00:00:50.240 --> 00:00:52.960
I've read comments saying:

00:00:53.040 --> 00:00:58.040
"When kids don't use mobile phones,

00:00:58.120 --> 00:01:00.240
look at the result".

00:01:03.160 --> 00:01:05.080
I've read comments saying:

00:01:05.800 --> 00:01:09.440
"Look, the girl
already speaks five languages".

00:01:13.560 --> 00:01:14.560
Para, no.*

00:01:15.440 --> 00:01:16.600
No, yo no me monto.*

00:01:17.320 --> 00:01:21.000
No, vosotros, pero yo no.*

00:01:23.360 --> 00:01:27.680
I think there's
a big distortion between reality

00:01:28.200 --> 00:01:31.720
and what you see in our videos.

00:01:35.720 --> 00:01:40.360
In the video, the kids
surely aren't using mobile phones,

00:01:40.440 --> 00:01:42.920
but that doesn't mean
they never use them.

00:01:43.480 --> 00:01:46.200
They do, just like any other kid.

00:01:46.280 --> 00:01:48.600
And like
in any other family, the parents

00:01:49.960 --> 00:01:53.280
try not to let them use them too much.

00:02:05.200 --> 00:02:07.120
Vamos, estoy segura
de que me ganas.*

00:02:10.400 --> 00:02:13.960
It's possible to be normal kids

00:02:14.680 --> 00:02:17.400
and to also play music,

00:02:17.480 --> 00:02:19.360
to share emotion with that music.

00:03:03.440 --> 00:03:06.160
Chile is a bit different
from all the countries

00:03:06.240 --> 00:03:10.960
we've been to before
because it's a bit more "European",

00:03:11.960 --> 00:03:14.440
a bit colder too.

00:03:23.040 --> 00:03:25.360
It's more like our home in Brittany.

00:03:31.760 --> 00:03:33.280
Es imposible, se desliza.*

00:03:35.960 --> 00:03:36.960
Vamos.*

00:03:37.040 --> 00:03:38.440
Espera, Nora, es por ahí.*

00:03:43.000 --> 00:03:44.000
Vamos, ven.*

00:03:51.400 --> 00:03:52.640
I don't feel good.

00:04:12.000 --> 00:04:13.000
Pero sonríe.*

00:04:15.640 --> 00:04:16.640
Acércate más.*

00:04:16.720 --> 00:04:17.760
Tienes que salir.*

00:04:28.640 --> 00:04:31.800
Apoya la cabeza en el cristal.*

00:04:37.480 --> 00:04:40.320
Love entered with its cloak

00:04:40.400 --> 00:04:43.000
like a warm morning,

00:04:43.080 --> 00:04:46.000
to the sound of its beautiful reveille,

00:04:46.080 --> 00:04:48.320
it made the jasmine bloom.

00:04:48.920 --> 00:04:51.640
Flying like an angel,

00:04:51.720 --> 00:04:53.840
it gave the sky earrings.

00:04:54.480 --> 00:04:57.120
And my years at seventeen

00:04:57.240 --> 00:04:59.480
were turned into a cherub.

00:05:00.880 --> 00:05:03.680
My name is Manuel García.

00:05:04.640 --> 00:05:06.560
I'm from
the northern Chilean desert.

00:05:07.840 --> 00:05:09.080
I write songs.

00:05:09.160 --> 00:05:11.640
Tomorrow you will find

00:05:12.800 --> 00:05:15.440
a flower that I left you.

00:05:16.640 --> 00:05:20.160
You'll embrace

00:05:20.240 --> 00:05:24.680
its soft warmth against your chest.

00:05:24.760 --> 00:05:27.240
And in a delicate dance...

00:05:27.320 --> 00:05:29.520
All those birds singing in a tree,

00:05:29.600 --> 00:05:32.920
if we represented them
in that metaphor, they're canto nuevo .

00:05:33.000 --> 00:05:37.160
The roots of that are those
who were able to form a connection

00:05:37.240 --> 00:05:40.640
between those African,
indigenous, Western roots,

00:05:40.720 --> 00:05:42.880
figures like Víctor Jara

00:05:42.960 --> 00:05:44.000
and Violeta Parra,

00:05:44.080 --> 00:05:46.840
who were instrumental
in building our history.

00:05:51.320 --> 00:05:53.920
Very nice to meet you, my love.
-Hello.

00:05:54.760 --> 00:05:56.600
I love and admire you.

00:05:56.680 --> 00:05:57.960
Kisses. Hello, my child.

00:05:58.040 --> 00:05:59.360
Hello.
-Hello. A pleasure.

00:05:59.440 --> 00:06:01.720
A pleasure.
-Nice to meet you. Welcome.

00:06:01.800 --> 00:06:03.280
I don't go on social media much,

00:06:03.360 --> 00:06:05.200
but I check it out on occasion.

00:06:05.280 --> 00:06:08.200
I saw they were these kids making music.

00:06:10.280 --> 00:06:12.040
I opened it and...

00:06:14.000 --> 00:06:16.720
they had this sort of sweet mystery.

00:06:17.600 --> 00:06:18.960
And look where we are now.

00:06:19.040 --> 00:06:22.480
I never imagined after that experience

00:06:22.560 --> 00:06:26.280
that I'd so soon have the privilege
of working with Isaac and Nora.

00:06:26.880 --> 00:06:29.000
Do you like the song
we're going to play?

00:06:29.080 --> 00:06:31.880
Yes, it's very...
-By Violeta Parra.

00:06:31.960 --> 00:06:33.360
By Violeta Parra, exactly.

00:06:34.400 --> 00:06:36.160
It has that indigenous feeling.

00:06:40.400 --> 00:06:42.440
Going back to seventeen...

00:06:42.520 --> 00:06:43.520
What's that sound?

00:06:45.320 --> 00:06:46.320
A heart.

00:06:46.960 --> 00:06:48.080
La Violeta

00:06:48.800 --> 00:06:51.560
is our most important artist.

00:06:52.080 --> 00:06:55.960
She was a painter,
she also made pottery.

00:06:56.040 --> 00:06:57.160
She was a writer, a poet.

00:07:03.080 --> 00:07:05.800
She was born in the Chilean countryside

00:07:05.880 --> 00:07:08.920
and started singing at your age, Nora,

00:07:09.840 --> 00:07:12.720
but she'd go
from house to house with a basket

00:07:12.800 --> 00:07:15.040
singing for handouts sometimes

00:07:15.120 --> 00:07:17.480
because the people were very poor.

