00:00:16.840 --> 00:00:17.960
Ready?

00:00:18.040 --> 00:00:19.280
Let's do it.

00:01:10.120 --> 00:01:12.560
Not so long ago,
we were playing

00:01:12.640 --> 00:01:14.760
in our house in France.

00:01:15.320 --> 00:01:19.240
And now we're here,
on the other side of the world.

00:01:19.760 --> 00:01:23.560
So, thank you,
all we can do

00:01:23.640 --> 00:01:25.320
is give thanks for this life.

00:01:40.760 --> 00:01:44.280
What do you care if I love you?

00:01:45.920 --> 00:01:49.600
When you no longer love me

00:01:51.400 --> 00:01:55.200
The love has gone

00:01:55.280 --> 00:01:59.040
And cannot be recalled

00:01:59.520 --> 00:02:02.400
When we filmed "Twenty Years",
it was a bit of a guide...

00:02:03.200 --> 00:02:05.240
for us, for me...

00:02:05.320 --> 00:02:08.480
We'd only done one video

00:02:08.560 --> 00:02:10.440
on my mum's phone.

00:02:10.520 --> 00:02:13.400
Today I represent the past

00:02:13.480 --> 00:02:18.440
I cannot conform

00:02:22.000 --> 00:02:23.920
We were messing around playing things

00:02:24.000 --> 00:02:26.320
in our bedroom,
my brother and I.

00:02:26.400 --> 00:02:29.640
And my father called us to say,

00:02:29.720 --> 00:02:32.720
"It's sunny,
let's do a take."

00:02:32.800 --> 00:02:35.080
The love has gone

00:02:35.160 --> 00:02:38.600
It cannot be recalled

00:02:39.160 --> 00:02:41.600
We wanted to record those memories

00:02:41.680 --> 00:02:45.080
because it was so fun

00:02:45.160 --> 00:02:49.360
to watch them singing and playing.

00:02:58.760 --> 00:03:03.240
This is where
we recorded "Twenty Years".

00:03:13.040 --> 00:03:15.640
I was dressed pretty normally.

00:03:15.720 --> 00:03:17.640
My trousers were dirty and everything.

00:03:18.800 --> 00:03:20.520
It was just a test run.

00:03:20.760 --> 00:03:23.880
Isaac wasn't even wearing shoes.

00:03:23.960 --> 00:03:28.040
A piece of one's soul

00:03:29.240 --> 00:03:33.400
Mercilessly snatched away

00:03:36.000 --> 00:03:37.360
Tata

00:03:37.440 --> 00:03:38.760
Tata

00:03:39.400 --> 00:03:44.080
We never expected the video
to reach millions of people.

00:03:45.600 --> 00:03:46.920
But it did.

00:03:47.640 --> 00:03:50.840
Our version received a lot of love.

00:03:55.480 --> 00:03:57.080
With the post of 20 years,
they started to suggest

00:03:57.160 --> 00:03:59.040
collaborations, phone calls...

00:04:00.560 --> 00:04:03.840
It was something huge
and we weren't ready for that.

00:04:07.040 --> 00:04:10.040
The most surprising thing
was what a huge success it was.

00:04:12.200 --> 00:04:15.000
It got millions of views every day.

00:04:16.360 --> 00:04:20.440
And it encouraged us
to record new songs,

00:04:20.520 --> 00:04:22.120
others that we liked.

00:04:29.840 --> 00:04:32.560
I know that the oak tree...

00:04:33.080 --> 00:04:37.120
From that day on,
we've been very grateful

00:04:37.200 --> 00:04:40.320
to everyone
who made this life possible.

00:04:41.280 --> 00:04:44.000
We've done so many things, TV,

00:04:44.080 --> 00:04:47.200
interviews, we'd not done
any of that before.

00:04:49.840 --> 00:04:52.280
We've been new places
and met incredible people.

00:04:52.360 --> 00:04:55.560
We've even made a record.

00:05:02.880 --> 00:05:06.600
Latin American music
has stolen our hearts.

00:05:06.960 --> 00:05:11.160
Its sweetness, rhythms,
its blends.

00:05:11.240 --> 00:05:14.920
But up until now,
all we knew was the songs.

00:05:16.000 --> 00:05:19.040
But that's about to change.

00:05:19.880 --> 00:05:23.280
We're going to fulfill
one of our lifelong dreams.

00:05:23.840 --> 00:05:26.080
We're going to Latin America.

00:05:28.440 --> 00:05:30.600
We're performing in Mexico.

00:05:31.840 --> 00:05:33.080
Colombia.

00:05:33.480 --> 00:05:34.760
Peru.

00:05:35.200 --> 00:05:37.680
And Chile.
And finishing in Madrid.

00:05:40.720 --> 00:05:44.200
On this trip,
we'll discover the culture,

00:05:44.920 --> 00:05:48.840
the people and the landscapes behind

00:05:48.920 --> 00:05:53.040
the musical classics
we've played so often.

00:05:54.920 --> 00:05:57.880
We've also been asked
to make a new record

00:05:59.240 --> 00:06:02.280
and to take part in
some very special collaborations,

00:06:02.840 --> 00:06:04.760
the best voices from each country.

00:06:10.880 --> 00:06:13.200
When my father

00:06:13.920 --> 00:06:17.240
told us we were going on a trip

00:06:17.320 --> 00:06:19.840
and that we were going
to visit Latin America,

00:06:20.000 --> 00:06:24.040
I was so happy
and so was my brother.

00:06:25.640 --> 00:06:29.440
Travelling to Latin America,
travelling to Spain,

00:06:29.520 --> 00:06:33.000
doing concerts with musicians
we don't even know,

00:06:33.080 --> 00:06:34.160
it's just incredible.

00:06:36.000 --> 00:06:39.160
Together, as a family,
we're setting out on a trip

00:06:39.240 --> 00:06:42.520
to discover the roots
of Latin American music.

