07:16.875 --> 01:07:20.124
- Friends, I\'m ecstatic
to be welcoming you all
01:07:20.125 --> 01:07:22.207
to the opening of Hauser & Wirth Somerset,
01:07:22.208 --> 01:07:25.542
or more locally known as Durslade Farm.
01:07:27.458 --> 01:07:29.958
Today, this team of dedicated people
01:07:29.959 --> 01:07:33.082
who have in the last three
years worked tirelessly
01:07:33.083 --> 01:07:36.500
deserve our utmost
admiration and applause.
01:07:41.125 --> 01:07:44.875
Piet Oudolf, he\'s one
of the great magicians.
01:07:46.750 --> 01:07:48.834
I have very little idea about gardening.
01:07:50.125 --> 01:07:52.625
But I know when I see a masterpiece.
01:07:53.875 --> 01:07:58.457
And dear Piet, what you\'ve
created for us, for Bruton,
01:07:58.458 --> 01:07:59.999
is a masterpiece.
01:08:00.000 --> 01:08:03.457
And I want to thank you so
much for this collaboration.
01:08:03.458 --> 01:08:04.750
Thank you, Piet.
01:10:09.083 --> 01:10:12.458
- Beauty is in so many
things you wouldn\'t think of.
01:10:13.875 --> 01:10:16.040
And I think this sort
of struggle about beauty
01:10:16.041 --> 01:10:18.166
and no beauty, I think that\'s what I like.
01:10:21.000 --> 01:10:25.749
That seeing beauty in
ugliness, or beauty in death,
01:10:25.750 --> 01:10:28.834
beauty in decay, beauty in the unexpected.
01:10:30.250 --> 01:10:31.792
I think that is part of my life too.
01:10:32.750 --> 01:10:35.249
What I try to create in the
gardens is, of course, beauty.
01:10:35.250 --> 01:10:39.290
But the moment you say that
I love plants that are dead,
01:10:39.291 --> 01:10:40.125
then you have a problem,
01:10:40.126 --> 01:10:41.959
because people don\'t like dead plants.
01:10:44.500 --> 01:10:47.374
I think it\'s the journey in your life
01:10:47.375 --> 01:10:49.874
to find out what real
beauty is, of course,
01:10:49.875 --> 01:10:53.124
but also discover beauty
in things that are,
01:10:53.125 --> 01:10:55.834
at first sight, not beautiful.