00:07:17.560 --> 00:07:19.400
She is from a very poor area.

00:07:20.000 --> 00:07:23.080
In the end,
she became a sort of sorceress.

00:07:23.160 --> 00:07:25.320
Anyone can sing her songs,

00:07:25.400 --> 00:07:27.640
but when someone sings the same song

00:07:27.720 --> 00:07:29.160
and something different happens,

00:07:29.240 --> 00:07:32.080
the singer makes magic happen.

00:07:32.960 --> 00:07:35.520
Hopefully,
when we record this song called

00:07:35.600 --> 00:07:38.520
"Volver a los diecisiete",
we'll do magic.

00:07:50.320 --> 00:07:52.120
How do you feel? How do you sound?

00:07:52.640 --> 00:07:53.840
Good, yes.

00:07:53.920 --> 00:07:55.520
Now I can hear myself, yes.

00:07:55.600 --> 00:07:58.000
We'll do a take, and when you do it,

00:07:58.080 --> 00:07:59.520
we'll do a duplicate take

00:07:59.600 --> 00:08:01.560
and afterwards, send me everything, but

00:08:01.640 --> 00:08:03.640
we'll always use the last...
-Perfect.

00:08:03.720 --> 00:08:05.400
As the good one.

00:08:05.480 --> 00:08:07.320
Sure, perfect. So...

00:08:07.400 --> 00:08:09.320
Like moss on a rock.

00:08:09.400 --> 00:08:12.040
Ay, yes, yes, yes.

00:08:12.120 --> 00:08:13.120
Yes.

00:08:13.760 --> 00:08:14.880
On a rock.

00:08:14.960 --> 00:08:17.440
Ay, yes, yes, yes.

00:08:17.520 --> 00:08:19.720
Okay.
-Like moss on a rock.

00:08:21.160 --> 00:08:22.880
Like moss on a rock.

00:08:22.960 --> 00:08:25.600
Ay, yes, yes, yes.

00:08:26.400 --> 00:08:27.600
Yeah?
-Okay.

00:08:27.680 --> 00:08:29.720
But don't record. It's lovely.

00:08:30.280 --> 00:08:32.360
Like moss on a rock.

00:08:32.440 --> 00:08:36.000
Ay, yes, yes, yes.

00:08:39.160 --> 00:08:41.080
How was that?
-Very good.

00:08:41.160 --> 00:08:43.560
That's how I feel

00:08:43.640 --> 00:08:45.840
at this fruitful mo...

00:08:45.920 --> 00:08:49.080
At this fruitful...
At this fruitful moment.

00:08:49.160 --> 00:08:51.800
Yes.
-That's how I feel...

00:08:51.880 --> 00:08:53.600
Okay, okay.
-At this fruitful...

00:08:53.680 --> 00:08:56.480
At this fruitful moment.
-Okay.

00:08:56.560 --> 00:08:59.480
The song talks about an old person

00:08:59.560 --> 00:09:03.040
thinking about their life

00:09:03.120 --> 00:09:05.560
when they were young and everything.

00:09:06.320 --> 00:09:09.840
And when Nora, who is only 10 right now,

00:09:09.920 --> 00:09:14.080
sings "Volver a los diecisiete",
it's sort of fun.

00:09:14.720 --> 00:09:17.840
Like ivy on a wall and it...

00:09:19.720 --> 00:09:21.360
That's very good.
-It's very good.

00:09:21.440 --> 00:09:23.600
Good, we've got it.
-The guitar is good.

00:09:23.680 --> 00:09:24.800
Yes, it sounds rich.

00:09:27.320 --> 00:09:30.160
Please don't film me, I look awful.

00:09:31.240 --> 00:09:32.760
Quítate el sombrero.*

00:09:32.840 --> 00:09:34.760
No, no.
Tengo un peinado horrible.*

00:09:34.840 --> 00:09:36.520
Espera, te arreglo el pelo.*

00:09:36.600 --> 00:09:37.560
Pero quítate los cascos.*

00:09:37.640 --> 00:09:38.840
Please, don't film.

00:09:40.720 --> 00:09:41.720
Ay.

00:09:42.640 --> 00:09:44.280
Porque así pareces un monje.*

00:09:44.880 --> 00:09:46.400
Sí, así estás genial.*

00:09:46.480 --> 00:09:48.240
Sí, así está bien.*

00:09:50.280 --> 00:09:52.040
¿Me dejas tu móvil?*

00:09:57.840 --> 00:09:59.720
Ah.

00:09:59.800 --> 00:10:01.720
Okay? Stay high.

00:10:15.600 --> 00:10:18.360
We're not seeing kids
who are forced to work

00:10:18.440 --> 00:10:20.080
by their dad to succeed.

00:10:21.040 --> 00:10:25.240
No, you can tell there's love,
there's commitment,

00:10:25.320 --> 00:10:28.080
there's a warmth linked

00:10:28.160 --> 00:10:31.040
to that sort of childlike spirit

00:10:31.120 --> 00:10:33.680
of doing things
for pleasure and no other reason.

00:10:45.280 --> 00:10:47.840
Going back to seventeen,

00:10:47.920 --> 00:10:50.640
after living so long,

00:10:50.720 --> 00:10:53.360
is like deciphering signs

00:10:53.440 --> 00:10:56.160
without being wise and competent.

00:10:56.240 --> 00:10:58.920
Suddenly going back to being

00:10:59.000 --> 00:11:01.440
as fragile as a second.

00:11:01.520 --> 00:11:04.160
Going back to deeply feeling

00:11:04.240 --> 00:11:07.040
like a child before God.

00:11:07.120 --> 00:11:09.920
That's how I feel

00:11:10.000 --> 00:11:13.400
at this fruitful moment.

00:11:14.960 --> 00:11:17.760
It gets tangled and tangled,

00:11:17.840 --> 00:11:20.440
like ivy on a wall.

00:11:20.520 --> 00:11:21.560
When she sings,

00:11:21.640 --> 00:11:24.160
besides the pure voice of a little girl,

00:11:24.240 --> 00:11:27.160
she moves us and makes us feel at peace.

00:11:27.240 --> 00:11:28.520
That's a gift she has.

00:11:28.600 --> 00:11:32.240
Ay, yes, yes, yes.

00:11:34.840 --> 00:11:37.520
My backwards steps

00:11:37.600 --> 00:11:40.240
while you advance.