00:07:47.640 --> 00:07:51.360
We didn't know the importance

00:07:51.440 --> 00:07:53.360
of the Canary Islands

00:07:53.440 --> 00:07:57.760
as the link between Europe,
Africa and Latin America.

00:07:58.120 --> 00:07:59.800
Hey, how's it going?

00:07:59.880 --> 00:08:01.520
Hey.

00:08:03.080 --> 00:08:04.640
Hey, how are you?

00:08:04.720 --> 00:08:06.840
Nice to meet you.
How's it going?

00:08:08.280 --> 00:08:13.200
The Canary Islands were the bridge
between America, Africa and Europe.

00:08:13.640 --> 00:08:16.560
In fact,
a lot of American cities

00:08:16.640 --> 00:08:19.840
such as Montevideo, Sao Paulo
and San Antonio in Texas

00:08:19.920 --> 00:08:21.840
were founded by Canarians.

00:08:21.920 --> 00:08:25.000
And they would depart from
ports like this, like Garachico,

00:08:25.680 --> 00:08:30.440
where there was
the trafficking of people, goods

00:08:30.520 --> 00:08:32.720
and the culture and the songs, right?

00:08:32.800 --> 00:08:34.920
Many of the songs that you sing

00:08:35.000 --> 00:08:37.440
we also sing here in the Canary Islands

00:08:37.520 --> 00:08:40.000
because America
has a place in our hearts

00:08:40.080 --> 00:08:42.120
and those songs
travelled back and forth.

00:08:42.200 --> 00:08:45.080
So, I think this is the perfect place

00:08:45.160 --> 00:08:48.920
for you to depart for America from.

00:08:49.000 --> 00:08:52.520
Christopher Columbus is said
to have left from the port of Palos

00:08:52.600 --> 00:08:56.360
on his voyage to discover America.

00:08:56.440 --> 00:08:59.960
It's not true. The last port
Columbus stepped foot in was La Gomera,

00:09:00.040 --> 00:09:01.520
one of our islands.

00:09:01.640 --> 00:09:04.640
The Europe-America connection
was always via the Canary Islands.

00:09:04.720 --> 00:09:06.720
That was the last port he visited.

00:09:17.720 --> 00:09:20.880
You're going to see cities
that look quite similar to this one.

00:09:20.960 --> 00:09:23.840
That's because many of
America's colonial cities,

00:09:23.920 --> 00:09:26.240
the design

00:09:27.000 --> 00:09:29.120
and the way they were built,
was based

00:09:29.200 --> 00:09:30.920
on the Canary Islands.

00:09:31.440 --> 00:09:34.880
This is a bit like Cartagena,

00:09:34.960 --> 00:09:38.240
and if you go to Arequipa,
you'll notice it's a bit similar.

00:09:38.320 --> 00:09:40.360
The church reminds some people
of Mexico.

00:09:40.440 --> 00:09:42.640
It all has a Latin air about it.

00:09:44.600 --> 00:09:47.240
I'm going to show you my instrument.

00:09:47.320 --> 00:09:49.000
It's a timple.

00:09:49.080 --> 00:09:51.560
A small guitar with five strings.

00:09:52.800 --> 00:09:55.880
What does it remind you of?
Which instrument?

00:09:55.960 --> 00:09:57.760
A ukulele.
-The ukulele, right?

00:09:57.840 --> 00:09:59.560
That one's more international.

00:09:59.640 --> 00:10:01.600
It's the ukulele's cousin,

00:10:01.680 --> 00:10:04.160
from the charango,
the Venezuelan cuatro,

00:10:04.240 --> 00:10:06.480
and the Puerto Rican
or Colombian tiple.

00:10:07.720 --> 00:10:11.520
This is from Europe,
Baroque Europe.

00:10:11.600 --> 00:10:15.000
They named this little guitar the tiple,
meaning "high-pitched".

00:10:15.080 --> 00:10:18.480
And it spread across America.

00:10:18.560 --> 00:10:21.320
The timple is the sound
of the Canary Islands.

00:10:30.760 --> 00:10:33.200
We're Euro-Afroamerican.

00:10:33.280 --> 00:10:36.160
A combination of all this
has shaped a folklore

00:10:36.240 --> 00:10:39.400
that isn't very rich rhythmically,
but very rich melodically,

00:10:39.480 --> 00:10:42.240
and in terms of the genres
and influences

00:10:42.320 --> 00:10:46.360
from the three great cultural powers
surrounding us.

00:10:46.440 --> 00:10:48.160
Do you know what the jota is?

00:10:48.560 --> 00:10:51.280
Yes, it's...

00:10:51.360 --> 00:10:52.840
Okay.

00:10:53.080 --> 00:10:55.800
The variant of jota
that we have in the Canaries

00:10:55.880 --> 00:10:57.240
is "isa" and goes like this.

00:11:10.520 --> 00:11:12.880
So this guy from La Palma,

00:11:12.960 --> 00:11:15.960
the island La Palma,
"Lame" Soria they called him,

00:11:16.040 --> 00:11:19.440
emigrated to Peru
at the beginning of the 20th century

00:11:19.520 --> 00:11:21.520
and started a band,
he was a musician,

00:11:21.600 --> 00:11:24.120
and in the style of
the Peruvian marinera, he did

00:11:24.200 --> 00:11:26.960
that chorus I remember
singing as a child.

00:11:27.040 --> 00:11:29.840
And it became
"Palmero, Climb the Palm",

00:11:29.920 --> 00:11:33.520
played in the marinera key
and very famous in America.

00:11:38.880 --> 00:11:42.640
Palmero, climb the palm
And tell the Palmera...

00:11:42.720 --> 00:11:43.960
I'm a terrible singer.

