The Grasslands Project - After the Fire
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- Citation
- Cataloging
- Transcript
Small rural communities rely on their volunteer firefighters to handle any emergencies. While the Eastend Fire Department responds to its share of barn and grass fires, they are only a call away from tragedy. Rural first responders are usually first on the scene of grisly farm and motor vehicle accidents, and in a small community the victims are often friends and family. The toll it takes on these volunteers creates its own tragedy.
Citation
Main credits
Parker, Scott (film director)
Parker, Scott (screenwriter)
Parker, Scott (director of photography)
Parker, Scott (editor of moving image work)
Christensen, David (film producer)
Other credits
Filmed and edited by Scott Parker; music composed and performed by Aaron Macri.
Distributor subjects
No distributor subjects provided.Keywords
WEBVTT
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♪ ♪
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(wind blowing)
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In a small town,
we know everybody,
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and everybody knows everybody.
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And the last three calls that
this outfit has been on,
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it has not been real good.
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(siren)
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(music)
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We look after the
town of Eastend,
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which is 600 people, but we also
look after one RM completely,
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half of another one, and
so we, we have a big,
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big area in this corner of the
Province, a very big area.
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(siren)
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♪ ♪
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We\'re on call
365 days of the year 7/24.
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When that alarm goes off, a lot
of peoples\' adrenaline goes
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straight through the roof.
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There is nothing
in the world
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quite like volunteer
firefighting.
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So, I\'ve been on
the fire department
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for about 2 1/2 years now.
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I joined because I figured it
would be a good way
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to help the community.
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Every call is different, so
you\'re never ever gonna
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see the same call.
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You\'re always, your
brain is always going.
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I leave my farm and my shop, and
these people all leave their
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business, when that call comes
we walk away from our lives to
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go help somebody else.
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Who the hell runs into a burning
building or who the hell goes to
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these things in
their right mind?
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But somebody\'s got to do it.
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Holy, no way to start a day.
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(music)
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It\'s a tough racket.
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It\'s, it\'s not for the faint
of heart by any stretch of the
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imagination, \'cause
it, it can be brutal.
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♪ ♪
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(siren)
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♪ ♪
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Whoa, yeah, yeah.
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Your batteries are
out past the truck.
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♪ ♪
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(motor running)
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♪ ♪
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Any call with a death involved,
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that is a bad call when a life
is lost, and that, that, to me,
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is one of the toughest
things to deal with,
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because you know when you
go that there\'s always a
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possibility that
that\'s what it is
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and it\'s always in the
back of your mind.
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♪ ♪
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It\'s the getting on
scene and not knowing what
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you\'re gonna find dead or
alive, but you\'ll do your job.
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That\'s one big
problem for this area,
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\'cause if your accident\'s
half an hour away,
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well what are we gonna
go find in half an hour?
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♪ ♪
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When we do go to those
bad accidents when there\'s,
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you know, children involved like
we had a while ago, you know,
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you get home at the end of the
night and you realize that
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that could have been my kids.
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♪ ♪
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Whatever
we find on scene,
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we\'re gonna make a difference.
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We\'re gonna help them.
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Hopefully, possibly
save somebody\'s life.
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And if it is too late, we do
what has to be done and secure
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the scene and do what
we can for the family.
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♪ ♪
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I\'m always looking at my crew
and making sure that they are
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prepared and ready for
what could be ugly,
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and I mean really ugly.
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As far as this stressing
out and post traumatic stress,
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I am one of them that is
having trouble and it\'s because
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of the years that I\'ve
been involved in it.
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And if you talk to people like
I have, counsellors, I have to,
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as my counsellors are telling
me, to get away from this,
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or it\'s gonna eat me up.
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- Have you got a minute?
- Yeah.
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-- Okay, we\'re going.
- Okay.
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But I\'m not ready to give
it up yet, I\'m really not.
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I\'m looking at a new
fire hall down here.
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I\'m looking at a new truck.
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I\'m not ready to give \'er up.
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I\'m too goddamn ornery.
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(laughs)
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Eastend fire, just
leaving scene.
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Eastend reading the
marked time is 8:23.
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(wind blowing)
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♪ ♪