00:11:40.320 --> 00:11:43.160
The arc of rings

00:11:43.240 --> 00:11:45.000
has penetrated my nest.

00:11:45.080 --> 00:11:48.680
Recording with Manuel García
was really good, I think.

00:11:48.760 --> 00:11:51.200
I also really liked the place.

00:11:51.280 --> 00:11:53.720
And Manuel García

00:11:53.800 --> 00:11:57.680
is very kind, I really like him.

00:11:59.120 --> 00:12:02.000
It gets tangled and tangled,

00:12:02.080 --> 00:12:04.720
like ivy on a wall.

00:12:04.800 --> 00:12:07.440
And it sprouts and sprouts,

00:12:07.520 --> 00:12:10.600
like moss on a rock.

00:12:10.680 --> 00:12:13.160
Like moss on a rock.

00:12:13.240 --> 00:12:16.520
Ay, yes, yes, yes.

00:12:19.000 --> 00:12:21.640
Love is a whirlwind

00:12:21.720 --> 00:12:24.240
of original purity.

00:12:24.320 --> 00:12:27.080
Even a ferocious animal

00:12:27.160 --> 00:12:29.800
whispers its sweet song.

00:12:29.880 --> 00:12:32.640
It stops pilgrims,

00:12:32.720 --> 00:12:35.360
it releases prisoners.

00:12:35.440 --> 00:12:38.080
Love and its great care

00:12:38.160 --> 00:12:40.840
makes an old man a child again.

00:12:40.920 --> 00:12:43.680
And only affection makes a bad man

00:12:43.760 --> 00:12:47.880
pure and sincere again.

00:12:48.760 --> 00:12:51.520
It gets tangled and tangled,

00:12:51.600 --> 00:12:54.280
like ivy on a wall.

00:12:54.360 --> 00:12:56.840
And it sprouts and sprouts,

00:12:56.920 --> 00:13:00.040
like moss on a rock.

00:13:00.120 --> 00:13:02.400
Like moss on a rock.

00:13:02.480 --> 00:13:04.840
Ay, yes, yes, yes.

00:13:05.800 --> 00:13:08.000
Like moss on a rock.

00:13:08.080 --> 00:13:13.080
Ay, yes, yes, yes.

00:13:16.840 --> 00:13:18.080
Thank you.

00:13:18.160 --> 00:13:20.040
Thank you. Thank you very much.

00:13:20.120 --> 00:13:21.120
Thank you very much.

00:13:21.800 --> 00:13:24.160
This version is beautiful,
it's very moving.

00:13:24.240 --> 00:13:26.760
Thanks, my love.
Thanks, thanks, thanks.

00:13:26.840 --> 00:13:28.760
A pretty arrangement too.
-Very pretty.

00:13:28.840 --> 00:13:30.960
*Estoy segura
de que a los niños les gusta

00:13:31.040 --> 00:13:33.480
conocer a otros artistas y poder
tocar con otros artistas.*

00:13:33.560 --> 00:13:37.080
Creo que están muy contentos
por el viaje*

00:13:37.160 --> 00:13:39.320
y por todo
lo que les está pasando.*

00:13:39.400 --> 00:13:42.000
Y es una gran experiencia
para ellos.*

00:13:59.920 --> 00:14:01.080
Vamos, vamos, vamos.

00:14:05.680 --> 00:14:09.840
It's very important
for the kids to see the sea

00:14:09.960 --> 00:14:12.200
because we live by the sea

00:14:12.280 --> 00:14:15.920
and we always take walks

00:14:16.000 --> 00:14:17.840
along the sea.

00:14:17.920 --> 00:14:19.480
Un barco del ejército, Nora.*

00:14:21.280 --> 00:14:24.160
Sin cañones, un barco
del ejército, pero sin cañones.*

00:14:24.240 --> 00:14:25.240
Va por allí.*

00:14:27.120 --> 00:14:30.280
Nora se cree
una fotógrafa de verdad.*

00:14:30.360 --> 00:14:32.640
Mírame, mírame.*

00:14:32.720 --> 00:14:33.720
Mírame.*

00:14:38.680 --> 00:14:43.000
There's a lot more music than at home,

00:14:43.080 --> 00:14:45.760
more colours and more...

00:14:45.840 --> 00:14:47.400
I don't know...

00:14:49.080 --> 00:14:51.360
How do I say it? There's more...

00:14:52.640 --> 00:14:56.640
I forgot the word, even in French.

00:14:57.160 --> 00:14:58.160
Let's see...

00:14:58.840 --> 00:14:59.840
Excuse me.

00:15:00.840 --> 00:15:03.600
Let's see, let's see,
let me find the word.

00:15:04.160 --> 00:15:05.360
Ah, okay.

00:15:05.440 --> 00:15:07.800
There's more ambiance.

00:15:25.800 --> 00:15:27.000
Photo, let's take a photo.

00:15:28.560 --> 00:15:31.120
She sings beautifully, I'm impressed.

00:15:31.200 --> 00:15:34.960
Seeing them now, I'm reminded
of the video I saw yesterday.

00:15:35.040 --> 00:15:36.840
I saw their video just yesterday.

00:15:45.640 --> 00:15:46.640
Cerrad los ojos.*

00:15:53.320 --> 00:15:55.600
My brother and I have a lot of fun

00:15:55.680 --> 00:15:57.920
and we're very happy.

00:16:01.640 --> 00:16:03.560
One, two, three and...

00:16:14.760 --> 00:16:19.400
By a head of a noble foal

00:16:19.480 --> 00:16:23.680
that slowed down
right at the finish line.

00:16:24.400 --> 00:16:29.040
Upon going back, it seems to say:

00:16:29.120 --> 00:16:33.920
"Don't forget, brother,
you shouldn't play again".

00:16:34.000 --> 00:16:38.560
By a head, I was love struck

00:16:38.640 --> 00:16:43.040
by that charming and cheerful woman,

00:16:43.640 --> 00:16:48.440
who by pledging a love
she's lying about with a smile,

00:16:48.520 --> 00:16:52.720
burns all my love in a bonfire.

00:16:55.240 --> 00:16:59.360
By a head,

00:16:59.960 --> 00:17:03.560
all the madness.

00:17:04.320 --> 00:17:07.320
A kiss from her lips

00:17:07.400 --> 00:17:09.560
erases all sadness

00:17:09.640 --> 00:17:12.640
and calms all grief.

