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Self-described "artivist" Mila Turajlić mines Yugoslavian newsreel archives to tell a story of international solidarity and resistance to the binary of the Cold War. Focusing on the work of cameraman Stevan Labudović, who traveled the world on Yugoslav "peace missions" and was embedded with Algerian freedom fighters for three years, the films in this diptych can be watched together, but also stand alone as fascinating independent documentary works.

A lost art. A country that no longer exists. An international political movement that is nearly forgotten.

Filmmaker Mila Turajlić was born in Belgrade, and grew up singing patriotic songs extolling Yugoslav leader Josep Broz Tito. The images that populated her “Yugoslavia of the mind” came largely from government newsreels—and the most iconic of those were shot by Stevan Labudović.

In NON-ALIGNED: SCENES FROM THE LABUDOVIĆ REELS, Turajlić delves into Labudović’s work documenting the birth of the Non-Aligned Movement, a largely Yugoslav-led bloc including many decolonizing nations that stood apart from both East and West during the Cold War.

What begins as an exploration of newsreel footage of the 1961 Non-Aligned summit in Belgrade becomes a love letter to a vanished country and its hopes for the future, a history of the early days of the Non-Aligned Movement, and a document of the affinity between two filmmakers—Turajlić, in her forties, and Labudović, nearing 90.

Shot in Belgrade, New York, and Algeria, and featuring archival footage from around the globe filmed by Labudović, this is a subtle, complex documentary, adroitly blending personal and global histories.