00:11:59.760 --> 00:12:02.480
Palmero, climb the palm

00:12:02.560 --> 00:12:04.200
Catay, catay

00:12:06.360 --> 00:12:10.280
Tell the Palmera
Chupay, chumay

00:12:12.440 --> 00:12:16.400
Tell the Palmera
Chupay, chumay

00:12:18.440 --> 00:12:22.760
Come to the window
Catay, catay

00:12:22.840 --> 00:12:24.360
Lovely.

00:12:24.840 --> 00:12:28.760
My love seeks her
Chupay, chumay

00:12:30.760 --> 00:12:35.000
Climb the palm
Catay, catay

00:12:37.480 --> 00:12:39.040
I look at you

00:12:39.120 --> 00:12:42.960
So you understand
Catay, catay

00:12:43.600 --> 00:12:46.040
Because my eyes

00:12:46.120 --> 00:12:49.120
Speak for me
Chupay, chumay

00:12:50.120 --> 00:12:51.880
I look at you...

00:12:51.960 --> 00:12:56.960
Life wasn't always easy.

00:12:57.280 --> 00:12:59.480
We're a very normal family.

00:13:00.160 --> 00:13:03.000
With our own worries

00:13:03.080 --> 00:13:05.640
and troubles.

00:13:05.720 --> 00:13:08.800
Finding a job,

00:13:08.880 --> 00:13:12.160
having children,

00:13:12.400 --> 00:13:15.000
educating our children.

00:13:15.080 --> 00:13:18.480
Music changed our lives.

00:13:18.560 --> 00:13:20.160
What is that caled?

00:13:20.520 --> 00:13:22.520
I love that instrument.

00:13:24.080 --> 00:13:25.400
What is that called?

00:13:25.480 --> 00:13:26.480
I love it.

00:13:26.560 --> 00:13:27.720
Do you really love it?

00:13:27.800 --> 00:13:28.800
I do.

00:13:36.400 --> 00:13:40.560
This trip is a dream come true for me.

00:13:40.640 --> 00:13:42.080
It's a fairytale.

00:13:42.160 --> 00:13:46.240
I think the kids are really happy.

00:13:47.160 --> 00:13:48.320
And...

00:13:49.520 --> 00:13:51.200
It melts my heart.

00:13:54.200 --> 00:13:56.680
Hey!
How are you all?

00:13:56.760 --> 00:13:59.000
Gonzalo's our manager.

00:13:59.640 --> 00:14:02.120
He looks after us

00:14:02.200 --> 00:14:05.080
in every aspect of our lives.

00:14:05.160 --> 00:14:07.400
The adventure starts here, guys.

00:14:07.480 --> 00:14:08.800
I'm excited to get going.

00:14:08.880 --> 00:14:10.560
He's a bit like...

00:14:11.120 --> 00:14:14.240
Like a second mum to us all.

00:14:14.320 --> 00:14:17.200
Hey!
How're you all doing?

00:14:17.400 --> 00:14:19.520
How are you?
-Hi.

00:14:19.600 --> 00:14:21.120
Nice to meet you,
how are you?

00:14:21.200 --> 00:14:23.760
Hi, Isaac, how're you?
-Great.

00:14:23.840 --> 00:14:25.440
How're you?

00:14:28.440 --> 00:14:30.280
How was your trip?

00:14:30.360 --> 00:14:31.400
Good.

00:14:31.480 --> 00:14:32.680
I'm Valeria Castro.

00:14:32.760 --> 00:14:35.320
I'm a singer
from La Palma island.

00:14:35.400 --> 00:14:36.760
I'm 23 years old.

00:14:36.840 --> 00:14:39.120
I'm doing a project

00:14:39.200 --> 00:14:43.400
which mixes folklore music
with a bit of pop.

00:14:44.720 --> 00:14:49.480
Go to the window
Before the glass breaks

00:14:50.200 --> 00:14:54.760
Better to go up in flames
Than to remain silent

00:14:55.960 --> 00:14:58.840
Because you're not living life
When you spend it

00:14:59.240 --> 00:15:01.760
fleeing another

00:15:01.840 --> 00:15:05.200
I'm very excited today
because we're recording

00:15:05.280 --> 00:15:08.040
a classic Canarian song,
"Palmero, Climb the Palm".

00:15:08.120 --> 00:15:11.840
Not the La Palma version,
although there is a nod to it,

00:15:11.920 --> 00:15:13.480
it's more like the Peruvian one.

00:15:13.560 --> 00:15:16.520
How's our virtual producer?

00:15:16.680 --> 00:15:17.840
Hi.

00:15:17.920 --> 00:15:19.120
Hello!

00:15:19.200 --> 00:15:20.880
I'm here, having breakfast.

00:15:20.960 --> 00:15:22.720
What time is it in Argentina?

00:15:22.800 --> 00:15:24.520
Twenty past eight.

00:15:24.600 --> 00:15:28.240
Sebastián Schon
is an Argentinian producer.

00:15:29.560 --> 00:15:33.520
He's won lots of music awards,

00:15:33.600 --> 00:15:36.720
Latin Grammys and everything.

00:15:36.800 --> 00:15:40.080
And he's producing all the songs

00:15:40.160 --> 00:15:42.880
we're going to record on the trip.

00:15:42.960 --> 00:15:47.240
I think Valeria and the kids'
version will come out well.

00:15:51.560 --> 00:15:55.800
Palmero, climb the palm
Catay, catay

00:15:57.880 --> 00:16:01.760
Or tell the Palmera
Chupay, chumay

00:16:03.440 --> 00:16:05.600
Or tell the Palme...

00:16:06.120 --> 00:16:09.640
No, it's "Palmero
and tell the Palmera".

00:16:09.720 --> 00:16:12.160
Ah, it's "or", okay.

00:16:12.240 --> 00:16:15.520
No, "and", not "or".

00:16:15.880 --> 00:16:18.480
Ah, okay.

00:16:23.760 --> 00:16:27.880
Palmero, climb the palm
Catay, catay

00:16:30.080 --> 00:16:32.120
And tell the Palmera...