00:17:13.680 --> 00:17:17.800
By a head,

00:17:18.360 --> 00:17:22.600
if she forgets me,

00:17:23.480 --> 00:17:26.400
I don't care if I lose

00:17:26.480 --> 00:17:29.040
my life a thousand times,

00:17:29.120 --> 00:17:33.840
what's the point in living?

00:17:54.920 --> 00:17:56.960
Hello.
-Hello.

00:17:57.040 --> 00:17:59.960
How handsome.
-Thank you very much.

00:18:00.040 --> 00:18:02.440
Precious, this is so exciting.

00:18:03.320 --> 00:18:04.880
My dear.

00:18:04.960 --> 00:18:08.200
Hello, I'm the mum.
-The mum?

00:18:08.280 --> 00:18:09.720
The mum!

00:18:10.760 --> 00:18:14.480
Our repertoire
includes songs by Violeta Parra

00:18:14.560 --> 00:18:19.120
and I felt like her granddaughter
was very happy to welcome us.

00:18:19.680 --> 00:18:21.280
I really like your house.

00:18:22.800 --> 00:18:25.520
The spirit of music
is alive and well in this house.

00:18:26.600 --> 00:18:28.640
La Violeta called it the stick house

00:18:28.720 --> 00:18:29.760
because it's wood.

00:18:30.600 --> 00:18:33.600
There's a photo
of La Violeta in the house.

00:18:34.920 --> 00:18:38.880
See how its the same wall?
It's wood with those strips.

00:18:38.960 --> 00:18:42.680
So, this is the ancestors corner
according to feng shui.

00:18:54.920 --> 00:18:58.720
She lived in this house.
She bought the land,

00:19:00.320 --> 00:19:02.560
she built the house,

00:19:03.160 --> 00:19:07.880
and I grew up here with her
and my mum, my uncle Ángel,

00:19:07.960 --> 00:19:11.520
my family.
La Violeta's younger daughter

00:19:12.680 --> 00:19:14.480
grew up with me like a sister.

00:19:15.600 --> 00:19:18.520
This was a poor house, a modest house,

00:19:18.640 --> 00:19:20.000
Violeta didn't have money.

00:19:21.000 --> 00:19:25.400
It wasn't your traditional family.

00:19:26.240 --> 00:19:29.840
Violeta was separated,
my mum was separated.

00:19:29.920 --> 00:19:34.520
So, we had a complicated life,

00:19:35.600 --> 00:19:38.880
but it was lovely, fun, cheerful,

00:19:38.960 --> 00:19:42.200
with lots of music, lots of culture.

00:19:42.840 --> 00:19:47.520
All those who visited
the house were important artists

00:19:48.160 --> 00:19:51.600
like Neruda,
who was a friend of La Violeta.

00:19:51.680 --> 00:19:55.080
Or Nicanor Parra,
her brother, who always came.

00:19:55.160 --> 00:19:57.720
As a child, I met Víctor Jara.

00:20:05.920 --> 00:20:08.560
La Violeta's work was more important

00:20:08.640 --> 00:20:10.840
than you can imagine.

00:20:11.920 --> 00:20:15.040
Because the Chilean music played

00:20:15.120 --> 00:20:17.320
in La Violeta's era was all shit.

00:20:19.400 --> 00:20:21.800
It was music with values...

00:20:23.080 --> 00:20:26.360
For example,
patriarchal values, you know?

00:20:26.440 --> 00:20:29.120
Yes, yes.
-Crude Chilean misogyny.

00:20:29.200 --> 00:20:32.720
The true popular culture was dying,

00:20:32.800 --> 00:20:34.480
it was lost in the countryside.

00:20:35.320 --> 00:20:39.360
That's why Violeta went to find it,
to unearth the folklore.

00:20:39.440 --> 00:20:42.760
That's the word she used, "unearth".

00:20:42.840 --> 00:20:46.560
She rescued the Chilean folklore
that was being lost.

00:20:46.640 --> 00:20:49.960
And what happened?
Figures started to come along like

00:20:50.800 --> 00:20:53.400
Víctor Jara, Patricio Manns,

00:20:54.600 --> 00:20:58.520
Quilapayún, groups of young people

00:20:59.200 --> 00:21:02.520
who followed in Violeta's footsteps,

00:21:03.360 --> 00:21:04.880
a path of Chilean music

00:21:04.960 --> 00:21:07.040
that was called "new Chilean song".

00:21:19.560 --> 00:21:23.960
That was brought to a halt on
11 September 1973.

00:21:24.840 --> 00:21:26.600
The day after the coup d'état,

00:21:26.720 --> 00:21:29.480
the venue filled up many times.

00:21:30.040 --> 00:21:32.400
And there...
Well, you guys know

00:21:32.480 --> 00:21:34.840
the story, it was very painful.

00:21:34.920 --> 00:21:39.840
And the disks
weren't preserved somewhere?

00:21:40.400 --> 00:21:43.280
Do you have the disks?
-My mum does.

00:21:43.360 --> 00:21:44.640
Really? Wow.

00:21:44.720 --> 00:21:47.280
My mum is the trooper
taking care of everything.

00:21:48.040 --> 00:21:50.080
She has all of La Violeta's work

00:21:50.160 --> 00:21:54.200
and if not for my mum,
the kids would have never discovered

00:21:54.280 --> 00:21:58.120
La Violeta.
People wouldn't know her, her work.

00:21:58.920 --> 00:22:01.760
It would've been lost,
because the coup d'état here

00:22:01.840 --> 00:22:06.840
stopped, destroyed,
burned all the culture.

00:22:06.920 --> 00:22:09.760
Víctor Jara was assassinated

00:22:10.560 --> 00:22:12.200
and other artists were persecuted.

00:22:21.400 --> 00:22:24.520
Violeta made her own form.

00:22:24.600 --> 00:22:28.320
She accentuated the Chilean sirilla
on the weak beat.

00:22:28.400 --> 00:22:31.080
It's still Chilean, but she changes it

00:22:31.160 --> 00:22:33.520
and that change gives it swing.

00:22:34.200 --> 00:22:36.280
Nora, it's important
that it's like this.

00:22:39.280 --> 00:22:41.880
One, two. One, two. One, two.

00:22:41.960 --> 00:22:44.160
One, two. One, two.

00:22:49.360 --> 00:22:50.360
Hit it.

00:22:55.720 --> 00:22:56.720
Good.

