Zoila

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Zoila’s home-movie aesthetic paints an intimate portrait of the titular Mapuche nanny whose absence from the frame poses important questions about the maternal relationship between her and the children she raised. Think Roma without the romanticization of the indigenous maid.

Throughout the film, the filmmaker tries to capture the essence of what unites her with her nanny, and also what separates them. Zoila’s figure was nebulous for too long, and to begin to understand it involved dismantling class, race, and gender conflicts that coexist among them as ghosts.

The diversity of the footage also exposes a battle of narrators wanting to film their history, which questions rigid ideas of parenting and expresses the genesis of a family under reconstruction.

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Main credits

Pena, Gabriela (filmmaker)
Pinilla, Luciana (film producer)
Cofré, Adela (film producer)

Other credits

Cinematography, Gabriela Pena, Montse Pena; editing, Gabriela Pena; music, Javier Díaz.

MARC Record See Worldcat record

Keywords

Family,biography,Mapuche,indigenous,identity,women,womanhood,gender,girl,girlhood,mother,motherhood,female,cis woman,cis female,trans woman,trans female,women’s rights,women’s issues,lady,ladies,gentlewoman,madame,miss,missus,mrs.,dame,damsel,ingenue,lass,maid,maiden,belle,gal,ladyfriend,girlfriend,dear,darling,widow,matron,dowager,gender,gender equality,gender pay gap,women’s liberation,women’s rights,economics,social class,money,capital,capitalism,class,economy,prejudice,intersectionality,inequality,poverty,income gap,wage gap,class warfare,elitism,snobbery,bourgeois,poverty,upper class,middle class,lower class,nouveau riche,culture,identity,identity politics,culture wars,left wing,right wing,intersectionality,identity groups,civilization,literacy,humanism,cancel culture,online culture,cultural revolution,cultural diffusion,culture shock,popular culture,pop culture,material culture,cultural capital,cultural assimilation ,indigenous peoples,indigenous people,indigenous,native,native people,native peoples,aboriginal people,aboriginal,aborigine,indigene,indigeneity,tribes,tribal,tribal people,tribal peoples,family,kin,fellowship,household,immediate family,extended family,multigenerational family,multigenerational household,kinfolk,family tree,genealogy,nuclear family,modern family,family tree,migration studies,migrant studies,immigration studies,refugee studies,diaspora studies,resettlement studies,settlement studies,migration,migrant,immigration,refugee,diaspora,resettlement,settlement,refugees,international migration,continental migration,resettling,settlers,settler,migrant,migrant studies,first generation immigrant,first generation immigration,new americans,new spaniards,sociology,anthropology,psychology,sociological,sociological perspectives,conflict theory,human conflicts,sociological thinking,conflict perspective,topics in sociology,sociology topics,sociology studies,social studies,people and cultures,human relations,human relationships,cultural studies,culture studies ,racism,discrimination,prejudice,ethnicity,ethnic,race studies,ethnic studies,racist,racial sensitivity,bias,prejudice,racial prejudice,ethnic prejudice,genetics,hereditary,culture,ethnic culture,ethnology,ethnography,ethnic sensitivity; "Zoila "; Pragda Films