00:16:32.200 --> 00:16:34.840
Getting these French kids

00:16:34.920 --> 00:16:38.360
to sing something so indigenous,
something so close to home for me,

00:16:38.440 --> 00:16:41.320
gets me very emotional.

00:16:41.400 --> 00:16:43.480
Catay, catay

00:16:48.840 --> 00:16:52.680
Palmero, climb the palm
Catay, catay

00:16:55.040 --> 00:16:59.120
And tell the Palmera
Chupay, chumay

00:17:01.240 --> 00:17:04.160
And tell the Palmera...

00:17:04.480 --> 00:17:06.160
Again, again.

00:17:06.240 --> 00:17:09.960
Is it possible to have
a bit more volume on my voice?

00:17:10.040 --> 00:17:11.960
The volume...

00:17:12.040 --> 00:17:14.600
Maybe the volume.

00:17:14.680 --> 00:17:17.240
If you turn the volume up...

00:17:19.640 --> 00:17:22.160
One, two, one, two.

00:17:22.240 --> 00:17:23.240
Less loudly.

00:17:23.320 --> 00:17:24.320
Wait, wait.

00:17:24.960 --> 00:17:25.960
Two less.

00:17:26.040 --> 00:17:28.040
No, it's louder now.

00:17:28.120 --> 00:17:29.880
It makes some noise
like television.

00:17:35.080 --> 00:17:36.680
I hear it fine, it's fine.

00:17:37.320 --> 00:17:38.320
Wait, dad.

00:17:54.960 --> 00:17:59.240
Palmero, climb the palm
Catay, catay

00:18:01.600 --> 00:18:05.440
And tell the Palmera
Chupay, chumay

00:18:07.880 --> 00:18:11.520
And tell the Palmera
Chupay, chumay

00:18:13.800 --> 00:18:17.760
Come to the window
Catay, catay

00:18:19.960 --> 00:18:23.760
My love seeks her
Chupay, chumay

00:18:26.080 --> 00:18:29.200
Palmero, climb the palm
Catay, catay

00:18:32.400 --> 00:18:33.880
I look at you

00:18:33.960 --> 00:18:37.520
So you understand
Catay, catay

00:18:38.680 --> 00:18:40.640
Because my eyes

00:18:40.720 --> 00:18:43.760
Speak for me
Chupay, chumay

00:18:44.880 --> 00:18:46.800
I look at you

00:18:46.880 --> 00:18:50.000
So you understand
Catay, catay

00:18:51.080 --> 00:18:53.880
So you understand me, ma
So you don't cry...

00:18:54.560 --> 00:18:55.960
They are so amazing.

00:18:56.040 --> 00:18:59.680
They make such beautiful music
with their incredible voices

00:18:59.760 --> 00:19:03.120
and a musicality
that really characterises them.

00:19:03.200 --> 00:19:06.360
In the end,
that's what people are touched by.

00:19:07.040 --> 00:19:09.480
What does "Catay" mean?

00:19:09.560 --> 00:19:11.360
The big question.

00:19:11.440 --> 00:19:13.360
You don't know either?
-No.

00:19:13.440 --> 00:19:14.480
Oh my goodness.

00:19:15.360 --> 00:19:17.280
I look at you

00:19:17.360 --> 00:19:20.400
So you understand
Catay, catay

00:19:21.560 --> 00:19:23.880
So you understand me, ma

00:19:23.960 --> 00:19:26.800
So you don't cry
Catay, catay

00:19:28.000 --> 00:19:32.680
This sad heart will thaw
Chupay, chumay

00:19:33.800 --> 00:19:35.920
Lovely, so lovely, so lovely

00:19:36.000 --> 00:19:39.120
Kiss me
Catay, catay

00:19:41.520 --> 00:19:45.240
Palmero, climb the palm

00:19:45.640 --> 00:19:49.600
And tell the Palmera

00:19:49.960 --> 00:19:51.240
Perfect.

00:19:51.600 --> 00:19:54.160
What a great job you did.

00:19:54.240 --> 00:19:56.760
I was there playing.
-Right.

00:19:58.960 --> 00:20:00.400
Bye!

00:20:00.760 --> 00:20:02.600
Sebas, what a pleasure.

00:20:02.680 --> 00:20:04.440
See you in Mexico.

00:20:04.920 --> 00:20:06.440
I'm going to say goodbye.

00:20:06.520 --> 00:20:08.600
I'm leaving at seven in the morning.

00:20:08.680 --> 00:20:10.840
Good luck,
I hope it goes really well.

00:20:10.920 --> 00:20:12.120
Tomorrow, too.

00:20:12.200 --> 00:20:15.400
Thanks for trusting in me,
it's been a pleasure.

00:20:15.480 --> 00:20:19.320
Keep making music
exactly the way you do.

00:20:24.440 --> 00:20:26.640
How to know

00:20:26.720 --> 00:20:29.800
When a star has fallen

00:20:30.320 --> 00:20:35.240
If there are clouds in the grey sky

00:20:35.960 --> 00:20:40.480
How to know where we are

00:20:41.720 --> 00:20:46.640
If everything is spinning

00:20:48.200 --> 00:20:52.560
Life goes on and on

00:20:53.760 --> 00:20:55.840
I think the trip
Isaac and Nora are doing

00:20:55.920 --> 00:20:57.800
has two sides to it.

00:20:57.880 --> 00:20:59.840
On the one hand, the public,

00:20:59.920 --> 00:21:02.640
who probably follow them
on social media

00:21:02.720 --> 00:21:05.520
and will be even more moved
to have them so close.

00:21:05.600 --> 00:21:09.440
And the on other,
it being this huge, vital experience.

00:21:09.520 --> 00:21:13.000
Two kids who, suddenly,
unexpectedly, and without asking

00:21:13.080 --> 00:21:15.880
or trying for it,
find themselves on stage,

00:21:15.960 --> 00:21:19.160
doing an international tour
in various theatres across America.