00:22:58.880 --> 00:22:59.880
Perfect.

00:23:01.040 --> 00:23:05.560
She taught us the rhythm
of "Gracias a la vida".

00:23:07.480 --> 00:23:08.480
That's it.

00:23:11.520 --> 00:23:13.800
The weak rhythm, I think, which is...

00:23:17.920 --> 00:23:20.520
Thanks to life...

00:23:20.600 --> 00:23:24.600
It was really good,
we played a little too.

00:23:24.680 --> 00:23:27.520
It was a good experience
and I really like that woman,

00:23:27.600 --> 00:23:31.880
she's very kind
and knows a lot of history.

00:23:32.840 --> 00:23:35.880
I perfectly distinguish

00:23:36.400 --> 00:23:39.400
black from white.

00:23:40.000 --> 00:23:42.440
And high in the sky,

00:23:42.560 --> 00:23:46.960
the starry background.

00:23:47.880 --> 00:23:49.840
And in a crowd,

00:23:49.920 --> 00:23:54.240
the man I love.

00:23:54.920 --> 00:23:55.920
That's it.

00:24:01.360 --> 00:24:05.320
It's true that there are
a lot of firsts on this tour.

00:24:06.400 --> 00:24:11.040
But there is one first
that is very fun for me,

00:24:11.160 --> 00:24:14.720
it's the first time
they've been to a hairdresser.

00:24:15.240 --> 00:24:17.640
Marta is joining us.

00:24:17.720 --> 00:24:18.760
Woo-hoo!

00:24:18.840 --> 00:24:20.800
My favourite stylist in the world.

00:24:22.320 --> 00:24:23.840
We're here!

00:24:23.920 --> 00:24:24.920
Hello.

00:24:25.640 --> 00:24:26.680
Come in.

00:24:26.760 --> 00:24:28.040
They'll cut my hair.

00:24:30.600 --> 00:24:32.160
Has it been a long time?

00:24:33.520 --> 00:24:35.880
Like four years.

00:24:36.000 --> 00:24:37.640
Really? Not even a trim?

00:24:38.360 --> 00:24:42.760
Until now,
I'd been the one cutting their hair

00:24:42.840 --> 00:24:45.080
since they were...

00:24:45.160 --> 00:24:46.160
Since birth.

00:24:58.120 --> 00:25:02.200
The last time
my dad cut my hair, it was like this.

00:25:03.360 --> 00:25:05.640
I prefer the hairdresser.

00:25:09.080 --> 00:25:10.080
Acércate.*

00:25:12.080 --> 00:25:13.080
Muy guapo.*

00:25:13.600 --> 00:25:16.600
Some people
have said it's a little Korean.

00:25:19.720 --> 00:25:23.800
I don't know many Koreans,
I can't tell if you it's true.

00:25:25.680 --> 00:25:26.720
But I like it.

00:25:27.600 --> 00:25:30.640
I prefer how I cut it.

00:25:52.400 --> 00:25:55.120
The city where we have

00:25:55.200 --> 00:25:57.920
the biggest audience is Santiago.

00:25:58.000 --> 00:26:01.920
And it's the first time
we're going to play twice

00:26:02.000 --> 00:26:03.120
at the same venue.

00:26:08.760 --> 00:26:10.480
Always a guitar,

00:26:10.560 --> 00:26:13.160
that of the father that,
like a lamp, illuminates

00:26:13.240 --> 00:26:15.120
the humble corners of the shack,

00:26:15.200 --> 00:26:17.960
love, milk and the rustic bread

00:26:18.040 --> 00:26:19.640
in verses and prose.

00:26:20.840 --> 00:26:22.640
May the journey bring blessings

00:26:22.720 --> 00:26:25.920
for the sweet pilgrimage
joining us tonight.

00:26:26.520 --> 00:26:29.800
Please welcome Isaac et Nora.

00:26:49.560 --> 00:26:54.560
How do you know when a star falls

00:26:55.320 --> 00:27:00.320
if there are clouds in this grey sky?

00:27:01.040 --> 00:27:03.520
A shooting star that stays here

00:27:03.600 --> 00:27:06.280
granting the wish I once made.

00:27:11.680 --> 00:27:14.360
Every morning I wake up near you

00:27:14.440 --> 00:27:17.680
is the golden dream

00:27:17.760 --> 00:27:22.760
that you've given me.

00:27:35.360 --> 00:27:37.520
We have to do the last one...

00:27:39.320 --> 00:27:41.480
The best we can do.

00:27:42.680 --> 00:27:44.080
Shit.

00:27:44.160 --> 00:27:45.280
I made...

00:27:46.160 --> 00:27:47.320
Ah.

00:27:47.400 --> 00:27:48.600
Ah, no!

00:27:48.680 --> 00:27:49.680
I made a plane,

00:27:49.760 --> 00:27:53.600
but I'll pretend
to do it during the concert.

00:27:55.280 --> 00:27:56.640
Our Insta and Snapchat.

00:27:56.720 --> 00:27:59.920
During the show, I'd like you

00:28:00.720 --> 00:28:02.880
to try not to think

00:28:02.960 --> 00:28:05.760
about who the plane will go to.

00:28:07.480 --> 00:28:10.880
I'd rather you focus

00:28:11.880 --> 00:28:13.240
on the music, please.

00:28:14.000 --> 00:28:15.960
Yes, don't worry about that.

00:28:16.520 --> 00:28:17.520
Second one.

00:28:25.040 --> 00:28:27.680
Lighters and magnets.

00:28:28.280 --> 00:28:29.840
People buy a lot of them.

00:28:29.920 --> 00:28:33.240
This is how I feed my babies.

00:28:33.920 --> 00:28:36.200
I work in construction, but since

00:28:36.280 --> 00:28:40.960
my contract wasn't renewed,
I get by doing this.

00:28:41.600 --> 00:28:44.640
I've never listened to them,
why would I lie?

00:28:44.720 --> 00:28:47.120
I'd be lying if I said:
"Yes, I listen to them".

00:28:54.000 --> 00:28:55.440
I love it, I love it.

00:29:01.200 --> 00:29:03.200
My mom has trouble with her memory

00:29:03.760 --> 00:29:06.480
and we're constantly taking her places

00:29:06.560 --> 00:29:09.560
with music because music brings her back

00:29:10.880 --> 00:29:11.880
to reality.

