brazil,brasil,dictatorship,erotic cinema,erotic imagery,cinema studies,film studies,cinema,film,movies,motion pictures,film history,film production,film criticism,cinema history,cinema production,cinema criticism,movie history,movie production,movie criticism,history of cinema,history of film,political science,micropolitics,macropolitics,political theory,political education,political movements,political thinking,political criticism,poly sci,polysci,political sci,political sciences,political history,history of politics,political systems,authority,authoritarianism,dictatorship,military regime,military government,fascism,repression,oppression,political oppression,political repression,far right,far right wing,modern fascism,gender,sexuality,gender roles,gender identity,sexual orientation,gender equality,gender pronouns,gender studies,gender spectrum,gender norms,gender roles,gender stereotypes,sexual selection,sexualization,sexual awakening,puberty,pubescence,history,context,narrative,past,chronicle,lore,annals,historic,personal history,archive,record,saga,biography,memoir,study,latin american studies,caribbean american studies,island studies,latin american culture,latin american history,latin american politics, caribbean american culture,caribbean american history,caribbean american politics, latin american languages,latin american and caribbean studies,hispanic american studies,hispanic people,hispanic culture,hispanic politics,sociology,anthropology,psychology,sociological,sociological perspectives,conflict theory,human conflicts,sociological thinking,conflict perspective,topics in sociology,sociology topics,sociology studies,social studies,people and cultures,human relations,human relationships,cultural studies,culture studies ; "Stories Our Cinema Did (Not) Tell"; Pragda Films