00:21:19.240 --> 00:21:22.440
I'm sure it'll be
a great experience for them.

00:21:22.520 --> 00:21:24.720
Shooting star, still here

00:21:24.800 --> 00:21:27.120
Fulfilling the wish
I once asked for

00:21:27.200 --> 00:21:31.840
Nothing else matters
When you're shining in the sky

00:21:31.920 --> 00:21:34.960
Waking close to you

00:21:35.040 --> 00:21:38.400
This golden dream

00:21:39.400 --> 00:21:43.960
You bring me

00:22:16.680 --> 00:22:18.240
No way!

00:22:18.320 --> 00:22:21.360
It's Isaac and Nora with Mum and Dad.

00:22:21.440 --> 00:22:22.800
God bless.

00:22:22.880 --> 00:22:25.680
Welcome to Mexico.

00:22:26.240 --> 00:22:29.920
Meeting Isaac and Nora
makes me very happy.

00:22:30.000 --> 00:22:32.120
They're in Mexico for the first time.

00:22:32.200 --> 00:22:35.760
So I feel an enormous responsibility

00:22:35.840 --> 00:22:38.040
to give them a proper welcome.

00:22:44.000 --> 00:22:45.400
Welcome to the city.

00:22:45.480 --> 00:22:48.200
We're coming into Garibaldi now,

00:22:48.280 --> 00:22:51.880
home of the mariachi culture.

00:22:57.800 --> 00:23:00.760
We're standing next to Juan Gabriel,
the "Divo de Juárez".

00:23:00.840 --> 00:23:02.800
The great composer,
it says it here.

00:23:03.120 --> 00:23:04.520
Juan Gabriel.

00:23:04.600 --> 00:23:07.600
My absolute idol,
I've even got a tattoo of him.

00:23:08.760 --> 00:23:10.240
He's one...

00:23:10.520 --> 00:23:15.040
He's one of the composers
that made the most songs.

00:23:15.120 --> 00:23:17.360
He recorded like 1500 songs.

00:23:21.000 --> 00:23:24.560
I reckon your statue will go here.

00:23:24.640 --> 00:23:26.320
No.
-Here, Isaac.

00:23:27.000 --> 00:23:28.480
And here, Nora.

00:23:28.560 --> 00:23:30.840
And you.

00:23:32.720 --> 00:23:36.280
Pedro Infante released
the first bolero ranchero.

00:23:36.560 --> 00:23:39.400
He was the first person
who dared to sing bolero

00:23:39.480 --> 00:23:41.080
in a mariachi style.

00:23:44.200 --> 00:23:46.880
To be honest,
you have to cry bolero songs,

00:23:46.960 --> 00:23:49.640
you have to really feel it
and you have to dance.

00:23:49.720 --> 00:23:54.440
Mexico has some very special
musical qualities.

00:23:54.840 --> 00:23:58.440
Because, in contrast
to other parts of Latin America,

00:23:58.960 --> 00:24:01.360
I feel like they dance more
in other places

00:24:01.440 --> 00:24:03.720
and the music has
a bit more rhythm to it.

00:24:03.800 --> 00:24:07.040
Here it's more about the drama.

00:24:08.680 --> 00:24:11.640
This is where the bohemians
would get together.

00:24:12.040 --> 00:24:15.760
They came here to drink, to sing.

00:24:16.560 --> 00:24:19.920
And formed the character we recognise

00:24:20.000 --> 00:24:22.200
as a kind of gaudy Mexican.

00:24:30.280 --> 00:24:32.440
This is where they play mariachi.

00:24:32.560 --> 00:24:36.680
In general, it's two violins,
the vihuela and guitarron,

00:24:37.080 --> 00:24:39.120
they dress beautifully, look.

00:24:39.840 --> 00:24:42.680
And what magnificent faces.

00:24:44.360 --> 00:24:46.320
This is Isaac and Nora.

00:24:46.400 --> 00:24:48.640
They're lovely.

00:24:48.720 --> 00:24:50.800
Their papa, their mama.

00:24:50.880 --> 00:24:53.200
They sing traditional songs.

00:24:53.280 --> 00:24:55.760
They sing bolero,
Latin American songs.

00:24:55.840 --> 00:24:58.520
Basically, they're here visiting
to see what it's like.

00:24:58.600 --> 00:25:00.760
We're here to show them

00:25:00.840 --> 00:25:03.360
what it sounds like
in this part of the world,

00:25:03.440 --> 00:25:06.320
the dramatic, romantic song.

00:25:06.400 --> 00:25:08.560
That's great.
Welcome.

00:25:08.640 --> 00:25:09.720
What do you play?

00:25:09.800 --> 00:25:12.680
He plays the guitar
and she sings beautifully.

00:25:12.760 --> 00:25:14.120
Ah!

00:25:14.600 --> 00:25:16.000
No less!

00:25:17.040 --> 00:25:18.720
You're at home.

00:25:20.760 --> 00:25:22.400
A beautiful love

00:25:23.760 --> 00:25:26.000
Sent from God

00:25:26.080 --> 00:25:30.600
Destined for me alone

00:25:32.120 --> 00:25:34.280
Beautiful gift

00:25:35.360 --> 00:25:37.760
Beautiful gift

00:25:38.760 --> 00:25:41.320
Sent from above

00:25:41.400 --> 00:25:45.840
That filled me
with joy and love

00:25:47.080 --> 00:25:49.320
A beautiful love

00:25:50.520 --> 00:25:53.080
A beautiful love

00:25:54.080 --> 00:25:56.760
I'm like a little boy

00:25:56.840 --> 00:26:01.040
With a new toy
Happy and content

00:26:02.280 --> 00:26:04.600
I can't help it

00:26:13.280 --> 00:26:15.400
Who's Alonso?

00:26:15.480 --> 00:26:17.080
They call him Loloncho.

00:26:17.160 --> 00:26:18.880
He plays double bass.