00:29:13.120 --> 00:29:16.440
She remembers a lot of lyrics,
she remembers La Violeta,

00:29:16.520 --> 00:29:20.040
that's how we discovered Isaac
through YouTube videos.

00:29:20.720 --> 00:29:23.040
And she asks
to watch the kids every day.

00:29:23.120 --> 00:29:26.520
She calls Isaac and Nora "the kids".

00:29:26.600 --> 00:29:27.600
Look.

00:29:33.240 --> 00:29:34.240
And there's Isaac.

00:29:35.280 --> 00:29:37.040
Hello.
-Hello.

00:29:51.480 --> 00:29:53.440
María, enjoy the concert.

00:29:53.520 --> 00:29:55.560
You'll really like it, you'll see.

00:29:56.520 --> 00:29:58.680
When is the concert?
-Right now.

00:30:00.000 --> 00:30:01.000
Come here.

00:30:02.960 --> 00:30:04.040
Very soon.

00:30:04.120 --> 00:30:06.760
Yo les conozco de tanto...*

00:30:23.800 --> 00:30:26.960
The end of the tour has arrived.

00:30:27.560 --> 00:30:28.960
For the first time,

00:30:29.600 --> 00:30:33.160
we've discovered
the other side of the sea,

00:30:33.240 --> 00:30:35.920
we started in Mexico.

00:30:36.000 --> 00:30:38.000
And it was more than a dream,

00:30:38.080 --> 00:30:39.600
it was like a...

00:30:39.680 --> 00:30:41.280
a fairytale...

00:30:42.040 --> 00:30:43.040
I'm sorry.

00:30:54.880 --> 00:30:57.600
Going back to seventeen,

00:30:57.680 --> 00:31:00.320
after living for so long,

00:31:00.400 --> 00:31:02.960
is like deciphering signs

00:31:03.040 --> 00:31:05.640
without being wise and competent.

00:31:05.720 --> 00:31:08.440
Suddenly going back to being

00:31:08.520 --> 00:31:11.120
as fragile as a second.

00:31:11.200 --> 00:31:13.880
Going back to deeply feeling

00:31:13.960 --> 00:31:16.520
like a child before God.

00:31:16.600 --> 00:31:19.080
That's how I feel

00:31:19.200 --> 00:31:23.120
at this fruitful moment.

00:31:24.080 --> 00:31:26.880
It gets tangled and tangled,

00:31:26.960 --> 00:31:29.400
like ivy on a wall.

00:31:29.480 --> 00:31:32.320
And it sprouts and sprouts,

00:31:32.400 --> 00:31:34.960
like moss on a rock.

00:31:35.640 --> 00:31:37.560
Like moss on a rock.

00:31:37.640 --> 00:31:40.480
Ay, yes, yes, yes.

00:31:43.800 --> 00:31:46.360
Love is a whirlwind

00:31:46.440 --> 00:31:48.520
of original purity.

00:31:49.160 --> 00:31:51.800
Even a ferocious animal

00:31:51.880 --> 00:31:54.640
whispers its sweet song.

00:31:54.720 --> 00:31:57.320
It stops pilgrims,

00:31:57.400 --> 00:32:00.120
it releases prisoners.

00:32:00.200 --> 00:32:02.880
And my years at seventeen

00:32:03.000 --> 00:32:05.240
were turned into a cherub.

00:32:06.640 --> 00:32:09.480
It gets tangled and tangled,

00:32:09.560 --> 00:32:12.200
like ivy on a wall.

00:32:12.280 --> 00:32:15.080
And it sprouts and sprouts,

00:32:15.160 --> 00:32:18.480
like moss on a rock.

00:32:18.560 --> 00:32:20.600
Like moss on a rock.

00:32:20.680 --> 00:32:23.520
Ay, yes, yes, yes.

00:32:24.440 --> 00:32:26.600
Like moss on a rock.

00:32:26.680 --> 00:32:30.680
Ay, yes, yes, yes.

00:32:47.080 --> 00:32:48.920
I'll miss you so much.

00:32:49.040 --> 00:32:51.680
I want to go to France with you.
-Me too.

00:32:53.360 --> 00:32:54.920
I want to go to Mexico with you.

00:32:55.920 --> 00:32:58.480
No, no, we'll go to Mexico.

00:33:02.160 --> 00:33:03.160
I'll go.

00:33:06.240 --> 00:33:09.720
I already know we're going to miss him.

00:33:09.800 --> 00:33:13.280
I think just the three of us playing
after having played with him

00:33:13.360 --> 00:33:16.040
will be a little sad.

00:33:46.360 --> 00:33:50.960
Madrid is one of our favourite cities.

00:33:51.600 --> 00:33:55.120
I think the family could live in Madrid.

00:34:01.160 --> 00:34:04.120
So for me, it makes sense

00:34:04.200 --> 00:34:06.440
that tour is ending in Madrid.

00:34:07.080 --> 00:34:09.440
Es una pena que no estén los
músicos que suelen tocar ahí.*

00:34:09.520 --> 00:34:11.120
Antes estaban todos los días.*

00:34:13.280 --> 00:34:14.680
No hemos tenido suerte.*

00:34:14.920 --> 00:34:16.880
Madrid, yes, I love it.

00:34:18.240 --> 00:34:22.040
It may be one
of the capital cities I like the most.

00:34:35.840 --> 00:34:39.320
I'm María de los Ángeles
Rozalén Ortuño.

00:34:42.680 --> 00:34:47.320
I sing and write about
what I experience, feel and see,

00:34:47.400 --> 00:34:49.840
and I think I'm very honest, definitely.

00:34:49.920 --> 00:34:51.720
Get on this train,

00:34:51.800 --> 00:34:56.400
it probably won't come by again.

00:34:56.480 --> 00:34:57.480
Hello.

00:34:58.640 --> 00:35:00.760
I was excited to see you. How are you?

00:35:00.840 --> 00:35:02.480
Hello, Rozalén.
-How are you?

00:35:02.560 --> 00:35:03.800
How was it?

00:35:03.880 --> 00:35:06.160
You've had a long trip, right?

00:35:06.240 --> 00:35:07.240
From Mexico

00:35:08.760 --> 00:35:11.320
to Colombia, Peru and Chile.

00:35:11.400 --> 00:35:14.280
A new discovery every day.

00:35:14.360 --> 00:35:17.960
The audience is incredible
in Latin America.

00:35:18.040 --> 00:35:21.200
I think Isaac and Nora
are so captivating

00:35:21.280 --> 00:35:23.240
because they're authentic.

