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Initiated and edited by Chris Marker, FAR FROM VIETNAM is an epic 1967 collaboration between cinema greats Jean-Luc Godard, Joris Ivens, William Klein, Claude Lelouch and Alain Resnais in protest of American military involvement in Vietnam--made, per Marker's narration, "to affirm, by the exercise of their craft, their solidarity with the Vietnamese people in struggle against aggression."

A truly collaborative effort, the film brings together an array of stylistically disparate contributions, none individually credited, under a unified editorial vision. The elements span documentary footage shot in North and South Vietnam and at anti-war demonstrations in the United States; a fictional vignette and a monologue that dramatize the self-interrogation of European intellectuals; interviews with Fidel Castro and Anne Morrison, widow of Norman Morrison, the Quaker pacifist who burned himself alive in front of the Pentagon in 1965; an historical overview of the conflict; reflections from French journalist Michele Ray; and a range of repurposed media material.

Passionately critical and self-critical, and as bold in form as it is in rhetoric, FAR FROM VIETNAM is a milestone in political documentary and in the French cinema.