00:26:18.960 --> 00:26:22.480
He's not just playing with us
in Mexico,

00:26:22.560 --> 00:26:25.600
he'll be with us
for the whole tour.

00:26:25.680 --> 00:26:27.440
How are you?
-Good.

00:26:33.320 --> 00:26:35.680
Who could have told me?

00:26:36.040 --> 00:26:37.480
G seventh.

00:26:38.320 --> 00:26:40.680
C minor, G seventh.

00:26:41.560 --> 00:26:44.000
C minor, C seventh.

00:26:44.080 --> 00:26:45.480
F minor.

00:26:47.160 --> 00:26:48.720
B flat.

00:26:49.520 --> 00:26:51.760
E flat.

00:26:55.520 --> 00:26:58.880
From the moment
they entered my house to rehearse,

00:26:58.960 --> 00:27:03.080
Nicolás, and Isaac and Nora,

00:27:04.120 --> 00:27:07.760
it's like I've known them forever.

00:27:07.840 --> 00:27:09.320
It flowed very quickly.

00:27:23.440 --> 00:27:25.720
What would they have done to me?

00:27:26.320 --> 00:27:28.640
People tend to remember

00:27:28.880 --> 00:27:31.400
Nora, because she's the lead,

00:27:31.480 --> 00:27:33.920
she's the singer,
she's the youngest.

00:27:34.360 --> 00:27:38.400
Other people think of Isaac and Nora.

00:27:38.480 --> 00:27:42.240
They appreciate that Isaac's
an important part of the project.

00:27:42.320 --> 00:27:44.960
He's very talented.

00:27:45.040 --> 00:27:49.840
And there are people
who see Isaac, Nora and their dad.

00:27:51.000 --> 00:27:54.960
But not many people
consider their mother,

00:27:55.040 --> 00:27:57.400
which is understandable
as she doesn't play,

00:27:57.480 --> 00:28:02.000
she's always on the other side
of the camera.

00:28:02.080 --> 00:28:03.680
You don't see her.

00:28:03.760 --> 00:28:07.600
But the structure of our family,

00:28:09.320 --> 00:28:13.520
all the decisions we have to make,

00:28:13.600 --> 00:28:17.840
their mother is very important indeed.

00:28:28.400 --> 00:28:33.960
I started researching
the Latin music of each country.

00:28:34.040 --> 00:28:36.440
And discovered songs
for my portfolio.

00:28:36.520 --> 00:28:39.320
I love them so much
as soon as I heard them.

00:28:39.400 --> 00:28:41.160
They were songs I really liked.

00:28:42.200 --> 00:28:43.640
Then it's...

00:28:44.200 --> 00:28:48.720
Can you please learn this song?
I really like it.

00:28:50.520 --> 00:28:53.080
What have I done to you?

00:28:53.280 --> 00:28:57.680
I make the videos
at the other side of the camera.

00:29:00.960 --> 00:29:02.480
I am more shy.

00:29:02.560 --> 00:29:06.120
Being at the other side of the
camera is okay to me, I like it.

00:29:11.800 --> 00:29:14.000
Nicolás and I always think about

00:29:14.080 --> 00:29:16.360
what it's done and what it's not.

00:29:17.240 --> 00:29:19.480
I always think about
what is good for the kids

00:29:19.560 --> 00:29:21.000
and what it's not.

00:29:21.080 --> 00:29:26.720
Will be this good for them?
I think about all that.

00:29:45.680 --> 00:29:48.440
I'm at San Juan Market.

00:30:05.440 --> 00:30:07.280
Ah!

00:30:07.480 --> 00:30:09.000
I want to try it.

00:30:10.000 --> 00:30:10.960
Is it for real?

00:30:14.240 --> 00:30:15.320
A spider.

00:30:15.400 --> 00:30:17.840
Spider-Man, Spider-Man.

00:30:17.920 --> 00:30:19.360
A tiny monster.

00:30:19.440 --> 00:30:21.280
Imagine.

00:30:23.040 --> 00:30:25.360
They're edible flowers.

00:30:27.320 --> 00:30:30.600
Can I try one?

00:30:30.680 --> 00:30:31.680
Do you want to try it?

00:30:39.200 --> 00:30:40.520
Let's see your face.

00:30:51.040 --> 00:30:52.360
Look.

00:30:54.480 --> 00:30:56.640
Gross.

00:30:58.360 --> 00:31:00.080
A mezcal with...

00:31:00.800 --> 00:31:02.760
That'll be tricky to eat.

00:31:02.880 --> 00:31:04.800
We have scorpion.

00:31:05.240 --> 00:31:07.200
We've got whip scorpions.

00:31:07.280 --> 00:31:09.360
The Madagascar cockroach.

00:31:09.920 --> 00:31:12.040
We also have grasshoppers.

00:31:12.120 --> 00:31:13.520
Grasshopper.

00:31:13.600 --> 00:31:15.200
The mezcal worm.

00:31:16.280 --> 00:31:18.440
Chicatana ants.

00:31:21.200 --> 00:31:23.600
This is a bug
from the mesquite trees.

00:31:23.680 --> 00:31:25.560
And mosquitoes.

00:31:26.760 --> 00:31:28.000
I can try the worn.

00:31:32.480 --> 00:31:34.400
Wait, I'll got this on camera.

00:31:40.160 --> 00:31:41.680
It tastes good.

00:31:44.280 --> 00:31:46.200
Chips with cheese.

00:31:47.400 --> 00:31:49.520
I don't want, you try it.

00:31:55.480 --> 00:31:57.000
Come on, it's your turn now.

00:31:57.080 --> 00:31:59.760
Come on, Isaac, it's like a biscuit.
It's a biscuit.

00:31:59.840 --> 00:32:02.200
Yes, it's a biscuit,
but it was a worn before.

00:32:06.640 --> 00:32:08.080
It's realy weird.

00:32:11.520 --> 00:32:13.640
I like this one too, yes.

00:32:28.080 --> 00:32:32.040
I ate scorpion with edible gold.