00:35:23.320 --> 00:35:26.120
I think about what happened
to me when I listened to them

00:35:26.200 --> 00:35:29.440
and they have something
you can't put your finger on,

00:35:29.520 --> 00:35:32.360
but it's what's really important.

00:35:32.440 --> 00:35:34.520
You can call it charm, spark, whatever.

00:35:34.600 --> 00:35:35.640
Hello.
-Hello.

00:35:36.840 --> 00:35:39.000
María says to go easy, you always

00:35:39.080 --> 00:35:41.080
make her sing so high.
-Always.

00:35:41.160 --> 00:35:43.280
No, this time I'll listen to Nora.

00:35:46.120 --> 00:35:47.960
Whose turn is it?

00:35:48.040 --> 00:35:49.040
Whose?

00:35:49.880 --> 00:35:50.880
Es el de Nora.*

00:35:50.960 --> 00:35:51.960
Ah, ¿sí?*

00:35:52.280 --> 00:35:53.280
Okay.

00:35:53.360 --> 00:35:55.000
-¿Voy?
-¿Qué? ¿Y por qué no?*

00:35:55.080 --> 00:35:56.920
No, no. Voy yo primero.*

00:35:58.880 --> 00:35:59.880
You can't reach?

00:36:00.840 --> 00:36:02.480
Well, you have to record like that.

00:36:06.160 --> 00:36:08.440
Isn't it a little...?
-Yes, it's a little high.

00:36:08.520 --> 00:36:10.240
I thought you had grown more.

00:36:10.320 --> 00:36:11.320
Hey!

00:36:12.160 --> 00:36:13.920
You'll have to eat more croquettes.

00:36:16.360 --> 00:36:17.560
Nora, can you hear me?

00:36:17.640 --> 00:36:19.000
I can.
-Okay.

00:36:19.680 --> 00:36:22.240
Okay, Nora, let's take it from the top.

00:36:22.320 --> 00:36:25.920
Under the canopy of twilight,

00:36:26.920 --> 00:36:31.200
when the sky loses its colour.

00:36:31.280 --> 00:36:33.480
"Mirando al mar" is one of those songs

00:36:33.560 --> 00:36:37.840
that we all have
somewhere in our subconscious.

00:36:37.920 --> 00:36:39.480
A popular song.

00:36:39.560 --> 00:36:41.360
And I think it's great

00:36:41.440 --> 00:36:43.000
that they chose this song.

00:36:43.080 --> 00:36:46.800
I'm alone with the foamy waves

00:36:46.880 --> 00:36:49.240
that demand their murmur.

00:36:54.480 --> 00:36:58.080
I'm alone with the foamy waves

00:36:58.160 --> 00:37:00.480
that demand their murmur.

00:37:02.040 --> 00:37:03.720
When the...
-Wait, wait.

00:37:04.800 --> 00:37:09.240
A little louder,
with a little more energy, okay?

00:37:10.200 --> 00:37:12.160
We'll save this one
and do another one.

00:37:12.240 --> 00:37:14.920
Sebas is very kind, but very tough.

00:37:15.000 --> 00:37:19.120
He says: "Good, we'll save this one,
but let's do another".

00:37:19.720 --> 00:37:21.240
The palm...

00:37:22.040 --> 00:37:24.880
That one had a lot of good points.
Let's do another.

00:37:24.960 --> 00:37:27.480
Okay.
-Good, let's do another one.

00:37:30.040 --> 00:37:31.920
It's very good.
-It's very good.

00:37:32.000 --> 00:37:33.240
Let's do another one.

00:37:33.320 --> 00:37:36.280
But I really like Sebas.
He's very kind.

00:37:36.360 --> 00:37:38.840
Looking

00:37:38.920 --> 00:37:43.240
at the sea.

00:37:49.120 --> 00:37:52.040
That had a lot of good points.
Let's do another one.

00:37:53.080 --> 00:37:54.080
One more.

00:38:13.240 --> 00:38:16.880
Under the canopy of twilight,

00:38:17.920 --> 00:38:21.680
when they sky loses its colour,

00:38:22.880 --> 00:38:26.480
I'm alone with the foamy waves

00:38:26.560 --> 00:38:29.120
that demand their murmur.

00:38:29.960 --> 00:38:34.160
Not even a distant ship to look at.

00:38:34.720 --> 00:38:39.520
Not even a white seagull over the water.

00:38:39.640 --> 00:38:44.640
I only remember
the adventure that's over.

00:38:45.600 --> 00:38:50.600
The adventure
I enjoyed in your loving arms.

00:38:51.520 --> 00:38:53.760
Under the rosy gleen

00:38:53.880 --> 00:38:57.520
of the twilight.

00:38:59.080 --> 00:39:03.080
Looking at the sea I dreamed

00:39:03.600 --> 00:39:08.080
that you were next to me.

00:39:08.640 --> 00:39:13.440
Looking at the sea
I don't know what I felt.

00:39:13.520 --> 00:39:16.360
Rozalén is one of my favourite singers.

00:39:17.160 --> 00:39:19.880
And she is a very...

00:39:19.960 --> 00:39:22.320
A very, very fast learner.

00:39:23.000 --> 00:39:27.280
I know it will turn around.

00:39:27.960 --> 00:39:31.800
And I know it will return to me

00:39:32.640 --> 00:39:37.080
when I'm looking at the sea.

00:39:37.160 --> 00:39:41.400
Looking at the sea I dreamed

00:39:42.280 --> 00:39:46.520
that you were next to me.

00:39:47.120 --> 00:39:51.360
Looking at the sea
I don't know what I felt,

00:39:51.480 --> 00:39:55.800
remembering you, I cried.

00:39:56.280 --> 00:39:59.760
The joy I lost.

00:39:59.880 --> 00:40:01.600
I'm really glad the kids

00:40:01.680 --> 00:40:05.240
can meet artists like Rozalén

00:40:05.800 --> 00:40:09.840
because they're really the best examples

00:40:09.920 --> 00:40:13.320
of what it means to be an artist.

00:40:13.400 --> 00:40:15.200
Looking at the sea.

00:40:15.800 --> 00:40:20.000
And I know it will return to me

00:40:20.680 --> 00:40:25.280
when I'm looking

00:40:25.360 --> 00:40:30.360
at the sea.

00:40:34.920 --> 00:40:36.680
That ending from the beyond.