00:32:32.120 --> 00:32:34.080
I ate some ants.

00:32:34.160 --> 00:32:36.520
She's scared of vegetables.

00:32:36.600 --> 00:32:38.120
But...

00:32:38.200 --> 00:32:40.560
All this is pure protein.

00:32:40.720 --> 00:32:43.400
Our ancestors ate these insects.

00:32:43.520 --> 00:32:45.120
Which is your favourite?

00:32:45.200 --> 00:32:47.920
The ants or...?

00:32:48.000 --> 00:32:50.440
I like this, it's really good.

00:32:51.400 --> 00:32:52.800
See you later.

00:32:52.880 --> 00:32:54.040
Bye.

00:32:54.240 --> 00:32:55.560
Nora.

00:32:55.640 --> 00:32:57.920
Ah, hello!

00:32:58.000 --> 00:32:59.600
Nora.

00:33:22.240 --> 00:33:24.240
Ready.
-How are you?

00:33:24.320 --> 00:33:25.720
Very well.

00:33:32.520 --> 00:33:34.400
Isaac's in his own world.

00:33:35.080 --> 00:33:37.760
In his world of concentration.

00:33:39.400 --> 00:33:40.920
Cowboy.

00:33:41.000 --> 00:33:43.000
He doesn't say much.

00:33:51.560 --> 00:33:53.920
I'm sweating.

00:33:55.400 --> 00:33:57.920
I think it's the nerves.

00:33:58.520 --> 00:34:02.000
We're playing in Latin America
for the first time.

00:34:02.080 --> 00:34:06.160
We're very excited
to experience this.

00:34:06.240 --> 00:34:09.720
It's been a long time coming.

00:34:09.800 --> 00:34:11.160
First show.

00:34:11.240 --> 00:34:13.960
We've done all we can.

00:34:15.120 --> 00:34:17.320
Got it?

00:34:17.400 --> 00:34:19.360
Yes, got it.

00:34:19.760 --> 00:34:21.360
What do you think?

00:34:21.440 --> 00:34:24.440
At the concert.
-and you, Nora?

00:34:25.280 --> 00:34:26.760
Tell me.

00:34:30.800 --> 00:34:34.360
It's great for you to think about love.

00:34:34.440 --> 00:34:37.400
We're only going to sing love songs.

00:34:38.840 --> 00:34:41.440
It's great preparation.

00:34:41.800 --> 00:34:44.440
Shut your mouth.

00:34:47.360 --> 00:34:49.520
Cut that.

00:34:49.840 --> 00:34:51.040
Please.

00:35:13.320 --> 00:35:15.920
They can put themselves there.

00:35:24.160 --> 00:35:25.840
And when you sing...

00:35:26.120 --> 00:35:27.520
Turn around.

00:35:34.880 --> 00:35:39.480
Could I get a coffee?
Or I'll collapse.

00:35:45.240 --> 00:35:46.600
Do you like the venue?

00:35:46.680 --> 00:35:49.400
Yes, but it feels small.

00:35:49.480 --> 00:35:51.320
Enough for five people.

00:35:53.160 --> 00:35:55.600
It's got 800 seats.

00:35:55.680 --> 00:35:58.520
There, there and there.

00:35:58.600 --> 00:36:00.680
And here, Nora.

00:36:01.520 --> 00:36:04.240
Twenty here, twenty there...

00:36:04.800 --> 00:36:06.840
I think it's really big.

00:36:06.920 --> 00:36:09.880
I think my dad does too...

00:36:11.360 --> 00:36:14.960
He sees thousands of seats.

00:36:18.520 --> 00:36:19.760
Incredible.

00:36:19.960 --> 00:36:24.280
A bit of a change
from our little house in France.

00:36:46.480 --> 00:36:47.760
Isaac and Nora.

00:36:47.840 --> 00:36:51.320
Let's go to the dressing room
around 20 minutes early

00:36:51.400 --> 00:36:54.560
and focus on the concert a bit.

00:36:54.640 --> 00:36:57.680
To think about what we're going to say.

00:36:58.040 --> 00:37:01.920
A sailor went to sea, sea, sea

00:37:02.000 --> 00:37:05.400
To see what he could see, see, see

00:37:05.480 --> 00:37:07.760
A sailor went to sea, sea, sea

00:37:07.840 --> 00:37:10.120
To see what he could see, see, see

00:37:20.480 --> 00:37:24.480
I teach 54 children at a school.

00:37:24.560 --> 00:37:26.800
They're very poor.

00:37:26.880 --> 00:37:28.640
They come on foot.

00:37:28.720 --> 00:37:31.800
They walk 10 kilometres
to get to school.

00:37:31.880 --> 00:37:35.200
And those children
have sent you these gifts.

00:37:35.280 --> 00:37:36.880
This is for you.

00:37:36.960 --> 00:37:39.440
This is for you, open the box.

00:37:39.520 --> 00:37:41.080
Thank you.
-Open the box.

00:37:41.160 --> 00:37:45.640
Made by
the indigenous people of Hidalgo.

00:37:45.720 --> 00:37:48.120
People who don't even speak Spanish.

00:37:48.200 --> 00:37:51.960
Please, give our...

00:37:52.880 --> 00:37:56.240
Our thanks to those children.

00:37:56.320 --> 00:37:58.720
We really admire you.

00:37:58.800 --> 00:38:00.960
Thank you very much.
-Kisses for you.

00:38:01.040 --> 00:38:02.480
And for you too.

00:38:02.560 --> 00:38:04.880
All the best and congratulations.

00:38:21.120 --> 00:38:23.200
It makes me really emotional.

00:38:23.680 --> 00:38:26.080
I get tearful.

00:38:26.760 --> 00:38:28.560
I admire their dad.

00:38:28.880 --> 00:38:32.320
Because it's he who's made them.

00:38:32.400 --> 00:38:34.880
I follow them on YouTube.

00:38:34.960 --> 00:38:36.840
I know all their songs.

00:38:36.920 --> 00:38:39.520
And I play them on repeat.

00:38:39.720 --> 00:38:41.240
And...

00:38:41.800 --> 00:38:44.280
When I found out
they were coming to Mexico,

00:38:44.520 --> 00:38:47.640
at first I didn't have money
for a ticket.

00:38:48.000 --> 00:38:50.040
And when I managed to get one

00:38:50.120 --> 00:38:52.880
I had to come from really far away.

00:38:52.960 --> 00:38:55.200
But even with all that,
I couldn't miss it.

00:38:55.280 --> 00:38:58.560
And I spent the whole morning

00:38:58.640 --> 00:39:01.960
looking for somewhere to print it
because I bought it online.

00:39:02.280 --> 00:39:05.440
And it wasn't easy,
I was getting desperate.

00:39:05.600 --> 00:39:07.560
I went to four shopping centres

00:39:07.640 --> 00:39:09.280
and they couldn't print it.

00:39:09.360 --> 00:39:10.840
But I did it.

00:39:10.920 --> 00:39:13.520
So I'm here,
I haven't eaten.

00:39:13.600 --> 00:39:16.640
Seeing them will fill me up.

00:39:18.360 --> 00:39:20.040
We'll try and do some jokes,

00:39:20.120 --> 00:39:23.560
but it's not always necessary...

00:39:23.640 --> 00:39:25.680
I think it's more important

00:39:25.760 --> 00:39:29.680
when there's a full house.

00:39:30.800 --> 00:39:32.480
It's excitement.

00:39:32.560 --> 00:39:33.920
They're a gift.

00:39:34.000 --> 00:39:38.680
A way to show the world
that there's still hope.

00:39:39.080 --> 00:39:42.520
In the song "Lágrimas y lluvia"
there is a time

00:39:42.600 --> 00:39:45.400
when he sings that.

00:39:45.480 --> 00:39:47.120
I go...

00:39:49.120 --> 00:39:54.280
With the trumpet, but
I want to do this that is not bad.

00:39:54.960 --> 00:39:57.720
I don't really like changing things
at the last minute.

00:39:57.800 --> 00:39:59.920
I don't think it's necessary.

00:40:00.000 --> 00:40:02.800
I think you're very, very nervous.

00:40:02.880 --> 00:40:07.240
Just a bit.
-A bit, sorry for being nervous.

00:40:07.760 --> 00:40:11.200
It would be a bit weird if I wasn't.

00:40:28.240 --> 00:40:29.560
You're incredible.

00:40:31.600 --> 00:40:33.760
Break a leg.

00:40:33.840 --> 00:40:35.320
You'll be wonderful.

00:40:35.800 --> 00:40:37.800
You'll be incredible.

00:41:13.720 --> 00:41:14.880
Hello.

00:41:15.320 --> 00:41:16.600
Well...

00:41:26.520 --> 00:41:28.560
We're not masters.

00:41:28.640 --> 00:41:31.920
We're not musical geniuses.

00:41:32.160 --> 00:41:34.880
All we can offer

00:41:35.320 --> 00:41:39.160
is our love for this music.

00:41:39.240 --> 00:41:40.880
No more.

00:41:40.960 --> 00:41:43.000
Bravo!

00:41:48.880 --> 00:41:52.520
Obviously,
we're going to play "Twenty Years".

00:42:02.400 --> 00:42:04.080
What do you care...

00:42:04.680 --> 00:42:06.680
Excuse me, sorry.

00:42:17.880 --> 00:42:21.640
What do you care if I love you?

00:42:23.240 --> 00:42:26.880
When you no longer love me

00:42:28.600 --> 00:42:32.600
The love has gone

00:42:32.680 --> 00:42:36.760
And cannot be recalled

00:42:39.040 --> 00:42:42.720
I was the love of your life

00:42:43.400 --> 00:42:48.080
Long ago now

00:42:49.720 --> 00:42:53.640
I represent the past

00:42:53.880 --> 00:42:58.640
I cannot conform

00:43:22.640 --> 00:43:26.800
If the things one desires

00:43:27.560 --> 00:43:31.080
Were within reach

00:43:32.320 --> 00:43:36.040
You would love me as you did

00:43:36.600 --> 00:43:41.080
Twenty years ago

00:43:42.040 --> 00:43:45.120
With great sadness we look upon

00:43:45.800 --> 00:43:49.400
A love which goes away

00:43:50.640 --> 00:43:54.320
A piece of one's soul

00:43:54.400 --> 00:43:58.680
Mercilessly snatched away

00:43:59.880 --> 00:44:03.560
A piece of one's soul

00:44:03.960 --> 00:44:08.120
Mercilessly snatched away

00:44:12.840 --> 00:44:14.560
Thank you very much.

00:44:45.960 --> 00:44:49.160
Isaac and Nora,
thank you for coming to Mexico.

00:44:49.240 --> 00:44:50.760
We love you lots.

00:44:50.840 --> 00:44:53.720
And thank you
for loving our country,

00:44:53.800 --> 00:44:56.360
our music,
we wish you the best.

00:44:56.440 --> 00:44:58.080
You're wonderful.

00:45:03.520 --> 00:45:05.000
You really bring us together.

00:45:05.720 --> 00:45:07.880
And I want to thank you,
thank you so much

00:45:08.200 --> 00:45:11.480
and thank you for singing for us.

00:45:11.560 --> 00:45:15.600
Take my hand
Fly with me

00:45:15.720 --> 00:45:20.000
We'll look after the Moon

00:45:20.120 --> 00:45:22.200
All is calm

00:45:22.320 --> 00:45:25.160
It will never end

00:45:25.920 --> 00:45:29.160
And nothing will separate us

00:45:38.080 --> 00:45:40.280
Don't let it be
the last time you visit Mexico.

00:45:40.360 --> 00:45:42.000
We adore you.