00:40:38.120 --> 00:40:39.720
I really like it.
-Thanks a lot.

00:40:39.800 --> 00:40:42.840
Let's see, spectacular.
Nora, very good.

00:40:42.920 --> 00:40:45.440
I think you're an explosive combination.

00:40:50.080 --> 00:40:51.840
Thanks a lot.
-Thank you.

00:40:51.920 --> 00:40:54.800
Yes, good luck.
I hope your part goes well.

00:41:09.920 --> 00:41:11.320
Isaac, are you available?

00:41:12.200 --> 00:41:13.200
Yes.

00:41:15.080 --> 00:41:17.400
How do you feel about the last one?

00:41:17.480 --> 00:41:18.640
Very good.

00:41:18.720 --> 00:41:20.520
Very good. And you?

00:41:23.400 --> 00:41:25.040
Happy it's the last one?

00:41:28.400 --> 00:41:29.960
A bit sad.
-A bit sad.

00:41:30.040 --> 00:41:31.160
A bit sad?
-Yes.

00:41:33.320 --> 00:41:35.640
Break a leg.
-Break a leg.

00:41:37.760 --> 00:41:41.240
Welcome, everyone.
This will be a celebration.

00:41:41.320 --> 00:41:43.880
We're just one part of the celebration.

00:41:43.960 --> 00:41:46.840
We're Fetén Fetén
from Aranda de Duero.

00:41:46.920 --> 00:41:48.800
The more handsome member,
Jorge Arribas.

00:41:48.880 --> 00:41:50.040
Thanks a lot.

00:41:53.800 --> 00:41:55.080
At the end of the concert,

00:41:55.640 --> 00:42:00.040
Isaac likes to throw letters
into the audience.

00:42:00.120 --> 00:42:02.040
To girls, especially.

00:42:02.720 --> 00:42:05.840
We've all fallen in love
with the wonderful beings

00:42:05.920 --> 00:42:07.640
who will be out here shortly.

00:42:07.720 --> 00:42:11.720
And we're very happy
to share so many things,

00:42:12.320 --> 00:42:14.840
and especially to share so many melodies

00:42:15.680 --> 00:42:18.520
with people who have
sort of changed our lives.

00:42:19.200 --> 00:42:21.440
Please welcome...

00:42:22.320 --> 00:42:24.360
Isaac, Nora and Nicolás.

00:42:31.360 --> 00:42:32.480
Bravo, bravo.

00:42:59.880 --> 00:43:02.280
Thanks to life

00:43:03.040 --> 00:43:05.120
that has given me so much.

00:43:05.960 --> 00:43:08.200
It gave me two bright stars

00:43:09.040 --> 00:43:11.280
and when I open them

00:43:12.040 --> 00:43:14.400
I perfectly distinguish

00:43:15.040 --> 00:43:17.160
black from white.

00:43:18.080 --> 00:43:19.560
And high in the sky,

00:43:19.640 --> 00:43:23.840
the starry background.

00:43:24.920 --> 00:43:28.240
And in a crowd, the man

00:43:29.480 --> 00:43:31.520
I love.

00:43:33.920 --> 00:43:36.400
For me, it was an incredible experience.

00:43:37.520 --> 00:43:39.960
Discovering new countries...

00:43:41.000 --> 00:43:42.160
I don't know, travelling.

00:43:43.720 --> 00:43:47.000
Discovering new things
that are very different

00:43:48.360 --> 00:43:51.440
from what we can see in France or Spain.

00:43:52.920 --> 00:43:54.200
It was incredible.

00:43:54.840 --> 00:43:56.960
...downpours

00:43:57.560 --> 00:44:02.040
and the tender voice
of the one I love so.

00:44:02.120 --> 00:44:04.120
For me, this trip is...

00:44:04.720 --> 00:44:06.720
I know it will be unforgettable.

00:44:09.320 --> 00:44:11.760
Ultimately, life

00:44:11.840 --> 00:44:16.240
never stops surprising you.

00:44:16.840 --> 00:44:19.080
...that I think and say.

00:44:19.960 --> 00:44:23.160
Creo que ha sido interesante
y enriquecedor para ellos.*

00:44:25.280 --> 00:44:29.000
Estoy segura de que este viaje
les ha aportado muchas cosas.*

00:44:29.240 --> 00:44:30.640
...loving.

00:44:31.160 --> 00:44:33.800
Thanks to life...

00:44:33.880 --> 00:44:36.720
I want to send lots of love
to everyone watching this.

00:44:36.800 --> 00:44:37.800
Ciao.

00:44:37.880 --> 00:44:42.200
It has moved my tired feet.

00:44:42.280 --> 00:44:47.280
With them I visited cities and ponds.

00:44:48.120 --> 00:44:49.480
Beaches and deserts,

00:44:49.560 --> 00:44:53.960
mountains and plains.

00:44:54.520 --> 00:44:59.520
And your house,
your street and your patio.

00:45:02.320 --> 00:45:05.720
Thanks to life

00:45:06.400 --> 00:45:08.800
that has given me so much.

00:45:09.600 --> 00:45:12.320
It gave me the heart

00:45:13.080 --> 00:45:15.760
that shakes its frame.

00:45:16.520 --> 00:45:19.840
When I look at the fruit

00:45:19.920 --> 00:45:22.720
of the human brain.

00:45:23.280 --> 00:45:25.360
When I look at the good

00:45:25.440 --> 00:45:30.160
so far from the bad.

00:45:31.440 --> 00:45:33.160
When I look deep

00:45:33.240 --> 00:45:38.240
into your light eyes.

00:46:07.360 --> 00:46:10.320
Thanks to life

00:46:10.400 --> 00:46:15.400
that has given me so much.

00:46:20.400 --> 00:46:21.720
Thank you very much.

00:46:45.840 --> 00:46:47.040
What can we say?

00:46:47.720 --> 00:46:49.680
Thanks a lot.
-Thanks a lot.

00:46:51.480 --> 00:46:53.480
See you next time.

00:46:53.560 --> 00:46:55.320
See you...

00:46:55.400 --> 00:46:57.360
Want to do it again?

00:46:58.280 --> 00:47:01.240
A world tour, I hope.

00:47:04.320 --> 00:47:06.360
And everything... How does it go?

00:47:06.440 --> 00:47:08.640
Everything will continue.
-Yes.

00:47:09.720 --> 00:47:11.080
Lots of love. Ciao.